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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 57 / 47 / 48 / 14 it is the complementary color CMYK 0 / 14 / 12 / 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 57 / 47 / 48 / 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 57 / 47 / 48 / 14: CMYK 15 / 0 / 6 / 55, CMYK 13 / 0 / 4 / 47, CMYK 13 / 0 / 3 / 40, CMYK 12 / 0 / 2 / 33 and CMYK 11 / 0 / 2 / 26

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 57 / 47 / 48 / 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 57 / 47 / 48 / 14: CMYK 19 / 0 / 2 / 55, CMYK 21 / 0 / 3 / 62, CMYK 25 / 0 / 5 / 69, CMYK 31 / 0 / 8 / 76 and CMYK 41 / 0 / 14 / 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 47 / 48 / 14

HEX #5E7472

RGB 94 116 114

HSL 174.55, 0.1%, 0.41%

LAB 47.09, -8.5, -1.59

 

Complementary color

CMYK 0 / 14 / 12 / 37

HEX #A18B8D

RGB 161 139 141

HSL 354.55, 0.1%, 0.59%

LAB 59.86, 8.62, 1.99

 

CMYK 15 / 0 / 6 / 55

HEX #63746D

RGB 99 116 109

HSL 155.29, 0.08%, 0.42%

LAB 47.3, -7.83, 1.74

 

CMYK 13 / 0 / 4 / 47

HEX #748680

RGB 116 134 128

HSL 160, 0.07%, 0.49%

LAB 54.37, -7.79, 1.02

 

CMYK 13 / 0 / 3 / 40

HEX #859893

RGB 133 152 147

HSL 164.21, 0.08%, 0.56%

LAB 61.26, -7.76, 0.34

 

CMYK 12 / 0 / 2 / 33

HEX #96AAA6

RGB 150 170 166

HSL 168, 0.11%, 0.63%

LAB 68.01, -7.75, -0.31

 

CMYK 11 / 0 / 2 / 26

HEX #A7BCB9

RGB 167 188 185

HSL 171.43, 0.14%, 0.7%

LAB 74.63, -7.76, -0.93

 

CMYK 19 / 0 / 2 / 55

HEX #5E7472

RGB 94 116 114

HSL 174.55, 0.1%, 0.41%

LAB 47.09, -8.5, -1.59

 

CMYK 21 / 0 / 3 / 62

HEX #4D625F

RGB 77 98 95

HSL 171.43, 0.12%, 0.34%

LAB 39.81, -8.59, -0.91

 

CMYK 25 / 0 / 5 / 69

HEX #3C504C

RGB 60 80 76

HSL 168, 0.14%, 0.27%

LAB 32.3, -8.71, -0.18

 

CMYK 31 / 0 / 8 / 76

HEX #2B3E39

RGB 43 62 57

HSL 164.21, 0.18%, 0.21%

LAB 24.49, -8.88, 0.62

 

CMYK 41 / 0 / 14 / 83

HEX #1A2C26

RGB 26 44 38

HSL 160, 0.26%, 0.14%

LAB 16.31, -9.11, 1.55

 

CMYK 19 / 0 / 2 / 55

HEX #5E7472

RGB 94 116 114

HSL 174.55, 0.1%, 0.41%

LAB 47.09, -8.5, -1.59

 

CMYK 18 / 2 / 0 / 55

HEX #5E7173

RGB 94 113 115

HSL 185.71, 0.1%, 0.41%

LAB 46.21, -6.55, -3.47

 

CMYK 18 / 4 / 0 / 55

HEX #5E6E73

RGB 94 110 115

HSL 194.29, 0.1%, 0.41%

LAB 45.32, -4.8, -4.79

 

CMYK 18 / 8 / 0 / 55

HEX #5E6A73

RGB 94 106 115

HSL 205.71, 0.1%, 0.41%

LAB 44.13, -2.45, -6.56

 

CMYK 18 / 10 / 0 / 55

HEX #5E6773

RGB 94 103 115

HSL 214.29, 0.1%, 0.41%

LAB 43.24, -0.66, -7.89

 

CMYK 19 / 0 / 2 / 55

HEX #5E7472

RGB 94 116 114

HSL 174.55, 0.1%, 0.41%

LAB 47.09, -8.5, -1.59

 

CMYK 19 / 0 / 2 / 35

HEX #87A7A4

RGB 135 167 164

HSL 174.38, 0.15%, 0.59%

LAB 66.11, -11.58, -2.1

 

CMYK 19 / 0 / 2 / 15

HEX #B1DAD6

RGB 177 218 214

HSL 174.15, 0.36%, 0.77%

LAB 84.15, -14.15, -2.48

 

CMYK 21 / 0 / 0 / 95

HEX #0B0E0E

RGB 11 14 14

HSL 180, 0.12%, 0.05%

LAB 3.77, -0.9, -0.32

 

CMYK 18 / 0 / 2 / 75

HEX #354140

RGB 53 65 64

HSL 175, 0.1%, 0.23%

LAB 26.47, -5.12, -1.03

 

CMYK 19 / 0 / 2 / 55

HEX #5E7472

RGB 94 116 114

HSL 174.55, 0.1%, 0.41%

LAB 47.09, -8.5, -1.59

 

CMYK 17 / 18 / 0 / 55

HEX #605E73

RGB 96 94 115

HSL 245.71, 0.1%, 0.41%

LAB 40.78, 5.52, -11.57

 

CMYK 0 / 10 / 18 / 55

HEX #73685E

RGB 115 104 94

HSL 28.57, 0.1%, 0.41%

LAB 44.74, 2.52, 7.2

 

CMYK 19 / 0 / 2 / 55

HEX #5E7472

RGB 94 116 114

HSL 174.55, 0.1%, 0.41%

LAB 47.09, -8.5, -1.59

 

CMYK 3 / 18 / 0 / 55

HEX #705E73

RGB 112 94 115

HSL 291.43, 0.1%, 0.41%

LAB 42.29, 11.42, -9.15

 

CMYK 0 / 3 / 18 / 55

HEX #73705E

RGB 115 112 94

HSL 51.43, 0.1%, 0.41%

LAB 47.03, -2.17, 10.44

SW® 2851

CMYK 19 / 0 / 2 / 55

HEX #5E7472

RGB 94 116 114

HSL 174.55, 0.1%, 0.41%

LAB 47.09, -8.5, -1.59

 

CMYK 17 / 18 / 0 / 55

HEX #605E73

RGB 96 94 115

HSL 245.71, 0.1%, 0.41%

LAB 40.78, 5.52, -11.57

 

CMYK 0 / 18 / 17 / 55

HEX #735E60

RGB 115 94 96

HSL 354.29, 0.1%, 0.41%

LAB 41.99, 8.86, 2.05

 

CMYK 3 / 0 / 18 / 55

HEX #70735E

RGB 112 115 94

HSL 68.57, 0.1%, 0.41%

LAB 47.64, -5.12, 11.26

 

CMYK 19 / 0 / 2 / 55

HEX #5E7472

RGB 94 116 114

HSL 174.55, 0.1%, 0.41%

LAB 47.09, -8.5, -1.59

 

CMYK 11 / 18 / 0 / 55

HEX #665E73

RGB 102 94 115

HSL 262.86, 0.1%, 0.41%

LAB 41.32, 7.7, -10.7

 

CMYK 0 / 18 / 17 / 55

HEX #735E60

RGB 115 94 96

HSL 354.29, 0.1%, 0.41%

LAB 41.99, 8.86, 2.05

 

CMYK 8 / 0 / 18 / 55

HEX #6A735E

RGB 106 115 94

HSL 85.71, 0.1%, 0.41%

LAB 47.15, -7.54, 10.5

 

Description

Color code: CMYK 57 / 47 / 48 / 14 | qconv.com Color code: CMYK 57 / 47 / 48 / 14 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 116 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 116 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 47 magenta, 48 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 47% 48% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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