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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 55 / 39 / 0 / 6 it is the complementary color CMYK 0 / 26 / 90 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 55 / 39 / 0 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 55 / 39 / 0 / 6: CMYK 52 / 38 / 0 / 8, CMYK 49 / 35 / 0 / 0, CMYK 42 / 29 / 0 / 0, CMYK 36 / 22 / 0 / 0 and CMYK 29 / 15 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 55 / 39 / 0 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 55 / 39 / 0 / 6: CMYK 55 / 39 / 0 / 6, CMYK 59 / 42 / 0 / 13, CMYK 63 / 46 / 0 / 21, CMYK 69 / 50 / 0 / 28 and CMYK 76 / 55 / 0 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 39 / 0 / 6

HEX #6C92F0

RGB 108 146 240

HSL 222.73, 0.81%, 0.68%

LAB 61.69, 13.67, -51.32

 

Complementary color

CMYK 0 / 26 / 90 / 42

HEX #936D0F

RGB 147 109 15

HSL 42.73, 0.81%, 0.32%

LAB 48.48, 6.99, 51.86

 

CMYK 52 / 38 / 0 / 8

HEX #7192EB

RGB 113 146 235

HSL 223.77, 0.75%, 0.68%

LAB 61.71, 13.18, -48.5

 

CMYK 49 / 35 / 0 / 0

HEX #82A4FE

RGB 130 164 254

HSL 223.55, 0.98%, 0.75%

LAB 68.35, 12.26, -48.36

 

CMYK 42 / 29 / 0 / 0

HEX #93B6FF

RGB 147 182 255

HSL 220.56, 1%, 0.79%

LAB 74.11, 6.44, -39.81

 

CMYK 36 / 22 / 0 / 0

HEX #A4C8FF

RGB 164 200 255

HSL 216.26, 1%, 0.82%

LAB 79.85, 0.99, -30.85

 

CMYK 29 / 15 / 0 / 0

HEX #B5DAFF

RGB 181 218 255

HSL 210, 1%, 0.85%

LAB 85.6, -3.88, -21.98

 

CMYK 55 / 39 / 0 / 6

HEX #6C92F0

RGB 108 146 240

HSL 222.73, 0.81%, 0.68%

LAB 61.69, 13.67, -51.32

 

CMYK 59 / 42 / 0 / 13

HEX #5B80DD

RGB 91 128 221

HSL 222.92, 0.66%, 0.61%

LAB 54.95, 14.89, -51.51

 

CMYK 63 / 46 / 0 / 21

HEX #4A6ECA

RGB 74 110 202

HSL 223.13, 0.55%, 0.54%

LAB 48.1, 16.38, -51.73

 

CMYK 69 / 50 / 0 / 28

HEX #395CB7

RGB 57 92 183

HSL 223.33, 0.53%, 0.47%

LAB 41.13, 18.22, -51.97

 

CMYK 76 / 55 / 0 / 36

HEX #284AA4

RGB 40 74 164

HSL 223.55, 0.61%, 0.4%

LAB 34.04, 20.53, -52.2

 

CMYK 55 / 39 / 0 / 6

HEX #6C92F0

RGB 108 146 240

HSL 222.73, 0.81%, 0.68%

LAB 61.69, 13.67, -51.32

 

CMYK 55 / 48 / 0 / 6

HEX #6B7CEF

RGB 107 124 239

HSL 232.27, 0.8%, 0.68%

LAB 55.86, 26.29, -60.06

 

CMYK 54 / 55 / 0 / 6

HEX #6F6BEF

RGB 111 107 239

HSL 241.82, 0.8%, 0.68%

LAB 51.98, 37.25, -66.3

 

CMYK 44 / 55 / 0 / 6

HEX #856BEF

RGB 133 107 239

HSL 251.82, 0.8%, 0.68%

LAB 53.74, 41.73, -63.36

 

CMYK 35 / 55 / 0 / 6

HEX #9B6BEF

RGB 155 107 239

HSL 261.82, 0.8%, 0.68%

LAB 55.8, 46.68, -59.94

 

CMYK 55 / 39 / 0 / 6

HEX #6C92F0

RGB 108 146 240

HSL 222.73, 0.81%, 0.68%

LAB 61.69, 13.67, -51.32

 

CMYK 56 / 39 / 0 / 86

HEX #101624

RGB 16 22 36

HSL 222, 0.38%, 0.1%

LAB 7.33, 1.96, -10.56

 

CMYK 55 / 39 / 0 / 66

HEX #273557

RGB 39 53 87

HSL 222.5, 0.38%, 0.25%

LAB 22.53, 5.33, -22.34

 

CMYK 55 / 39 / 0 / 46

HEX #3E548A

RGB 62 84 138

HSL 222.63, 0.38%, 0.39%

LAB 36.37, 8.3, -32.68

 

CMYK 55 / 39 / 0 / 26

HEX #5573BD

RGB 85 115 189

HSL 222.69, 0.44%, 0.54%

LAB 49.33, 11.06, -42.26

 

CMYK 55 / 39 / 0 / 6

HEX #6C92F0

RGB 108 146 240

HSL 222.73, 0.81%, 0.68%

LAB 61.69, 13.67, -51.32

 

CMYK 5 / 55 / 0 / 6

HEX #E26BEF

RGB 226 107 239

HSL 294.09, 0.8%, 0.68%

LAB 64.09, 64.24, -46.25

 

CMYK 17 / 0 / 55 / 6

HEX #C7EF6B

RGB 199 239 107

HSL 78.18, 0.8%, 0.68%

LAB 89.36, -32.32, 58.6

 

CMYK 55 / 39 / 0 / 6

HEX #6C92F0

RGB 108 146 240

HSL 222.73, 0.81%, 0.68%

LAB 61.69, 13.67, -51.32

 

CMYK 0 / 55 / 39 / 6

HEX #EF6B92

RGB 239 107 146

HSL 342.27, 0.8%, 0.68%

LAB 62.46, 54.5, 4.07

 

CMYK 39 / 0 / 55 / 6

HEX #92EF6B

RGB 146 239 107

HSL 102.27, 0.8%, 0.68%

LAB 86.46, -50.85, 54.48

 

CMYK 55 / 39 / 0 / 6

HEX #6C92F0

RGB 108 146 240

HSL 222.73, 0.81%, 0.68%

LAB 61.69, 13.67, -51.32

 

CMYK 5 / 55 / 0 / 6

HEX #E26BEF

RGB 226 107 239

HSL 294.09, 0.8%, 0.68%

LAB 64.09, 64.24, -46.25

 

CMYK 0 / 17 / 55 / 6

HEX #EFC76B

RGB 239 199 107

HSL 41.82, 0.8%, 0.68%

LAB 81.98, 3.41, 50.78

 

CMYK 50 / 0 / 55 / 6

HEX #78EF6B

RGB 120 239 107

HSL 114.09, 0.8%, 0.68%

LAB 85.4, -58.45, 52.97

 

CMYK 55 / 39 / 0 / 6

HEX #6C92F0

RGB 108 146 240

HSL 222.73, 0.81%, 0.68%

LAB 61.69, 13.67, -51.32

 

CMYK 0 / 55 / 11 / 6

HEX #EF6BD5

RGB 239 107 213

HSL 311.82, 0.8%, 0.68%

LAB 64.7, 63.35, -30.69

 

CMYK 0 / 17 / 55 / 6

HEX #EFC76B

RGB 239 199 107

HSL 41.82, 0.8%, 0.68%

LAB 81.98, 3.41, 50.78

 

CMYK 55 / 0 / 44 / 6

HEX #6BEF85

RGB 107 239 133

HSL 131.82, 0.8%, 0.68%

LAB 85.28, -58.25, 40.45

 

Description

Color code: CMYK 55 / 39 / 0 / 6 | qconv.com Color code: CMYK 55 / 39 / 0 / 6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 146 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 146 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 39 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 39% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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