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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 58 / 30 / 0 / 42 it is the complementary color CMYK 0 / 22 / 45 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 58 / 30 / 0 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 58 / 30 / 0 / 42: CMYK 53 / 27 / 0 / 44, CMYK 48 / 25 / 0 / 36, CMYK 44 / 23 / 0 / 29, CMYK 41 / 21 / 0 / 22 and CMYK 38 / 20 / 0 / 14

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 58 / 30 / 0 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 58 / 30 / 0 / 42: CMYK 58 / 30 / 0 / 42, CMYK 65 / 33 / 0 / 49, CMYK 75 / 38 / 0 / 57, CMYK 88 / 45 / 0 / 64 and CMYK 100 / 56 / 0 / 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 30 / 0 / 42

HEX #3E6894

RGB 62 104 148

HSL 210.7, 0.41%, 0.41%

LAB 42.86, -0.91, -28.51

 

Complementary color

CMYK 0 / 22 / 45 / 24

HEX #C1976B

RGB 193 151 107

HSL 30.7, 0.41%, 0.59%

LAB 65.38, 10.01, 29.16

 

CMYK 53 / 27 / 0 / 44

HEX #43688F

RGB 67 104 143

HSL 210.79, 0.36%, 0.41%

LAB 42.88, -1.41, -25.46

 

CMYK 48 / 25 / 0 / 36

HEX #547AA2

RGB 84 122 162

HSL 210.77, 0.32%, 0.48%

LAB 49.99, -1.98, -25.57

 

CMYK 44 / 23 / 0 / 29

HEX #658CB5

RGB 101 140 181

HSL 210.75, 0.35%, 0.55%

LAB 56.94, -2.42, -25.71

 

CMYK 41 / 21 / 0 / 22

HEX #769EC8

RGB 118 158 200

HSL 210.73, 0.43%, 0.62%

LAB 63.73, -2.78, -25.88

 

CMYK 38 / 20 / 0 / 14

HEX #87B0DB

RGB 135 176 219

HSL 210.71, 0.54%, 0.69%

LAB 70.4, -3.08, -26.06

 

CMYK 58 / 30 / 0 / 42

HEX #3E6894

RGB 62 104 148

HSL 210.7, 0.41%, 0.41%

LAB 42.86, -0.91, -28.51

 

CMYK 65 / 33 / 0 / 49

HEX #2D5681

RGB 45 86 129

HSL 210.71, 0.48%, 0.34%

LAB 35.59, 0.09, -28.45

 

CMYK 75 / 38 / 0 / 57

HEX #1C446E

RGB 28 68 110

HSL 210.73, 0.59%, 0.27%

LAB 28.13, 1.52, -28.41

 

CMYK 88 / 45 / 0 / 64

HEX #0B325B

RGB 11 50 91

HSL 210.75, 0.78%, 0.2%

LAB 20.47, 3.69, -28.34

 

CMYK 100 / 56 / 0 / 72

HEX #002048

RGB 0 32 72

HSL 213.33, 1%, 0.14%

LAB 12.61, 7.07, -28.15

 

CMYK 58 / 30 / 0 / 42

HEX #3E6894

RGB 62 104 148

HSL 210.7, 0.41%, 0.41%

LAB 42.86, -0.91, -28.51

 

CMYK 59 / 39 / 0 / 42

HEX #3D5A93

RGB 61 90 147

HSL 219.77, 0.41%, 0.41%

LAB 38.57, 7.31, -34.65

 

CMYK 59 / 49 / 0 / 42

HEX #3D4B93

RGB 61 75 147

HSL 230.23, 0.41%, 0.41%

LAB 34.25, 17.1, -41.53

 

CMYK 59 / 59 / 0 / 42

HEX #3D3D93

RGB 61 61 147

HSL 240, 0.41%, 0.41%

LAB 30.49, 26.33, -47.6

 

CMYK 49 / 59 / 0 / 42

HEX #4B3D93

RGB 75 61 147

HSL 249.77, 0.41%, 0.41%

LAB 31.67, 29.28, -45.63

 

CMYK 58 / 30 / 0 / 42

HEX #3E6894

RGB 62 104 148

HSL 210.7, 0.41%, 0.41%

LAB 42.86, -0.91, -28.51

 

CMYK 58 / 30 / 0 / 22

HEX #538CC7

RGB 83 140 199

HSL 210.52, 0.51%, 0.55%

LAB 56.8, -1.07, -36.21

 

CMYK 58 / 30 / 0 / 2

HEX #69B0FA

RGB 105 176 250

HSL 210.62, 0.94%, 0.7%

LAB 70.15, -1.02, -43.46

 

CMYK 59 / 30 / 0 / 82

HEX #13202E

RGB 19 32 46

HSL 211.11, 0.42%, 0.13%

LAB 11.75, -0.7, -11.06

 

CMYK 58 / 30 / 0 / 62

HEX #294461

RGB 41 68 97

HSL 211.07, 0.41%, 0.27%

LAB 28.03, -0.72, -20.22

 

CMYK 58 / 30 / 0 / 42

HEX #3E6894

RGB 62 104 148

HSL 210.7, 0.41%, 0.41%

LAB 42.86, -0.91, -28.51

 

CMYK 18 / 59 / 0 / 42

HEX #793D93

RGB 121 61 147

HSL 281.86, 0.41%, 0.41%

LAB 36.95, 40.9, -36.88

 

CMYK 6 / 0 / 59 / 42

HEX #8A933D

RGB 138 147 61

HSL 66.28, 0.41%, 0.41%

LAB 58.61, -15.73, 43.48

 

CMYK 58 / 30 / 0 / 42

HEX #3E6894

RGB 62 104 148

HSL 210.7, 0.41%, 0.41%

LAB 42.86, -0.91, -28.51

 

CMYK 0 / 59 / 29 / 42

HEX #933D68

RGB 147 61 104

HSL 330, 0.41%, 0.41%

LAB 38.79, 41.04, -7.13

 

CMYK 29 / 0 / 59 / 42

HEX #68933D

RGB 104 147 61

HSL 90, 0.41%, 0.41%

LAB 56.24, -29.73, 40.15

 

CMYK 58 / 30 / 0 / 42

HEX #3E6894

RGB 62 104 148

HSL 210.7, 0.41%, 0.41%

LAB 42.86, -0.91, -28.51

 

CMYK 18 / 59 / 0 / 42

HEX #793D93

RGB 121 61 147

HSL 281.86, 0.41%, 0.41%

LAB 36.95, 40.9, -36.88

 

CMYK 0 / 29 / 59 / 42

HEX #93683D

RGB 147 104 61

HSL 30, 0.41%, 0.41%

LAB 47.55, 12.29, 30.81

 

CMYK 41 / 0 / 59 / 42

HEX #57933D

RGB 87 147 61

HSL 101.86, 0.41%, 0.41%

LAB 55.31, -35.93, 38.84

 

CMYK 58 / 30 / 0 / 42

HEX #3E6894

RGB 62 104 148

HSL 210.7, 0.41%, 0.41%

LAB 42.86, -0.91, -28.51

 

CMYK 0 / 59 / 0 / 42

HEX #933D93

RGB 147 61 147

HSL 300, 0.41%, 0.41%

LAB 40.65, 48.01, -30.79

 

CMYK 0 / 29 / 59 / 42

HEX #93683D

RGB 147 104 61

HSL 30, 0.41%, 0.41%

LAB 47.55, 12.29, 30.81

 

CMYK 59 / 0 / 59 / 42

HEX #3D933D

RGB 61 147 61

HSL 120, 0.41%, 0.41%

LAB 54.23, -43.8, 37.32

 

Description

Color code: CMYK 58 / 30 / 0 / 42 | qconv.com Color code: CMYK 58 / 30 / 0 / 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 104 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 104 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 30 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 30% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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