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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 5 / 39 / 0 / 48 it is the complementary color CMYK 26 / 0 / 30 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 5 / 39 / 0 / 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 5 / 39 / 0 / 48: CMYK 0 / 38 / 2 / 49, CMYK 0 / 33 / 1 / 42, CMYK 1 / 30 / 0 / 35, CMYK 2 / 27 / 0 / 27 and CMYK 2 / 25 / 0 / 20

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 5 / 39 / 0 / 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 5 / 39 / 0 / 48: CMYK 5 / 39 / 0 / 48, CMYK 4 / 45 / 0 / 55, CMYK 3 / 53 / 0 / 63, CMYK 1 / 64 / 0 / 70 and CMYK 0 / 84 / 2 / 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 39 / 0 / 48

HEX #7E5185

RGB 126 81 133

HSL 291.92, 0.24%, 0.42%

LAB 41.24, 28.09, -21.58

 

Complementary color

CMYK 26 / 0 / 30 / 32

HEX #81AE7A

RGB 129 174 122

HSL 111.92, 0.24%, 0.58%

LAB 66.78, -25.31, 21.97

 

CMYK 0 / 38 / 2 / 49

HEX #835180

RGB 131 81 128

HSL 303.6, 0.24%, 0.42%

LAB 41.64, 28.77, -17.87

 

CMYK 0 / 33 / 1 / 42

HEX #946393

RGB 148 99 147

HSL 301.22, 0.2%, 0.48%

LAB 48.67, 27.98, -18.34

 

CMYK 1 / 30 / 0 / 35

HEX #A575A6

RGB 165 117 166

HSL 298.78, 0.22%, 0.55%

LAB 55.56, 27.24, -18.77

 

CMYK 2 / 27 / 0 / 27

HEX #B687B9

RGB 182 135 185

HSL 296.4, 0.26%, 0.63%

LAB 62.32, 26.56, -19.17

 

CMYK 2 / 25 / 0 / 20

HEX #C799CC

RGB 199 153 204

HSL 294.12, 0.33%, 0.7%

LAB 68.96, 25.93, -19.55

 

CMYK 5 / 39 / 0 / 48

HEX #7E5185

RGB 126 81 133

HSL 291.92, 0.24%, 0.42%

LAB 41.24, 28.09, -21.58

 

CMYK 4 / 45 / 0 / 55

HEX #6D3F72

RGB 109 63 114

HSL 294.12, 0.29%, 0.35%

LAB 34.03, 28.92, -21.19

 

CMYK 3 / 53 / 0 / 63

HEX #5C2D5F

RGB 92 45 95

HSL 296.4, 0.36%, 0.27%

LAB 26.67, 29.74, -20.68

 

CMYK 1 / 64 / 0 / 70

HEX #4B1B4C

RGB 75 27 76

HSL 298.78, 0.48%, 0.2%

LAB 19.23, 30.33, -19.89

 

CMYK 0 / 84 / 2 / 77

HEX #3A0939

RGB 58 9 57

HSL 301.22, 0.73%, 0.13%

LAB 11.89, 30.06, -18.41

 

CMYK 5 / 39 / 0 / 48

HEX #7E5185

RGB 126 81 133

HSL 291.92, 0.24%, 0.42%

LAB 41.24, 28.09, -21.58

 

CMYK 0 / 39 / 1 / 48

HEX #845183

RGB 132 81 131

HSL 301.18, 0.24%, 0.42%

LAB 41.89, 29.71, -19.3

 

CMYK 0 / 39 / 7 / 48

HEX #84517B

RGB 132 81 123

HSL 310.59, 0.24%, 0.42%

LAB 41.56, 28.15, -14.92

 

CMYK 0 / 39 / 14 / 48

HEX #845172

RGB 132 81 114

HSL 321.18, 0.24%, 0.42%

LAB 41.22, 26.49, -9.91

 

CMYK 0 / 39 / 20 / 48

HEX #84516A

RGB 132 81 106

HSL 330.59, 0.24%, 0.42%

LAB 40.95, 25.1, -5.4

 

CMYK 5 / 39 / 0 / 48

HEX #7E5185

RGB 126 81 133

HSL 291.92, 0.24%, 0.42%

LAB 41.24, 28.09, -21.58

 

CMYK 5 / 39 / 0 / 28

HEX #AE70B8

RGB 174 112 184

HSL 291.67, 0.34%, 0.58%

LAB 56.14, 36.55, -28.17

 

CMYK 5 / 39 / 0 / 8

HEX #DF8FEB

RGB 223 143 235

HSL 292.17, 0.7%, 0.74%

LAB 70.41, 44.84, -34.21

 

CMYK 6 / 39 / 0 / 88

HEX #1D131F

RGB 29 19 31

HSL 290, 0.24%, 0.1%

LAB 7.46, 7.96, -6.45

 

CMYK 5 / 39 / 0 / 68

HEX #4E3252

RGB 78 50 82

HSL 292.5, 0.24%, 0.26%

LAB 25.29, 18.93, -14.44

 

CMYK 5 / 39 / 0 / 48

HEX #7E5185

RGB 126 81 133

HSL 291.92, 0.24%, 0.42%

LAB 41.24, 28.09, -21.58

 

CMYK 0 / 37 / 39 / 48

HEX #845351

RGB 132 83 81

HSL 2.35, 0.24%, 0.42%

LAB 40.71, 20.2, 9.71

 

CMYK 39 / 0 / 21 / 48

HEX #518468

RGB 81 132 104

HSL 147.06, 0.24%, 0.42%

LAB 50.98, -23.75, 9.8

 

CMYK 5 / 39 / 0 / 48

HEX #7E5185

RGB 126 81 133

HSL 291.92, 0.24%, 0.42%

LAB 41.24, 28.09, -21.58

 

CMYK 0 / 5 / 39 / 48

HEX #847D51

RGB 132 125 81

HSL 51.76, 0.24%, 0.42%

LAB 52.03, -4.31, 24.96

 

CMYK 39 / 0 / 5 / 48

HEX #51847D

RGB 81 132 125

HSL 171.76, 0.24%, 0.42%

LAB 51.53, -18.83, -1.63

 

CMYK 5 / 39 / 0 / 48

HEX #7E5185

RGB 126 81 133

HSL 291.92, 0.24%, 0.42%

LAB 41.24, 28.09, -21.58

 

CMYK 0 / 37 / 39 / 48

HEX #845351

RGB 132 83 81

HSL 2.35, 0.24%, 0.42%

LAB 40.71, 20.2, 9.71

 

CMYK 33 / 0 / 39 / 48

HEX #598451

RGB 89 132 81

HSL 110.59, 0.24%, 0.42%

LAB 50.94, -25.4, 22.94

 

CMYK 39 / 2 / 0 / 48

HEX #518284

RGB 81 130 132

HSL 182.35, 0.24%, 0.42%

LAB 51.13, -15.94, -6.32

 

CMYK 5 / 39 / 0 / 48

HEX #7E5185

RGB 126 81 133

HSL 291.92, 0.24%, 0.42%

LAB 41.24, 28.09, -21.58

 

CMYK 0 / 25 / 39 / 48

HEX #846351

RGB 132 99 81

HSL 21.18, 0.24%, 0.42%

LAB 44.83, 10.74, 15.4

 

CMYK 33 / 0 / 39 / 48

HEX #598451

RGB 89 132 81

HSL 110.59, 0.24%, 0.42%

LAB 50.94, -25.4, 22.94

 

CMYK 39 / 14 / 0 / 48

HEX #517284

RGB 81 114 132

HSL 201.18, 0.24%, 0.42%

LAB 46.24, -6.93, -13.66

 

Description

Color code: CMYK 5 / 39 / 0 / 48 | qconv.com Color code: CMYK 5 / 39 / 0 / 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 81 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 81 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 39 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 39% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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