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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 60 / 20 / 90 / 4 it is the complementary color CMYK 32 / 74 / 0 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 60 / 20 / 90 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 60 / 20 / 90 / 4: CMYK 47 / 0 / 90 / 23, CMYK 44 / 0 / 82 / 16, CMYK 41 / 0 / 75 / 9, CMYK 38 / 0 / 70 / 2 and CMYK 33 / 0 / 63 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 60 / 20 / 90 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 60 / 20 / 90 / 4: CMYK 50 / 0 / 88 / 23, CMYK 54 / 0 / 97 / 30, CMYK 60 / 0 / 100 / 37, CMYK 67 / 0 / 100 / 44 and CMYK 76 / 0 / 100 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 20 / 90 / 4

HEX #62C418

RGB 98 196 24

HSL 94.19, 0.78%, 0.43%

LAB 70.97, -54.76, 67.3

 

Complementary color

CMYK 32 / 74 / 0 / 9

HEX #9D3BE7

RGB 157 59 231

HSL 274.19, 0.78%, 0.57%

LAB 47.06, 68.21, -69.56

 

CMYK 47 / 0 / 90 / 23

HEX #67C413

RGB 103 196 19

HSL 91.53, 0.82%, 0.42%

LAB 71.15, -53.39, 68.42

 

CMYK 44 / 0 / 82 / 16

HEX #78D626

RGB 120 214 38

HSL 92.05, 0.7%, 0.49%

LAB 77.42, -54.3, 70.17

 

CMYK 41 / 0 / 75 / 9

HEX #89E839

RGB 137 232 57

HSL 92.57, 0.79%, 0.57%

LAB 83.61, -54.95, 70.83

 

CMYK 38 / 0 / 70 / 2

HEX #9AFA4C

RGB 154 250 76

HSL 93.1, 0.95%, 0.64%

LAB 89.75, -55.4, 70.78

 

CMYK 33 / 0 / 63 / 0

HEX #ABFF5F

RGB 171 255 95

HSL 91.5, 1%, 0.69%

LAB 92.13, -50.4, 66.33

 

CMYK 50 / 0 / 88 / 23

HEX #62C418

RGB 98 196 24

HSL 94.19, 0.78%, 0.43%

LAB 70.97, -54.76, 67.3

 

CMYK 54 / 0 / 97 / 30

HEX #51B205

RGB 81 178 5

HSL 93.64, 0.95%, 0.36%

LAB 64.64, -53.51, 64.62

 

CMYK 60 / 0 / 100 / 37

HEX #40A000

RGB 64 160 0

HSL 96, 1%, 0.31%

LAB 58.26, -51.77, 59.98

 

CMYK 67 / 0 / 100 / 44

HEX #2F8E00

RGB 47 142 0

HSL 100.14, 1%, 0.28%

LAB 51.78, -49.65, 54.64

 

CMYK 76 / 0 / 100 / 51

HEX #1E7C00

RGB 30 124 0

HSL 105.48, 1%, 0.24%

LAB 45.21, -47.08, 49.24

 

CMYK 50 / 0 / 88 / 23

HEX #62C418

RGB 98 196 24

HSL 94.19, 0.78%, 0.43%

LAB 70.97, -54.76, 67.3

 

CMYK 65 / 0 / 88 / 24

HEX #45C318

RGB 69 195 24

HSL 104.21, 0.78%, 0.43%

LAB 69.73, -61.89, 65.86

 

CMYK 79 / 0 / 88 / 24

HEX #29C318

RGB 41 195 24

HSL 114.04, 0.78%, 0.43%

LAB 69.16, -66.76, 65.15

 

CMYK 88 / 0 / 82 / 24

HEX #18C323

RGB 24 195 35

HSL 123.86, 0.78%, 0.43%

LAB 69, -68.02, 62.37

 

CMYK 88 / 0 / 67 / 24

HEX #18C340

RGB 24 195 64

HSL 134.04, 0.78%, 0.43%

LAB 69.18, -65.76, 52.61

 

CMYK 50 / 0 / 88 / 23

HEX #62C418

RGB 98 196 24

HSL 94.19, 0.78%, 0.43%

LAB 70.97, -54.76, 67.3

 

CMYK 50 / 0 / 88 / 3

HEX #7CF71E

RGB 124 247 30

HSL 94.01, 0.93%, 0.54%

LAB 87.44, -65.59, 80.59

 

CMYK 49 / 0 / 88 / 83

HEX #162B05

RGB 22 43 5

HSL 93.16, 0.79%, 0.09%

LAB 15, -16.5, 19.47

 

CMYK 50 / 0 / 87 / 63

HEX #2F5E0C

RGB 47 94 12

HSL 94.39, 0.77%, 0.21%

LAB 35.27, -30.7, 38.04

 

CMYK 50 / 0 / 88 / 43

HEX #499112

RGB 73 145 18

HSL 94.02, 0.78%, 0.32%

LAB 53.72, -43.01, 53.29

 

CMYK 50 / 0 / 88 / 23

HEX #62C418

RGB 98 196 24

HSL 94.19, 0.78%, 0.43%

LAB 70.97, -54.76, 67.3

 

CMYK 88 / 0 / 21 / 24

HEX #18C39B

RGB 24 195 155

HSL 165.96, 0.78%, 0.43%

LAB 70.59, -49.45, 8.88

 

CMYK 0 / 88 / 15 / 24

HEX #C318A6

RGB 195 24 166

HSL 310.18, 0.78%, 0.43%

LAB 45.65, 73.64, -33.79

 

CMYK 50 / 0 / 88 / 23

HEX #62C418

RGB 98 196 24

HSL 94.19, 0.78%, 0.43%

LAB 70.97, -54.76, 67.3

 

CMYK 88 / 50 / 0 / 24

HEX #1862C3

RGB 24 98 195

HSL 214.04, 0.78%, 0.43%

LAB 42.57, 15.3, -56.69

 

CMYK 0 / 88 / 50 / 24

HEX #C31862

RGB 195 24 98

HSL 334.04, 0.78%, 0.43%

LAB 42.97, 66.34, 3.77

 

CMYK 50 / 0 / 88 / 23

HEX #62C418

RGB 98 196 24

HSL 94.19, 0.78%, 0.43%

LAB 70.97, -54.76, 67.3

 

CMYK 88 / 0 / 21 / 24

HEX #18C39B

RGB 24 195 155

HSL 165.96, 0.78%, 0.43%

LAB 70.59, -49.45, 8.88

 

CMYK 38 / 88 / 0 / 24

HEX #7918C3

RGB 121 24 195

HSL 274.04, 0.78%, 0.43%

LAB 35.32, 66.26, -68.2

 

CMYK 0 / 88 / 67 / 24

HEX #C31840

RGB 195 24 64

HSL 345.96, 0.78%, 0.43%

LAB 42.19, 64.13, 24.08

 

CMYK 50 / 0 / 88 / 23

HEX #62C418

RGB 98 196 24

HSL 94.19, 0.78%, 0.43%

LAB 70.97, -54.76, 67.3

 

CMYK 88 / 6 / 0 / 24

HEX #18B7C3

RGB 24 183 195

HSL 184.21, 0.78%, 0.43%

LAB 68.02, -32.83, -16.83

 

CMYK 38 / 88 / 0 / 24

HEX #7918C3

RGB 121 24 195

HSL 274.04, 0.78%, 0.43%

LAB 35.32, 66.26, -68.2

 

CMYK 0 / 82 / 88 / 24

HEX #C32318

RGB 195 35 24

HSL 3.86, 0.78%, 0.43%

LAB 42.57, 60.36, 47.16

 

Description

Color code: CMYK 60 / 20 / 90 / 4 | qconv.com Color code: CMYK 60 / 20 / 90 / 4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 196 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 196 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 20 magenta, 90 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 20% 90% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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