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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 57 / 9 / 0 / 0 it is the complementary color CMYK 0 / 84 / 100 / 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 57 / 9 / 0 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 57 / 9 / 0 / 0: CMYK 54 / 7 / 0 / 2, CMYK 48 / 2 / 0 / 0, CMYK 42 / 0 / 0 / 0, CMYK 35 / 0 / 0 / 0 and CMYK 28 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 57 / 9 / 0 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 57 / 9 / 0 / 0: CMYK 57 / 9 / 0 / 0, CMYK 61 / 9 / 0 / 7, CMYK 65 / 10 / 0 / 15, CMYK 70 / 10 / 0 / 22 and CMYK 77 / 11 / 0 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 9 / 0 / 0

HEX #6EE8FF

RGB 110 232 255

HSL 189.52, 1%, 0.72%

LAB 86.13, -27.8, -21.49

 

Complementary color

CMYK 0 / 84 / 100 / 43

HEX #911700

RGB 145 23 0

HSL 9.52, 1%, 0.28%

LAB 30.96, 48.32, 44.09

 

CMYK 54 / 7 / 0 / 2

HEX #73E8FA

RGB 115 232 250

HSL 188, 0.93%, 0.72%

LAB 86.14, -28.23, -18.84

 

CMYK 48 / 2 / 0 / 0

HEX #84FAFF

RGB 132 250 255

HSL 182.44, 1%, 0.76%

LAB 91.91, -32.07, -12.73

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 28 / 0 / 0 / 0

HEX #B7FFFF

RGB 183 255 255

HSL 180, 1%, 0.86%

LAB 95.5, -22, -7.15

 

CMYK 57 / 9 / 0 / 0

HEX #6EE8FF

RGB 110 232 255

HSL 189.52, 1%, 0.72%

LAB 86.13, -27.8, -21.49

 

CMYK 61 / 9 / 0 / 7

HEX #5DD6EC

RGB 93 214 236

HSL 189.23, 0.79%, 0.65%

LAB 79.88, -27.38, -20.95

 

CMYK 65 / 10 / 0 / 15

HEX #4CC4D9

RGB 76 196 217

HSL 188.94, 0.65%, 0.57%

LAB 73.56, -26.83, -20.36

 

CMYK 70 / 10 / 0 / 22

HEX #3BB2C6

RGB 59 178 198

HSL 188.63, 0.55%, 0.5%

LAB 67.16, -26.1, -19.73

 

CMYK 77 / 11 / 0 / 30

HEX #2AA0B3

RGB 42 160 179

HSL 188.32, 0.62%, 0.43%

LAB 60.68, -25.11, -19.03

 

CMYK 57 / 9 / 0 / 0

HEX #6EE8FF

RGB 110 232 255

HSL 189.52, 1%, 0.72%

LAB 86.13, -27.8, -21.49

 

CMYK 56 / 18 / 0 / 0

HEX #70D1FF

RGB 112 209 255

HSL 199.3, 1%, 0.72%

LAB 79.76, -15.9, -31.2

 

CMYK 56 / 27 / 0 / 0

HEX #70B9FF

RGB 112 185 255

HSL 209.37, 1%, 0.72%

LAB 73.13, -3.1, -41.47

 

CMYK 56 / 36 / 0 / 0

HEX #70A2FF

RGB 112 162 255

HSL 219.02, 1%, 0.72%

LAB 66.9, 9.87, -51.25

 

CMYK 56 / 46 / 0 / 0

HEX #708AFF

RGB 112 138 255

HSL 229.09, 1%, 0.72%

LAB 60.64, 23.96, -61.22

 

CMYK 57 / 9 / 0 / 0

HEX #6EE8FF

RGB 110 232 255

HSL 189.52, 1%, 0.72%

LAB 86.13, -27.8, -21.49

 

CMYK 57 / 10 / 0 / 80

HEX #162E33

RGB 22 46 51

HSL 190.34, 0.4%, 0.14%

LAB 17.29, -7.66, -6.12

 

CMYK 57 / 9 / 0 / 60

HEX #2C5D66

RGB 44 93 102

HSL 189.31, 0.4%, 0.29%

LAB 36.6, -13.69, -10.21

 

CMYK 57 / 9 / 0 / 40

HEX #428B99

RGB 66 139 153

HSL 189.66, 0.4%, 0.43%

LAB 53.95, -18.52, -14.37

 

CMYK 57 / 9 / 0 / 20

HEX #58BACC

RGB 88 186 204

HSL 189.31, 0.53%, 0.57%

LAB 70.56, -23.53, -17.8

 

CMYK 57 / 9 / 0 / 0

HEX #6EE8FF

RGB 110 232 255

HSL 189.52, 1%, 0.72%

LAB 86.13, -27.8, -21.49

 

CMYK 36 / 56 / 0 / 0

HEX #A270FF

RGB 162 112 255

HSL 260.98, 1%, 0.72%

LAB 58.5, 49.62, -64.44

 

CMYK 0 / 14 / 56 / 0

HEX #FFDB70

RGB 255 219 112

HSL 44.9, 1%, 0.72%

LAB 88.49, 0.05, 56.44

 

CMYK 57 / 9 / 0 / 0

HEX #6EE8FF

RGB 110 232 255

HSL 189.52, 1%, 0.72%

LAB 86.13, -27.8, -21.49

 

CMYK 0 / 56 / 9 / 0

HEX #FF70E9

RGB 255 112 233

HSL 309.23, 1%, 0.72%

LAB 68.56, 68.56, -35.67

 

CMYK 9 / 0 / 56 / 0

HEX #E9FF70

RGB 233 255 112

HSL 69.23, 1%, 0.72%

LAB 96, -26.37, 64.59

 

CMYK 57 / 9 / 0 / 0

HEX #6EE8FF

RGB 110 232 255

HSL 189.52, 1%, 0.72%

LAB 86.13, -27.8, -21.49

 

CMYK 36 / 56 / 0 / 0

HEX #A270FF

RGB 162 112 255

HSL 260.98, 1%, 0.72%

LAB 58.5, 49.62, -64.44

 

CMYK 0 / 48 / 56 / 0

HEX #FF8570

RGB 255 133 112

HSL 8.81, 1%, 0.72%

LAB 68.9, 44.44, 32.45

 

CMYK 20 / 0 / 56 / 0

HEX #CDFF70

RGB 205 255 112

HSL 80.98, 1%, 0.72%

LAB 94.17, -36.94, 62.01

 

CMYK 57 / 9 / 0 / 0

HEX #6EE8FF

RGB 110 232 255

HSL 189.52, 1%, 0.72%

LAB 86.13, -27.8, -21.49

 

CMYK 20 / 56 / 0 / 0

HEX #CD70FF

RGB 205 112 255

HSL 279.02, 1%, 0.72%

LAB 63.17, 59.74, -56.71

 

CMYK 0 / 48 / 56 / 0

HEX #FF8570

RGB 255 133 112

HSL 8.81, 1%, 0.72%

LAB 68.9, 44.44, 32.45

 

CMYK 36 / 0 / 56 / 0

HEX #A2FF70

RGB 162 255 112

HSL 99.02, 1%, 0.72%

LAB 91.85, -51.82, 58.74

 

Description

Color code: CMYK 57 / 9 / 0 / 0 | qconv.com Color code: CMYK 57 / 9 / 0 / 0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 232 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 232 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 9 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 9% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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