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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 56 / 18 / 18 / 2 it is the complementary color CMYK 0 / 66 / 66 / 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 56 / 18 / 18 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 56 / 18 / 18 / 2: CMYK 44 / 0 / 2 / 20, CMYK 41 / 0 / 2 / 13, CMYK 38 / 0 / 1 / 5, CMYK 35 / 0 / 0 / 0 and CMYK 28 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 56 / 18 / 18 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 56 / 18 / 18 / 2: CMYK 46 / 0 / 0 / 20, CMYK 50 / 0 / 1 / 27, CMYK 55 / 0 / 1 / 34, CMYK 61 / 0 / 2 / 41 and CMYK 68 / 0 / 3 / 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 18 / 18 / 2

HEX #6ECDCD

RGB 110 205 205

HSL 180, 0.49%, 0.62%

LAB 76.91, -28.05, -8.73

 

Complementary color

CMYK 0 / 66 / 66 / 43

HEX #913232

RGB 145 50 50

HSL 0, 0.49%, 0.38%

LAB 35.07, 40.08, 21.79

 

CMYK 44 / 0 / 2 / 20

HEX #73CDC8

RGB 115 205 200

HSL 176.67, 0.47%, 0.63%

LAB 76.97, -28.14, -5.93

 

CMYK 41 / 0 / 2 / 13

HEX #84DFDB

RGB 132 223 219

HSL 177.36, 0.59%, 0.7%

LAB 83.33, -28.1, -6.59

 

CMYK 38 / 0 / 1 / 5

HEX #95F1EE

RGB 149 241 238

HSL 178.04, 0.77%, 0.76%

LAB 89.61, -28.03, -7.21

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 28 / 0 / 0 / 0

HEX #B7FFFF

RGB 183 255 255

HSL 180, 1%, 0.86%

LAB 95.5, -22, -7.15

 

CMYK 46 / 0 / 0 / 20

HEX #6ECDCD

RGB 110 205 205

HSL 180, 0.49%, 0.62%

LAB 76.91, -28.05, -8.73

 

CMYK 50 / 0 / 1 / 27

HEX #5DBBBA

RGB 93 187 186

HSL 179.36, 0.41%, 0.55%

LAB 70.46, -27.97, -8.06

 

CMYK 55 / 0 / 1 / 34

HEX #4CA9A7

RGB 76 169 167

HSL 178.71, 0.38%, 0.48%

LAB 63.92, -27.82, -7.33

 

CMYK 61 / 0 / 2 / 41

HEX #3B9794

RGB 59 151 148

HSL 178.04, 0.44%, 0.41%

LAB 57.27, -27.55, -6.53

 

CMYK 68 / 0 / 3 / 48

HEX #2A8581

RGB 42 133 129

HSL 177.36, 0.52%, 0.34%

LAB 50.51, -27.08, -5.64

 

CMYK 46 / 0 / 0 / 20

HEX #6ECDCD

RGB 110 205 205

HSL 180, 0.49%, 0.62%

LAB 76.91, -28.05, -8.73

 

CMYK 46 / 8 / 0 / 20

HEX #6EBDCD

RGB 110 189 205

HSL 190.11, 0.49%, 0.62%

LAB 72.31, -20.06, -15.62

 

CMYK 46 / 16 / 0 / 20

HEX #6EADCD

RGB 110 173 205

HSL 200.21, 0.49%, 0.62%

LAB 67.73, -11.66, -22.56

 

CMYK 46 / 23 / 0 / 20

HEX #6E9ECD

RGB 110 158 205

HSL 209.68, 0.49%, 0.62%

LAB 63.49, -3.42, -29.08

 

CMYK 46 / 31 / 0 / 20

HEX #6E8ECD

RGB 110 142 205

HSL 219.79, 0.49%, 0.62%

LAB 59.04, 5.74, -36

 

CMYK 46 / 0 / 0 / 20

HEX #6ECDCD

RGB 110 205 205

HSL 180, 0.49%, 0.62%

LAB 76.91, -28.05, -8.73

 

CMYK 0 / 0 / 0 / 100

HEX #010101

RGB 1 1 1

HSL 0, 0%, 0%

LAB 0.27, 0, -0

 

CMYK 46 / 0 / 0 / 80

HEX #1C3434

RGB 28 52 52

HSL 180, 0.3%, 0.16%

LAB 19.85, -9.33, -2.95

 

CMYK 47 / 0 / 0 / 60

HEX #376767

RGB 55 103 103

HSL 180, 0.3%, 0.31%

LAB 40.4, -16.26, -5.09

 

CMYK 46 / 0 / 0 / 40

HEX #539A9A

RGB 83 154 154

HSL 180, 0.3%, 0.46%

LAB 59.24, -22.23, -6.94

 

CMYK 46 / 0 / 0 / 20

HEX #6ECDCD

RGB 110 205 205

HSL 180, 0.49%, 0.62%

LAB 76.91, -28.05, -8.73

 

CMYK 37 / 46 / 0 / 20

HEX #816ECD

RGB 129 110 205

HSL 252, 0.49%, 0.62%

LAB 52.09, 29.6, -46.85

 

CMYK 0 / 19 / 46 / 20

HEX #CDA76E

RGB 205 167 110

HSL 36, 0.49%, 0.62%

LAB 70.69, 6.59, 34.65

 

CMYK 46 / 0 / 0 / 20

HEX #6ECDCD

RGB 110 205 205

HSL 180, 0.49%, 0.62%

LAB 76.91, -28.05, -8.73

 

CMYK 0 / 46 / 0 / 20

HEX #CD6ECD

RGB 205 110 205

HSL 300, 0.49%, 0.62%

LAB 60.37, 50.96, -33.26

 

CMYK 0 / 0 / 46 / 20

HEX #CDCD6E

RGB 205 205 110

HSL 60, 0.49%, 0.62%

LAB 80.61, -13.27, 46.98

 

CMYK 46 / 0 / 0 / 20

HEX #6ECDCD

RGB 110 205 205

HSL 180, 0.49%, 0.62%

LAB 76.91, -28.05, -8.73

 

CMYK 37 / 46 / 0 / 20

HEX #816ECD

RGB 129 110 205

HSL 252, 0.49%, 0.62%

LAB 52.09, 29.6, -46.85

 

CMYK 0 / 46 / 46 / 20

HEX #CD6E6E

RGB 205 110 110

HSL 0, 0.49%, 0.62%

LAB 57.32, 37.37, 16.95

 

CMYK 9 / 0 / 46 / 20

HEX #BACD6E

RGB 186 205 110

HSL 72, 0.49%, 0.62%

LAB 79.17, -20.83, 44.9

 

CMYK 46 / 0 / 0 / 20

HEX #6ECDCD

RGB 110 205 205

HSL 180, 0.49%, 0.62%

LAB 76.91, -28.05, -8.73

 

CMYK 23 / 46 / 0 / 20

HEX #9E6ECD

RGB 158 110 205

HSL 270.32, 0.49%, 0.62%

LAB 54.9, 37.46, -42.23

 

CMYK 0 / 46 / 46 / 20

HEX #CD6E6E

RGB 205 110 110

HSL 0, 0.49%, 0.62%

LAB 57.32, 37.37, 16.95

 

CMYK 23 / 0 / 46 / 20

HEX #9ECD6E

RGB 158 205 110

HSL 89.68, 0.49%, 0.62%

LAB 77.32, -31.48, 42.2

 

Description

Color code: CMYK 56 / 18 / 18 / 2 | qconv.com Color code: CMYK 56 / 18 / 18 / 2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 205 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 205 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 18 magenta, 18 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 18% 18% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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