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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 59 / 0 / 26 / 41 it is the complementary color CMYK 0 / 46 / 25 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 59 / 0 / 26 / 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 59 / 0 / 26 / 41: CMYK 55 / 0 / 29 / 41, CMYK 50 / 0 / 26 / 34, CMYK 46 / 0 / 23 / 27, CMYK 42 / 0 / 20 / 20 and CMYK 39 / 0 / 18 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 59 / 0 / 26 / 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 59 / 0 / 26 / 41: CMYK 59 / 0 / 26 / 41, CMYK 66 / 0 / 30 / 48, CMYK 75 / 0 / 36 / 55, CMYK 89 / 0 / 44 / 62 and CMYK 100 / 0 / 55 / 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 26 / 41

HEX #3E966F

RGB 62 150 111

HSL 153.41, 0.42%, 0.42%

LAB 56.07, -35.95, 12.82

 

Complementary color

CMYK 0 / 46 / 25 / 24

HEX #C16990

RGB 193 105 144

HSL 333.41, 0.42%, 0.58%

LAB 55.54, 39.77, -5.67

 

CMYK 55 / 0 / 29 / 41

HEX #43966A

RGB 67 150 106

HSL 148.19, 0.38%, 0.43%

LAB 56.13, -35.87, 15.75

 

CMYK 50 / 0 / 26 / 34

HEX #54A87D

RGB 84 168 125

HSL 149.29, 0.33%, 0.49%

LAB 62.82, -35.75, 14.53

 

CMYK 46 / 0 / 23 / 27

HEX #65BA90

RGB 101 186 144

HSL 150.35, 0.38%, 0.56%

LAB 69.4, -35.56, 13.42

 

CMYK 42 / 0 / 20 / 20

HEX #76CCA3

RGB 118 204 163

HSL 151.4, 0.46%, 0.63%

LAB 75.87, -35.33, 12.4

 

CMYK 39 / 0 / 18 / 13

HEX #87DEB6

RGB 135 222 182

HSL 152.41, 0.57%, 0.7%

LAB 82.26, -35.1, 11.45

 

CMYK 59 / 0 / 26 / 41

HEX #3E966F

RGB 62 150 111

HSL 153.41, 0.42%, 0.42%

LAB 56.07, -35.95, 12.82

 

CMYK 66 / 0 / 30 / 48

HEX #2D845C

RGB 45 132 92

HSL 152.41, 0.49%, 0.35%

LAB 49.29, -35.83, 14.16

 

CMYK 75 / 0 / 36 / 55

HEX #1C7249

RGB 28 114 73

HSL 151.4, 0.61%, 0.28%

LAB 42.4, -35.4, 15.69

 

CMYK 89 / 0 / 44 / 62

HEX #0B6036

RGB 11 96 54

HSL 150.35, 0.79%, 0.21%

LAB 35.41, -34.4, 17.46

 

CMYK 100 / 0 / 55 / 69

HEX #004E23

RGB 0 78 35

HSL 146.92, 1%, 0.15%

LAB 28.3, -32.45, 19.49

 

CMYK 59 / 0 / 26 / 41

HEX #3E966F

RGB 62 150 111

HSL 153.41, 0.42%, 0.42%

LAB 56.07, -35.95, 12.82

 

CMYK 59 / 0 / 17 / 40

HEX #3E987E

RGB 62 152 126

HSL 162.67, 0.42%, 0.42%

LAB 57.06, -33.32, 5.72

 

CMYK 59 / 0 / 7 / 40

HEX #3E988D

RGB 62 152 141

HSL 172.67, 0.42%, 0.42%

LAB 57.47, -29.41, -2.24

 

CMYK 59 / 3 / 0 / 40

HEX #3E9398

RGB 62 147 152

HSL 183.33, 0.42%, 0.42%

LAB 56.25, -23.81, -10.34

 

CMYK 59 / 13 / 0 / 40

HEX #3E8498

RGB 62 132 152

HSL 193.33, 0.42%, 0.42%

LAB 51.6, -15.86, -17.36

 

CMYK 59 / 0 / 26 / 41

HEX #3E966F

RGB 62 150 111

HSL 153.41, 0.42%, 0.42%

LAB 56.07, -35.95, 12.82

 

CMYK 59 / 0 / 26 / 21

HEX #53C995

RGB 83 201 149

HSL 153.56, 0.52%, 0.56%

LAB 73.4, -45.39, 16.24

 

CMYK 59 / 0 / 26 / 1

HEX #68FCBA

RGB 104 252 186

HSL 153.24, 0.96%, 0.7%

LAB 89.91, -54.55, 19.97

 

CMYK 58 / 0 / 25 / 81

HEX #143024

RGB 20 48 36

HSL 154.29, 0.41%, 0.13%

LAB 17.41, -14.2, 4.47

 

CMYK 59 / 0 / 26 / 61

HEX #296349

RGB 41 99 73

HSL 153.1, 0.41%, 0.27%

LAB 37.62, -25.82, 9.16

 

CMYK 59 / 0 / 26 / 41

HEX #3E966F

RGB 62 150 111

HSL 153.41, 0.42%, 0.42%

LAB 56.07, -35.95, 12.82

 

CMYK 59 / 45 / 0 / 40

HEX #3E5498

RGB 62 84 152

HSL 225.33, 0.42%, 0.42%

LAB 37.17, 13.16, -39.89

 

CMYK 0 / 51 / 59 / 40

HEX #984B3E

RGB 152 75 62

HSL 8.67, 0.42%, 0.42%

LAB 41.3, 30.99, 22.59

 

CMYK 59 / 0 / 26 / 41

HEX #3E966F

RGB 62 150 111

HSL 153.41, 0.42%, 0.42%

LAB 56.07, -35.95, 12.82

 

CMYK 27 / 59 / 0 / 40

HEX #6F3E98

RGB 111 62 152

HSL 272.67, 0.42%, 0.42%

LAB 36.16, 38.89, -41.25

 

CMYK 0 / 27 / 59 / 40

HEX #986F3E

RGB 152 111 62

HSL 32.67, 0.42%, 0.42%

LAB 49.97, 10.56, 33.32

 

CMYK 59 / 0 / 26 / 41

HEX #3E966F

RGB 62 150 111

HSL 153.41, 0.42%, 0.42%

LAB 56.07, -35.95, 12.82

 

CMYK 59 / 45 / 0 / 40

HEX #3E5498

RGB 62 84 152

HSL 225.33, 0.42%, 0.42%

LAB 37.17, 13.16, -39.89

 

CMYK 0 / 59 / 33 / 40

HEX #983E66

RGB 152 62 102

HSL 333.33, 0.42%, 0.42%

LAB 39.71, 41.95, -4.42

 

CMYK 0 / 15 / 59 / 40

HEX #98813E

RGB 152 129 62

HSL 44.67, 0.42%, 0.42%

LAB 54.79, 0.33, 38.98

 

CMYK 59 / 0 / 26 / 41

HEX #3E966F

RGB 62 150 111

HSL 153.41, 0.42%, 0.42%

LAB 56.07, -35.95, 12.82

 

CMYK 57 / 59 / 0 / 40

HEX #423E98

RGB 66 62 152

HSL 242.67, 0.42%, 0.42%

LAB 31.51, 28.36, -48.98

 

CMYK 0 / 59 / 33 / 40

HEX #983E66

RGB 152 62 102

HSL 333.33, 0.42%, 0.42%

LAB 39.71, 41.95, -4.42

 

CMYK 3 / 0 / 59 / 40

HEX #93983E

RGB 147 152 62

HSL 63.33, 0.42%, 0.42%

LAB 60.79, -14.38, 45.65

 

Description

Color code: CMYK 59 / 0 / 26 / 41 | qconv.com Color code: CMYK 59 / 0 / 26 / 41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 150 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 150 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 26 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 26% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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