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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 55 / 36 / 33 / 14 it is the complementary color CMYK 0 / 26 / 31 / 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 55 / 36 / 33 / 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 55 / 36 / 33 / 14: CMYK 27 / 1 / 0 / 44, CMYK 25 / 2 / 0 / 37, CMYK 23 / 2 / 0 / 29, CMYK 22 / 3 / 0 / 22 and CMYK 21 / 3 / 0 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 55 / 36 / 33 / 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 55 / 36 / 33 / 14: CMYK 33 / 5 / 0 / 42, CMYK 36 / 5 / 0 / 50, CMYK 40 / 5 / 0 / 57, CMYK 47 / 4 / 0 / 65 and CMYK 56 / 4 / 0 / 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 36 / 33 / 14

HEX #638C93

RGB 99 140 147

HSL 188.75, 0.2%, 0.48%

LAB 55.6, -12.27, -8.27

 

Complementary color

CMYK 0 / 26 / 31 / 39

HEX #9C736C

RGB 156 115 108

HSL 8.75, 0.2%, 0.52%

LAB 52.3, 15.13, 10.19

 

CMYK 27 / 1 / 0 / 44

HEX #688C8E

RGB 104 140 142

HSL 183.16, 0.15%, 0.48%

LAB 55.74, -11.97, -5.15

 

CMYK 25 / 2 / 0 / 37

HEX #799EA1

RGB 121 158 161

HSL 184.5, 0.18%, 0.55%

LAB 62.59, -11.9, -5.71

 

CMYK 23 / 2 / 0 / 29

HEX #8AB0B4

RGB 138 176 180

HSL 185.71, 0.22%, 0.62%

LAB 69.29, -11.85, -6.26

 

CMYK 22 / 3 / 0 / 22

HEX #9BC2C7

RGB 155 194 199

HSL 186.82, 0.28%, 0.69%

LAB 75.87, -11.8, -6.79

 

CMYK 21 / 3 / 0 / 15

HEX #ACD4DA

RGB 172 212 218

HSL 187.83, 0.38%, 0.76%

LAB 82.34, -11.77, -7.31

 

CMYK 33 / 5 / 0 / 42

HEX #638C93

RGB 99 140 147

HSL 188.75, 0.2%, 0.48%

LAB 55.6, -12.27, -8.27

 

CMYK 36 / 5 / 0 / 50

HEX #527A80

RGB 82 122 128

HSL 187.83, 0.22%, 0.41%

LAB 48.6, -12.3, -7.73

 

CMYK 40 / 5 / 0 / 57

HEX #41686D

RGB 65 104 109

HSL 186.82, 0.25%, 0.34%

LAB 41.42, -12.32, -7.17

 

CMYK 47 / 4 / 0 / 65

HEX #30565A

RGB 48 86 90

HSL 185.71, 0.3%, 0.27%

LAB 34.03, -12.31, -6.56

 

CMYK 56 / 4 / 0 / 72

HEX #1F4447

RGB 31 68 71

HSL 184.5, 0.39%, 0.2%

LAB 26.39, -12.21, -5.89

 

CMYK 33 / 5 / 0 / 42

HEX #638C93

RGB 99 140 147

HSL 188.75, 0.2%, 0.48%

LAB 55.6, -12.27, -8.27

 

CMYK 34 / 10 / 0 / 43

HEX #618492

RGB 97 132 146

HSL 197.14, 0.2%, 0.48%

LAB 53.08, -8.68, -11.47

 

CMYK 34 / 15 / 0 / 43

HEX #617C92

RGB 97 124 146

HSL 206.94, 0.2%, 0.48%

LAB 50.72, -4.11, -15.03

 

CMYK 34 / 21 / 0 / 43

HEX #617392

RGB 97 115 146

HSL 217.96, 0.2%, 0.48%

LAB 48.11, 1.18, -19.03

 

CMYK 34 / 27 / 0 / 43

HEX #616B92

RGB 97 107 146

HSL 227.76, 0.2%, 0.48%

LAB 45.81, 6, -22.55

 

CMYK 33 / 5 / 0 / 42

HEX #638C93

RGB 99 140 147

HSL 188.75, 0.2%, 0.48%

LAB 55.6, -12.27, -8.27

 

CMYK 33 / 5 / 0 / 22

HEX #85BDC6

RGB 133 189 198

HSL 188.31, 0.36%, 0.65%

LAB 73.19, -15.91, -10.36

 

CMYK 33 / 5 / 0 / 2

HEX #A8EDF9

RGB 168 237 249

HSL 188.89, 0.87%, 0.82%

LAB 89.74, -18.58, -12.68

 

CMYK 33 / 4 / 0 / 82

HEX #1E2B2D

RGB 30 43 45

HSL 188, 0.2%, 0.15%

LAB 16.47, -4.91, -3.1

 

CMYK 32 / 5 / 0 / 62

HEX #415B60

RGB 65 91 96

HSL 189.68, 0.19%, 0.32%

LAB 36.84, -8.33, -6.02

 

CMYK 33 / 5 / 0 / 42

HEX #638C93

RGB 99 140 147

HSL 188.75, 0.2%, 0.48%

LAB 55.6, -12.27, -8.27

 

CMYK 22 / 34 / 0 / 43

HEX #726192

RGB 114 97 146

HSL 260.82, 0.2%, 0.48%

LAB 44.52, 17.5, -24.44

 

CMYK 0 / 9 / 34 / 43

HEX #928561

RGB 146 133 97

HSL 44.08, 0.2%, 0.48%

LAB 55.84, -0.8, 21.22

 

CMYK 33 / 5 / 0 / 42

HEX #638C93

RGB 99 140 147

HSL 188.75, 0.2%, 0.48%

LAB 55.6, -12.27, -8.27

 

CMYK 0 / 34 / 4 / 43

HEX #92618C

RGB 146 97 140

HSL 307.35, 0.2%, 0.48%

LAB 47.69, 27.07, -15.69

 

CMYK 4 / 0 / 34 / 43

HEX #8C9261

RGB 140 146 97

HSL 67.35, 0.2%, 0.48%

LAB 58.97, -10.44, 25.29

 

CMYK 33 / 5 / 0 / 42

HEX #638C93

RGB 99 140 147

HSL 188.75, 0.2%, 0.48%

LAB 55.6, -12.27, -8.27

 

CMYK 22 / 34 / 0 / 43

HEX #726192

RGB 114 97 146

HSL 260.82, 0.2%, 0.48%

LAB 44.52, 17.5, -24.44

 

CMYK 0 / 29 / 34 / 43

HEX #926861

RGB 146 104 97

HSL 8.57, 0.2%, 0.48%

LAB 48.1, 15.86, 10.63

 

CMYK 11 / 0 / 34 / 43

HEX #829261

RGB 130 146 97

HSL 79.59, 0.2%, 0.48%

LAB 58.19, -14.48, 24.13

 

CMYK 33 / 5 / 0 / 42

HEX #638C93

RGB 99 140 147

HSL 188.75, 0.2%, 0.48%

LAB 55.6, -12.27, -8.27

 

CMYK 12 / 34 / 0 / 43

HEX #806192

RGB 128 97 146

HSL 277.96, 0.2%, 0.48%

LAB 45.93, 22.14, -22.15

 

CMYK 0 / 29 / 34 / 43

HEX #926861

RGB 146 104 97

HSL 8.57, 0.2%, 0.48%

LAB 48.1, 15.86, 10.63

 

CMYK 21 / 0 / 34 / 43

HEX #739261

RGB 115 146 97

HSL 97.96, 0.2%, 0.48%

LAB 57.14, -20.33, 22.54

 

Description

Color code: CMYK 55 / 36 / 33 / 14 | qconv.com Color code: CMYK 55 / 36 / 33 / 14 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 140 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 140 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 36 magenta, 33 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 36% 33% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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