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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 56 / 0 / 34 / 44 it is the complementary color CMYK 0 / 42 / 16 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 56 / 0 / 34 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 56 / 0 / 34 / 44: CMYK 52 / 0 / 38 / 44, CMYK 47 / 0 / 33 / 37, CMYK 43 / 0 / 29 / 30, CMYK 40 / 0 / 26 / 23 and CMYK 37 / 0 / 23 / 16

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 56 / 0 / 34 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 56 / 0 / 34 / 44: CMYK 56 / 0 / 34 / 44, CMYK 63 / 0 / 40 / 51, CMYK 73 / 0 / 48 / 58, CMYK 87 / 0 / 58 / 65 and CMYK 100 / 0 / 75 / 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 34 / 44

HEX #3F8F5E

RGB 63 143 94

HSL 143.25, 0.39%, 0.4%

LAB 53.5, -36.2, 18.87

 

Complementary color

CMYK 0 / 42 / 16 / 25

HEX #C070A1

RGB 192 112 161

HSL 323.25, 0.39%, 0.6%

LAB 57.43, 38.3, -12.74

 

CMYK 52 / 0 / 38 / 44

HEX #448F59

RGB 68 143 89

HSL 136.8, 0.36%, 0.41%

LAB 53.59, -35.86, 21.81

 

CMYK 47 / 0 / 33 / 37

HEX #55A16C

RGB 85 161 108

HSL 138.16, 0.31%, 0.48%

LAB 60.34, -35.69, 20.5

 

CMYK 43 / 0 / 29 / 30

HEX #66B37F

RGB 102 179 127

HSL 139.48, 0.34%, 0.55%

LAB 66.97, -35.46, 19.29

 

CMYK 40 / 0 / 26 / 23

HEX #77C592

RGB 119 197 146

HSL 140.77, 0.4%, 0.62%

LAB 73.5, -35.2, 18.18

 

CMYK 37 / 0 / 23 / 16

HEX #88D7A5

RGB 136 215 165

HSL 142.03, 0.5%, 0.69%

LAB 79.93, -34.93, 17.15

 

CMYK 56 / 0 / 34 / 44

HEX #3F8F5E

RGB 63 143 94

HSL 143.25, 0.39%, 0.4%

LAB 53.5, -36.2, 18.87

 

CMYK 63 / 0 / 40 / 51

HEX #2E7D4B

RGB 46 125 75

HSL 142.03, 0.46%, 0.34%

LAB 46.65, -36.15, 20.31

 

CMYK 73 / 0 / 48 / 58

HEX #1D6B38

RGB 29 107 56

HSL 140.77, 0.57%, 0.27%

LAB 39.68, -35.78, 21.92

 

CMYK 87 / 0 / 58 / 65

HEX #0C5925

RGB 12 89 37

HSL 139.48, 0.76%, 0.2%

LAB 32.61, -34.75, 23.69

 

CMYK 100 / 0 / 75 / 72

HEX #004712

RGB 0 71 18

HSL 135.21, 1%, 0.14%

LAB 25.41, -32.58, 25.39

 

CMYK 56 / 0 / 34 / 44

HEX #3F8F5E

RGB 63 143 94

HSL 143.25, 0.39%, 0.4%

LAB 53.5, -36.2, 18.87

 

CMYK 56 / 0 / 26 / 45

HEX #3E8D69

RGB 62 141 105

HSL 152.66, 0.39%, 0.4%

LAB 53.05, -33.19, 12.01

 

CMYK 56 / 0 / 16 / 45

HEX #3E8D77

RGB 62 141 119

HSL 163.29, 0.39%, 0.4%

LAB 53.39, -29.85, 4.45

 

CMYK 56 / 0 / 6 / 45

HEX #3E8D84

RGB 62 141 132

HSL 173.16, 0.39%, 0.4%

LAB 53.75, -26.44, -2.54

 

CMYK 56 / 3 / 0 / 45

HEX #3E898D

RGB 62 137 141

HSL 183.04, 0.39%, 0.4%

LAB 52.77, -21.86, -9.2

 

CMYK 56 / 0 / 34 / 44

HEX #3F8F5E

RGB 63 143 94

HSL 143.25, 0.39%, 0.4%

LAB 53.5, -36.2, 18.87

 

CMYK 56 / 0 / 34 / 24

HEX #55C280

RGB 85 194 128

HSL 143.67, 0.47%, 0.55%

LAB 70.92, -46.24, 24.02

 

CMYK 56 / 0 / 34 / 4

HEX #6CF5A1

RGB 108 245 161

HSL 143.21, 0.87%, 0.69%

LAB 87.52, -55.72, 29.45

 

CMYK 56 / 0 / 34 / 84

HEX #12291B

RGB 18 41 27

HSL 143.48, 0.39%, 0.12%

LAB 14.36, -13.17, 6.43

 

CMYK 55 / 0 / 35 / 64

HEX #295C3C

RGB 41 92 60

HSL 142.35, 0.38%, 0.26%

LAB 34.91, -25.36, 13.33

 

CMYK 56 / 0 / 34 / 44

HEX #3F8F5E

RGB 63 143 94

HSL 143.25, 0.39%, 0.4%

LAB 53.5, -36.2, 18.87

 

CMYK 56 / 33 / 0 / 45

HEX #3E5F8D

RGB 62 95 141

HSL 214.94, 0.39%, 0.4%

LAB 39.8, 2.3, -29.09

 

CMYK 0 / 56 / 55 / 45

HEX #8D3E3F

RGB 141 62 63

HSL 359.24, 0.39%, 0.4%

LAB 36.87, 33.67, 15.84

 

CMYK 56 / 0 / 34 / 44

HEX #3F8F5E

RGB 63 143 94

HSL 143.25, 0.39%, 0.4%

LAB 53.5, -36.2, 18.87

 

CMYK 35 / 56 / 0 / 45

HEX #5C3E8D

RGB 92 62 141

HSL 262.78, 0.39%, 0.4%

LAB 33.23, 31.05, -39.36

 

CMYK 0 / 35 / 56 / 45

HEX #8D5C3E

RGB 141 92 62

HSL 22.78, 0.39%, 0.4%

LAB 43.75, 16.7, 25.38

 

CMYK 56 / 0 / 34 / 44

HEX #3F8F5E

RGB 63 143 94

HSL 143.25, 0.39%, 0.4%

LAB 53.5, -36.2, 18.87

 

CMYK 56 / 33 / 0 / 45

HEX #3E5F8D

RGB 62 95 141

HSL 214.94, 0.39%, 0.4%

LAB 39.8, 2.3, -29.09

 

CMYK 0 / 56 / 21 / 45

HEX #8D3E6F

RGB 141 62 111

HSL 322.78, 0.39%, 0.4%

LAB 38.3, 39.58, -12.36

 

CMYK 0 / 23 / 56 / 45

HEX #8D6C3E

RGB 141 108 62

HSL 34.94, 0.39%, 0.4%

LAB 47.93, 7.36, 30.55

 

CMYK 56 / 0 / 34 / 44

HEX #3F8F5E

RGB 63 143 94

HSL 143.25, 0.39%, 0.4%

LAB 53.5, -36.2, 18.87

 

CMYK 56 / 50 / 0 / 45

HEX #3E478D

RGB 62 71 141

HSL 233.16, 0.39%, 0.4%

LAB 32.82, 17.87, -40.17

 

CMYK 0 / 56 / 21 / 45

HEX #8D3E6F

RGB 141 62 111

HSL 322.78, 0.39%, 0.4%

LAB 38.3, 39.58, -12.36

 

CMYK 0 / 6 / 56 / 45

HEX #8D843E

RGB 141 132 62

HSL 53.16, 0.39%, 0.4%

LAB 54.57, -6.25, 38.45

 

Description

Color code: CMYK 56 / 0 / 34 / 44 | qconv.com Color code: CMYK 56 / 0 / 34 / 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 143 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 143 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 34 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 34% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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