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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 59 / 99 / 17 / 6 it is the complementary color CMYK 38 / 0 / 78 / 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 59 / 99 / 17 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 59 / 99 / 17 / 6: CMYK 47 / 99 / 0 / 24, CMYK 44 / 91 / 0 / 16, CMYK 41 / 84 / 0 / 9, CMYK 39 / 78 / 0 / 2 and CMYK 33 / 71 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 59 / 99 / 17 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 59 / 99 / 17 / 6: CMYK 51 / 99 / 0 / 22, CMYK 55 / 100 / 0 / 29, CMYK 60 / 100 / 0 / 37, CMYK 67 / 100 / 0 / 44 and CMYK 76 / 100 / 0 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 99 / 17 / 6

HEX #6202C7

RGB 98 2 199

HSL 269.24, 0.98%, 0.39%

LAB 31.26, 68.67, -77.34

 

Complementary color

CMYK 38 / 0 / 78 / 1

HEX #9DFD38

RGB 157 253 56

HSL 89.24, 0.98%, 0.61%

LAB 90.64, -56.74, 78.07

 

CMYK 47 / 99 / 0 / 24

HEX #6702C2

RGB 103 2 194

HSL 271.56, 0.98%, 0.38%

LAB 31.4, 68, -74.15

 

CMYK 44 / 91 / 0 / 16

HEX #7814D5

RGB 120 20 213

HSL 271.09, 0.83%, 0.46%

LAB 36.55, 70.91, -76.66

 

CMYK 41 / 84 / 0 / 9

HEX #8926E8

RGB 137 38 232

HSL 270.62, 0.81%, 0.53%

LAB 42.05, 72.59, -78.42

 

CMYK 39 / 78 / 0 / 2

HEX #9A38FB

RGB 154 56 251

HSL 270.15, 0.96%, 0.6%

LAB 47.83, 73.25, -79.56

 

CMYK 33 / 71 / 0 / 0

HEX #AB4AFF

RGB 171 74 255

HSL 272.15, 1%, 0.65%

LAB 52.7, 69.91, -73.76

 

CMYK 51 / 99 / 0 / 22

HEX #6202C7

RGB 98 2 199

HSL 269.24, 0.98%, 0.39%

LAB 31.26, 68.67, -77.34

 

CMYK 55 / 100 / 0 / 29

HEX #5100B4

RGB 81 0 180

HSL 267, 1%, 0.35%

LAB 26.86, 63.49, -73.45

 

CMYK 60 / 100 / 0 / 37

HEX #4000A1

RGB 64 0 161

HSL 263.85, 1%, 0.32%

LAB 22.53, 57.95, -69.23

 

CMYK 67 / 100 / 0 / 44

HEX #2F008E

RGB 47 0 142

HSL 259.86, 1%, 0.28%

LAB 18.18, 52.38, -64.78

 

CMYK 76 / 100 / 0 / 52

HEX #1E007B

RGB 30 0 123

HSL 254.63, 1%, 0.24%

LAB 13.86, 46.79, -59.98

 

CMYK 51 / 99 / 0 / 22

HEX #6202C7

RGB 98 2 199

HSL 269.24, 0.98%, 0.39%

LAB 31.26, 68.67, -77.34

 

CMYK 35 / 99 / 0 / 23

HEX #8001C4

RGB 128 1 196

HSL 279.08, 0.99%, 0.39%

LAB 35.2, 71.05, -68.95

 

CMYK 18 / 99 / 0 / 23

HEX #A101C4

RGB 161 1 196

HSL 289.23, 0.99%, 0.39%

LAB 40.55, 75.21, -59.99

 

CMYK 2 / 99 / 0 / 23

HEX #C101C4

RGB 193 1 196

HSL 299.08, 0.99%, 0.39%

LAB 46.1, 80.03, -50.75

 

CMYK 0 / 99 / 15 / 23

HEX #C401A7

RGB 196 1 167

HSL 308.92, 0.99%, 0.39%

LAB 45.01, 76.52, -35.38

 

CMYK 51 / 99 / 0 / 22

HEX #6202C7

RGB 98 2 199

HSL 269.24, 0.98%, 0.39%

LAB 31.26, 68.67, -77.34

 

CMYK 51 / 99 / 0 / 2

HEX #7B03FA

RGB 123 3 250

HSL 269.15, 0.98%, 0.5%

LAB 39.88, 81.44, -92.22

 

CMYK 50 / 100 / 0 / 82

HEX #17002E

RGB 23 0 46

HSL 270, 1%, 0.09%

LAB 3.43, 19.9, -24.2

 

CMYK 51 / 99 / 0 / 62

HEX #300161

RGB 48 1 97

HSL 269.38, 0.98%, 0.19%

LAB 12.69, 40.87, -44.86

 

CMYK 51 / 99 / 0 / 42

HEX #490194

RGB 73 1 148

HSL 269.39, 0.99%, 0.29%

LAB 22.22, 55.33, -61.71

 

CMYK 51 / 99 / 0 / 22

HEX #6202C7

RGB 98 2 199

HSL 269.24, 0.98%, 0.39%

LAB 31.26, 68.67, -77.34

 

CMYK 0 / 99 / 68 / 23

HEX #C4013F

RGB 196 1 63

HSL 340.92, 0.99%, 0.39%

LAB 41.4, 67.17, 23.74

 

CMYK 99 / 0 / 91 / 23

HEX #01C412

RGB 1 196 18

HSL 125.23, 0.99%, 0.39%

LAB 69.13, -70.25, 66.07

 

CMYK 51 / 99 / 0 / 22

HEX #6202C7

RGB 98 2 199

HSL 269.24, 0.98%, 0.39%

LAB 31.26, 68.67, -77.34

 

CMYK 0 / 51 / 99 / 23

HEX #C46001

RGB 196 96 1

HSL 29.23, 0.99%, 0.39%

LAB 51.95, 35.59, 60.4

 

CMYK 99 / 0 / 51 / 23

HEX #01C460

RGB 1 196 96

HSL 149.23, 0.99%, 0.39%

LAB 69.7, -63.06, 38.62

 

CMYK 51 / 99 / 0 / 22

HEX #6202C7

RGB 98 2 199

HSL 269.24, 0.98%, 0.39%

LAB 31.26, 68.67, -77.34

 

CMYK 0 / 99 / 68 / 23

HEX #C4013F

RGB 196 1 63

HSL 340.92, 0.99%, 0.39%

LAB 41.4, 67.17, 23.74

 

CMYK 48 / 0 / 99 / 23

HEX #66C401

RGB 102 196 1

HSL 88.92, 0.99%, 0.39%

LAB 71.08, -54.04, 70.54

 

CMYK 99 / 0 / 31 / 23

HEX #01C487

RGB 1 196 135

HSL 161.23, 0.99%, 0.39%

LAB 70.34, -55.58, 19.29

 

CMYK 51 / 99 / 0 / 22

HEX #6202C7

RGB 98 2 199

HSL 269.24, 0.98%, 0.39%

LAB 31.26, 68.67, -77.34

 

CMYK 0 / 99 / 97 / 23

HEX #C40105

RGB 196 1 5

HSL 358.77, 0.99%, 0.39%

LAB 40.85, 65.66, 53.34

 

CMYK 48 / 0 / 99 / 23

HEX #66C401

RGB 102 196 1

HSL 88.92, 0.99%, 0.39%

LAB 71.08, -54.04, 70.54

 

CMYK 99 / 0 / 2 / 23

HEX #01C4C1

RGB 1 196 193

HSL 179.08, 0.99%, 0.39%

LAB 71.78, -40.31, -10.09

 

Description

Color code: CMYK 59 / 99 / 17 / 6 | qconv.com Color code: CMYK 59 / 99 / 17 / 6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 2 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 2 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 99 magenta, 17 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 99% 17% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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