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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 5 / 0 / 31 / 27 it is the complementary color CMYK 39 / 46 / 0 / 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 5 / 0 / 31 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 5 / 0 / 31 / 27: CMYK 2 / 0 / 34 / 27, CMYK 2 / 0 / 30 / 20, CMYK 3 / 0 / 27 / 13, CMYK 3 / 0 / 25 / 6 and CMYK 2 / 0 / 22 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 5 / 0 / 31 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 5 / 0 / 31 / 27: CMYK 5 / 0 / 31 / 27, CMYK 5 / 0 / 35 / 34, CMYK 5 / 0 / 40 / 41, CMYK 5 / 0 / 46 / 48 and CMYK 4 / 0 / 54 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 31 / 27

HEX #B1BA80

RGB 177 186 128

HSL 69.31, 0.3%, 0.62%

LAB 73.56, -12.64, 28.43

 

Complementary color

CMYK 39 / 46 / 0 / 50

HEX #4E457F

RGB 78 69 127

HSL 249.31, 0.3%, 0.38%

LAB 32.72, 18.75, -31.61

 

CMYK 2 / 0 / 34 / 27

HEX #B6BA7B

RGB 182 186 123

HSL 63.81, 0.31%, 0.61%

LAB 73.86, -11.33, 31.53

 

CMYK 2 / 0 / 30 / 20

HEX #C7CC8E

RGB 199 204 142

HSL 64.84, 0.38%, 0.68%

LAB 80.34, -11.54, 30.4

 

CMYK 3 / 0 / 27 / 13

HEX #D8DEA1

RGB 216 222 161

HSL 65.9, 0.48%, 0.75%

LAB 86.71, -11.72, 29.32

 

CMYK 3 / 0 / 25 / 6

HEX #E9F0B4

RGB 233 240 180

HSL 67, 0.67%, 0.82%

LAB 92.99, -11.88, 28.3

 

CMYK 2 / 0 / 22 / 0

HEX #FAFFC7

RGB 250 255 199

HSL 65.36, 1%, 0.89%

LAB 98.42, -10.53, 26.28

 

CMYK 5 / 0 / 31 / 27

HEX #B1BA80

RGB 177 186 128

HSL 69.31, 0.3%, 0.62%

LAB 73.56, -12.64, 28.43

 

CMYK 5 / 0 / 35 / 34

HEX #A0A86D

RGB 160 168 109

HSL 68.14, 0.25%, 0.54%

LAB 66.96, -12.47, 29.57

 

CMYK 5 / 0 / 40 / 41

HEX #8F965A

RGB 143 150 90

HSL 67, 0.25%, 0.47%

LAB 60.24, -12.24, 30.78

 

CMYK 5 / 0 / 46 / 48

HEX #7E8447

RGB 126 132 71

HSL 65.9, 0.3%, 0.4%

LAB 53.38, -11.95, 32.04

 

CMYK 4 / 0 / 54 / 55

HEX #6D7234

RGB 109 114 52

HSL 64.84, 0.37%, 0.33%

LAB 46.36, -11.54, 33.29

 

CMYK 5 / 0 / 31 / 27

HEX #B1BA80

RGB 177 186 128

HSL 69.31, 0.3%, 0.62%

LAB 73.56, -12.64, 28.43

 

CMYK 10 / 0 / 31 / 27

HEX #A8BB81

RGB 168 187 129

HSL 79.66, 0.3%, 0.62%

LAB 73.19, -16.47, 27.28

 

CMYK 15 / 0 / 31 / 27

HEX #9FBB81

RGB 159 187 129

HSL 88.97, 0.3%, 0.62%

LAB 72.56, -19.85, 26.33

 

CMYK 20 / 0 / 31 / 27

HEX #95BB81

RGB 149 187 129

HSL 99.31, 0.3%, 0.62%

LAB 71.9, -23.52, 25.34

 

CMYK 26 / 0 / 31 / 27

HEX #8BBB81

RGB 139 187 129

HSL 109.66, 0.3%, 0.62%

LAB 71.29, -27.05, 24.41

 

CMYK 5 / 0 / 31 / 27

HEX #B1BA80

RGB 177 186 128

HSL 69.31, 0.3%, 0.62%

LAB 73.56, -12.64, 28.43

 

CMYK 5 / 0 / 31 / 7

HEX #E2EDA3

RGB 226 237 163

HSL 68.92, 0.67%, 0.78%

LAB 91.41, -15.2, 34.71

 

CMYK 6 / 0 / 30 / 87

HEX #1F2117

RGB 31 33 23

HSL 72, 0.18%, 0.11%

LAB 12.23, -3.22, 6.48

 

CMYK 5 / 0 / 31 / 67

HEX #50543A

RGB 80 84 58

HSL 69.23, 0.18%, 0.28%

LAB 34.7, -6.58, 14.7

 

CMYK 5 / 0 / 31 / 47

HEX #80875D

RGB 128 135 93

HSL 70, 0.18%, 0.45%

LAB 54.77, -9.94, 21.78

 

CMYK 5 / 0 / 31 / 27

HEX #B1BA80

RGB 177 186 128

HSL 69.31, 0.3%, 0.62%

LAB 73.56, -12.64, 28.43

 

CMYK 31 / 0 / 20 / 27

HEX #81BB95

RGB 129 187 149

HSL 140.69, 0.3%, 0.62%

LAB 71.13, -26.83, 13.33

 

CMYK 8 / 31 / 0 / 27

HEX #AC81BB

RGB 172 129 187

HSL 284.48, 0.3%, 0.62%

LAB 59.94, 27.02, -24.03

 

CMYK 5 / 0 / 31 / 27

HEX #B1BA80

RGB 177 186 128

HSL 69.31, 0.3%, 0.62%

LAB 73.56, -12.64, 28.43

 

CMYK 31 / 5 / 0 / 27

HEX #81B2BB

RGB 129 178 187

HSL 189.31, 0.3%, 0.62%

LAB 69.54, -13.96, -9.81

 

CMYK 0 / 31 / 5 / 27

HEX #BB81B2

RGB 187 129 178

HSL 309.31, 0.3%, 0.62%

LAB 61.2, 30.26, -16.85

 

CMYK 5 / 0 / 31 / 27

HEX #B1BA80

RGB 177 186 128

HSL 69.31, 0.3%, 0.62%

LAB 73.56, -12.64, 28.43

 

CMYK 31 / 0 / 20 / 27

HEX #81BB95

RGB 129 187 149

HSL 140.69, 0.3%, 0.62%

LAB 71.13, -26.83, 13.33

 

CMYK 27 / 31 / 0 / 27

HEX #8981BB

RGB 137 129 187

HSL 248.28, 0.3%, 0.62%

LAB 56.69, 15.92, -29.31

 

CMYK 0 / 31 / 11 / 27

HEX #BB81A6

RGB 187 129 166

HSL 321.72, 0.3%, 0.62%

LAB 60.8, 28.13, -10.62

 

CMYK 5 / 0 / 31 / 27

HEX #B1BA80

RGB 177 186 128

HSL 69.31, 0.3%, 0.62%

LAB 73.56, -12.64, 28.43

 

CMYK 31 / 0 / 11 / 27

HEX #81BBA6

RGB 129 187 166

HSL 158.28, 0.3%, 0.62%

LAB 71.53, -23.37, 4.64

 

CMYK 27 / 31 / 0 / 27

HEX #8981BB

RGB 137 129 187

HSL 248.28, 0.3%, 0.62%

LAB 56.69, 15.92, -29.31

 

CMYK 0 / 31 / 20 / 27

HEX #BB8195

RGB 187 129 149

HSL 339.31, 0.3%, 0.62%

LAB 60.28, 25.34, -1.65

 

Description

Color code: CMYK 5 / 0 / 31 / 27 | qconv.com Color code: CMYK 5 / 0 / 31 / 27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 186 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 186 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 31 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 31% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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