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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 56 / 4 / 0 / 24 it is the complementary color CMYK 0 / 59 / 64 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 56 / 4 / 0 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 56 / 4 / 0 / 24: CMYK 52 / 2 / 0 / 26, CMYK 49 / 2 / 0 / 18, CMYK 45 / 2 / 0 / 11, CMYK 43 / 2 / 0 / 4 and CMYK 38 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 56 / 4 / 0 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 56 / 4 / 0 / 24: CMYK 56 / 4 / 0 / 24, CMYK 61 / 4 / 0 / 31, CMYK 67 / 4 / 0 / 39, CMYK 75 / 4 / 0 / 46 and CMYK 86 / 3 / 0 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 4 / 0 / 24

HEX #55BAC2

RGB 85 186 194

HSL 184.4, 0.47%, 0.55%

LAB 70.14, -26.95, -12.96

 

Complementary color

CMYK 0 / 59 / 64 / 33

HEX #AA453D

RGB 170 69 61

HSL 4.4, 0.47%, 0.45%

LAB 42.97, 40.95, 25.91

 

CMYK 52 / 2 / 0 / 26

HEX #5ABABD

RGB 90 186 189

HSL 181.82, 0.43%, 0.55%

LAB 70.15, -27.32, -10.18

 

CMYK 49 / 2 / 0 / 18

HEX #6BCCD0

RGB 107 204 208

HSL 182.38, 0.52%, 0.62%

LAB 76.6, -27.45, -10.83

 

CMYK 45 / 2 / 0 / 11

HEX #7CDEE3

RGB 124 222 227

HSL 182.91, 0.65%, 0.69%

LAB 82.95, -27.52, -11.43

 

CMYK 43 / 2 / 0 / 4

HEX #8DF0F6

RGB 141 240 246

HSL 183.43, 0.85%, 0.76%

LAB 89.22, -27.56, -12.01

 

CMYK 38 / 0 / 0 / 0

HEX #9EFFFF

RGB 158 255 255

HSL 180, 1%, 0.81%

LAB 94.32, -28.51, -9.03

 

CMYK 56 / 4 / 0 / 24

HEX #55BAC2

RGB 85 186 194

HSL 184.4, 0.47%, 0.55%

LAB 70.14, -26.95, -12.96

 

CMYK 61 / 4 / 0 / 31

HEX #44A8AF

RGB 68 168 175

HSL 183.93, 0.44%, 0.48%

LAB 63.61, -26.59, -12.29

 

CMYK 67 / 4 / 0 / 39

HEX #33969C

RGB 51 150 156

HSL 183.43, 0.51%, 0.41%

LAB 56.99, -26.06, -11.54

 

CMYK 75 / 4 / 0 / 46

HEX #228489

RGB 34 132 137

HSL 182.91, 0.6%, 0.34%

LAB 50.27, -25.26, -10.7

 

CMYK 86 / 3 / 0 / 54

HEX #117276

RGB 17 114 118

HSL 182.38, 0.75%, 0.26%

LAB 43.45, -24.06, -9.72

 

CMYK 56 / 4 / 0 / 24

HEX #55BAC2

RGB 85 186 194

HSL 184.4, 0.47%, 0.55%

LAB 70.14, -26.95, -12.96

 

CMYK 56 / 13 / 0 / 24

HEX #56A9C2

RGB 86 169 194

HSL 193.89, 0.47%, 0.55%

LAB 65.16, -18.08, -20.49

 

CMYK 56 / 22 / 0 / 24

HEX #5697C2

RGB 86 151 194

HSL 203.89, 0.47%, 0.55%

LAB 59.89, -8.31, -28.57

 

CMYK 56 / 31 / 0 / 24

HEX #5685C2

RGB 86 133 194

HSL 213.89, 0.47%, 0.55%

LAB 54.71, 2.04, -36.65

 

CMYK 56 / 41 / 0 / 24

HEX #5673C2

RGB 86 115 194

HSL 223.89, 0.47%, 0.55%

LAB 49.66, 12.92, -44.61

 

CMYK 56 / 4 / 0 / 24

HEX #55BAC2

RGB 85 186 194

HSL 184.4, 0.47%, 0.55%

LAB 70.14, -26.95, -12.96

 

CMYK 56 / 4 / 0 / 4

HEX #6BEBF5

RGB 107 235 245

HSL 184.35, 0.87%, 0.69%

LAB 86.57, -32.51, -15.58

 

CMYK 56 / 5 / 0 / 84

HEX #122729

RGB 18 39 41

HSL 185.22, 0.39%, 0.12%

LAB 14.06, -7.72, -3.95

 

CMYK 57 / 4 / 0 / 64

HEX #28585C

RGB 40 88 92

HSL 184.62, 0.39%, 0.26%

LAB 34.4, -14.94, -7.3

 

CMYK 56 / 4 / 0 / 44

HEX #3F898F

RGB 63 137 143

HSL 184.5, 0.39%, 0.4%

LAB 52.87, -21.06, -10.21

 

CMYK 56 / 4 / 0 / 24

HEX #55BAC2

RGB 85 186 194

HSL 184.4, 0.47%, 0.55%

LAB 70.14, -26.95, -12.96

 

CMYK 41 / 56 / 0 / 24

HEX #7356C2

RGB 115 86 194

HSL 256.11, 0.47%, 0.55%

LAB 44.51, 37.24, -52.72

 

CMYK 0 / 19 / 56 / 24

HEX #C29E56

RGB 194 158 86

HSL 40, 0.47%, 0.55%

LAB 66.97, 4.64, 42.2

 

CMYK 56 / 4 / 0 / 24

HEX #55BAC2

RGB 85 186 194

HSL 184.4, 0.47%, 0.55%

LAB 70.14, -26.95, -12.96

 

CMYK 0 / 56 / 4 / 24

HEX #C256BA

RGB 194 86 186

HSL 304.44, 0.47%, 0.55%

LAB 53.68, 56.13, -32.95

 

CMYK 4 / 0 / 56 / 24

HEX #BAC256

RGB 186 194 86

HSL 64.44, 0.47%, 0.55%

LAB 75.88, -17.57, 52.39

 

CMYK 56 / 4 / 0 / 24

HEX #55BAC2

RGB 85 186 194

HSL 184.4, 0.47%, 0.55%

LAB 70.14, -26.95, -12.96

 

CMYK 41 / 56 / 0 / 24

HEX #7356C2

RGB 115 86 194

HSL 256.11, 0.47%, 0.55%

LAB 44.51, 37.24, -52.72

 

CMYK 0 / 52 / 56 / 24

HEX #C25D56

RGB 194 93 86

HSL 3.89, 0.47%, 0.55%

LAB 51.8, 39.81, 23.22

 

CMYK 15 / 0 / 56 / 24

HEX #A5C256

RGB 165 194 86

HSL 76.11, 0.47%, 0.55%

LAB 74.35, -26.06, 50.24

 

CMYK 56 / 4 / 0 / 24

HEX #55BAC2

RGB 85 186 194

HSL 184.4, 0.47%, 0.55%

LAB 70.14, -26.95, -12.96

 

CMYK 24 / 56 / 0 / 24

HEX #9356C2

RGB 147 86 194

HSL 273.89, 0.47%, 0.55%

LAB 47.95, 45.14, -47.02

 

CMYK 0 / 52 / 56 / 24

HEX #C25D56

RGB 194 93 86

HSL 3.89, 0.47%, 0.55%

LAB 51.8, 39.81, 23.22

 

CMYK 31 / 0 / 56 / 24

HEX #85C256

RGB 133 194 86

HSL 93.89, 0.47%, 0.55%

LAB 72.39, -38.14, 47.46

 

Description

Color code: CMYK 56 / 4 / 0 / 24 | qconv.com Color code: CMYK 56 / 4 / 0 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 186 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 186 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 4 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 4% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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