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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 5 / 12 / 0 / 68 it is the complementary color CMYK 3 / 0 / 5 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 5 / 12 / 0 / 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 5 / 12 / 0 / 68: CMYK 0 / 13 / 7 / 67, CMYK 0 / 10 / 4 / 61, CMYK 0 / 8 / 2 / 54, CMYK 0 / 6 / 0 / 47 and CMYK 1 / 6 / 0 / 40

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 5 / 12 / 0 / 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 5 / 12 / 0 / 68: CMYK 5 / 12 / 0 / 68, CMYK 3 / 14 / 0 / 75, CMYK 0 / 18 / 0 / 83, CMYK 0 / 33 / 7 / 89 and CMYK 0 / 100 / 40 / 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 12 / 0 / 68

HEX #4E4852

RGB 78 72 82

HSL 276, 0.06%, 0.3%

LAB 31.49, 4.69, -5.04

 

Complementary color

CMYK 3 / 0 / 5 / 28

HEX #B1B7AD

RGB 177 183 173

HSL 96, 0.06%, 0.7%

LAB 73.7, -3.95, 4.35

 

CMYK 0 / 13 / 7 / 67

HEX #53484D

RGB 83 72 77

HSL 332.73, 0.07%, 0.3%

LAB 31.83, 5.64, -1.28

 

CMYK 0 / 10 / 4 / 61

HEX #645A60

RGB 100 90 96

HSL 324, 0.05%, 0.37%

LAB 39.35, 5.24, -1.98

 

CMYK 0 / 8 / 2 / 54

HEX #756C73

RGB 117 108 115

HSL 313.33, 0.04%, 0.44%

LAB 46.64, 4.89, -2.63

 

CMYK 0 / 6 / 0 / 47

HEX #867E86

RGB 134 126 134

HSL 300, 0.03%, 0.51%

LAB 53.72, 4.59, -3.25

 

CMYK 1 / 6 / 0 / 40

HEX #979099

RGB 151 144 153

HSL 286.67, 0.04%, 0.58%

LAB 60.63, 4.31, -3.83

 

CMYK 5 / 12 / 0 / 68

HEX #4E4852

RGB 78 72 82

HSL 276, 0.06%, 0.3%

LAB 31.49, 4.69, -5.04

 

CMYK 3 / 14 / 0 / 75

HEX #3D363F

RGB 61 54 63

HSL 286.67, 0.08%, 0.23%

LAB 23.64, 5.09, -4.48

 

CMYK 0 / 18 / 0 / 83

HEX #2C242C

RGB 44 36 44

HSL 300, 0.1%, 0.16%

LAB 15.38, 5.59, -3.88

 

CMYK 0 / 33 / 7 / 89

HEX #1B1219

RGB 27 18 25

HSL 313.33, 0.2%, 0.09%

LAB 6.65, 5.92, -3.08

 

CMYK 0 / 100 / 40 / 96

HEX #0A0006

RGB 10 0 6

HSL 324, 1%, 0.02%

LAB 0.7, 3.45, -1.35

 

CMYK 5 / 12 / 0 / 68

HEX #4E4852

RGB 78 72 82

HSL 276, 0.06%, 0.3%

LAB 31.49, 4.69, -5.04

 

CMYK 4 / 12 / 0 / 68

HEX #4E4751

RGB 78 71 81

HSL 282, 0.07%, 0.3%

LAB 31.16, 5.1, -4.89

 

CMYK 1 / 12 / 0 / 68

HEX #504751

RGB 80 71 81

HSL 294, 0.07%, 0.3%

LAB 31.36, 5.91, -4.57

 

CMYK 0 / 12 / 1 / 68

HEX #514750

RGB 81 71 80

HSL 306, 0.07%, 0.3%

LAB 31.43, 6.09, -3.82

 

CMYK 0 / 12 / 4 / 68

HEX #51474E

RGB 81 71 78

HSL 318, 0.07%, 0.3%

LAB 31.36, 5.66, -2.64

 

CMYK 5 / 12 / 0 / 68

HEX #4E4852

RGB 78 72 82

HSL 276, 0.06%, 0.3%

LAB 31.49, 4.69, -5.04

 

CMYK 5 / 12 / 0 / 48

HEX #7F7585

RGB 127 117 133

HSL 277.5, 0.06%, 0.49%

LAB 50.6, 7.04, -7.35

NCS® S5010-R50B

CMYK 5 / 12 / 0 / 28

HEX #AFA2B8

RGB 175 162 184

HSL 275.45, 0.13%, 0.68%

LAB 68.33, 8.87, -9.62

 

CMYK 5 / 12 / 0 / 8

HEX #E0CEEB

RGB 224 206 235

HSL 277.24, 0.42%, 0.86%

LAB 84.99, 11.47, -12.01

 

CMYK 6 / 13 / 0 / 88

HEX #1D1B1F

RGB 29 27 31

HSL 270, 0.07%, 0.11%

LAB 10.14, 1.99, -2.41

 

CMYK 5 / 12 / 0 / 68

HEX #4E4852

RGB 78 72 82

HSL 276, 0.06%, 0.3%

LAB 31.49, 4.69, -5.04

 

CMYK 0 / 12 / 10 / 68

HEX #514749

RGB 81 71 73

HSL 348, 0.07%, 0.3%

LAB 31.2, 4.62, 0.34

 

CMYK 12 / 0 / 10 / 68

HEX #475149

RGB 71 81 73

HSL 132, 0.07%, 0.3%

LAB 33.36, -5.77, 3.36

 

CMYK 5 / 12 / 0 / 68

HEX #4E4852

RGB 78 72 82

HSL 276, 0.06%, 0.3%

LAB 31.49, 4.69, -5.04

 

CMYK 0 / 5 / 12 / 68

HEX #514D47

RGB 81 77 71

HSL 36, 0.07%, 0.3%

LAB 32.95, 0.44, 4.14

 

CMYK 12 / 0 / 5 / 68

HEX #47514D

RGB 71 81 77

HSL 156, 0.07%, 0.3%

LAB 33.48, -4.89, 1

 

CMYK 5 / 12 / 0 / 68

HEX #4E4852

RGB 78 72 82

HSL 276, 0.06%, 0.3%

LAB 31.49, 4.69, -5.04

 

CMYK 0 / 12 / 10 / 68

HEX #514749

RGB 81 71 73

HSL 348, 0.07%, 0.3%

LAB 31.2, 4.62, 0.34

 

CMYK 7 / 0 / 12 / 68

HEX #4B5147

RGB 75 81 71

HSL 96, 0.07%, 0.3%

LAB 33.64, -4.56, 5.06

 

CMYK 12 / 0 / 2 / 68

HEX #47514F

RGB 71 81 79

HSL 168, 0.07%, 0.3%

LAB 33.54, -4.43, -0.18

 

CMYK 5 / 12 / 0 / 68

HEX #4E4852

RGB 78 72 82

HSL 276, 0.06%, 0.3%

LAB 31.49, 4.69, -5.04

 

CMYK 0 / 11 / 12 / 68

HEX #514847

RGB 81 72 71

HSL 6, 0.07%, 0.3%

LAB 31.44, 3.58, 1.97

 

CMYK 7 / 0 / 12 / 68

HEX #4B5147

RGB 75 81 71

HSL 96, 0.07%, 0.3%

LAB 33.64, -4.56, 5.06

 

CMYK 12 / 1 / 0 / 68

HEX #475051

RGB 71 80 81

HSL 186, 0.07%, 0.3%

LAB 33.29, -3.34, -1.81

 

Description

Color code: CMYK 5 / 12 / 0 / 68 | qconv.com Color code: CMYK 5 / 12 / 0 / 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 72 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 72 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 12 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 12% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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