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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 55 / 26 / 46 / 8 it is the complementary color CMYK 0 / 46 / 14 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 55 / 26 / 46 / 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 55 / 26 / 46 / 8: CMYK 36 / 0 / 30 / 32, CMYK 33 / 0 / 27 / 25, CMYK 31 / 0 / 24 / 18, CMYK 29 / 0 / 21 / 11 and CMYK 27 / 0 / 20 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 55 / 26 / 46 / 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 55 / 26 / 46 / 8: CMYK 39 / 0 / 27 / 32, CMYK 43 / 0 / 31 / 39, CMYK 48 / 0 / 36 / 46, CMYK 54 / 0 / 42 / 53 and CMYK 63 / 0 / 50 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 26 / 46 / 8

HEX #6AAE7F

RGB 106 174 127

HSL 138.53, 0.3%, 0.55%

LAB 65.65, -31.95, 17.5

 

Complementary color

CMYK 0 / 46 / 14 / 42

HEX #955180

RGB 149 81 128

HSL 318.53, 0.3%, 0.45%

LAB 43.99, 34.96, -14.06

 

CMYK 36 / 0 / 30 / 32

HEX #6FAE7A

RGB 111 174 122

HSL 130.48, 0.28%, 0.56%

LAB 65.79, -31.33, 20.46

 

CMYK 33 / 0 / 27 / 25

HEX #80C08D

RGB 128 192 141

HSL 132.19, 0.34%, 0.63%

LAB 72.37, -31.05, 19.37

 

CMYK 31 / 0 / 24 / 18

HEX #91D2A0

RGB 145 210 160

HSL 133.85, 0.42%, 0.7%

LAB 78.84, -30.79, 18.34

 

CMYK 29 / 0 / 21 / 11

HEX #A2E4B3

RGB 162 228 179

HSL 135.45, 0.55%, 0.76%

LAB 85.21, -30.54, 17.38

 

CMYK 27 / 0 / 20 / 4

HEX #B3F6C6

RGB 179 246 198

HSL 137.01, 0.79%, 0.83%

LAB 91.49, -30.31, 16.47

 

CMYK 39 / 0 / 27 / 32

HEX #6AAE7F

RGB 106 174 127

HSL 138.53, 0.3%, 0.55%

LAB 65.65, -31.95, 17.5

 

CMYK 43 / 0 / 31 / 39

HEX #599C6C

RGB 89 156 108

HSL 137.01, 0.27%, 0.48%

LAB 58.96, -32.21, 18.65

 

CMYK 48 / 0 / 36 / 46

HEX #488A59

RGB 72 138 89

HSL 135.45, 0.31%, 0.41%

LAB 52.15, -32.45, 19.91

 

CMYK 54 / 0 / 42 / 53

HEX #377846

RGB 55 120 70

HSL 133.85, 0.37%, 0.34%

LAB 45.2, -32.6, 21.29

 

CMYK 63 / 0 / 50 / 60

HEX #266633

RGB 38 102 51

HSL 132.19, 0.46%, 0.27%

LAB 38.12, -32.55, 22.81

 

CMYK 39 / 0 / 27 / 32

HEX #6AAE7F

RGB 106 174 127

HSL 138.53, 0.3%, 0.55%

LAB 65.65, -31.95, 17.5

 

CMYK 40 / 0 / 21 / 32

HEX #69AE89

RGB 105 174 137

HSL 147.83, 0.3%, 0.55%

LAB 65.81, -30.25, 12.23

 

CMYK 40 / 0 / 14 / 32

HEX #69AE95

RGB 105 174 149

HSL 158.26, 0.3%, 0.55%

LAB 66.09, -27.68, 6.01

 

CMYK 40 / 0 / 8 / 32

HEX #69AEA0

RGB 105 174 160

HSL 167.83, 0.3%, 0.55%

LAB 66.38, -25.15, 0.32

 

CMYK 40 / 0 / 1 / 32

HEX #69AEAC

RGB 105 174 172

HSL 178.26, 0.3%, 0.55%

LAB 66.71, -22.22, -5.85

 

CMYK 39 / 0 / 27 / 32

HEX #6AAE7F

RGB 106 174 127

HSL 138.53, 0.3%, 0.55%

LAB 65.65, -31.95, 17.5

 

CMYK 39 / 0 / 27 / 12

HEX #89E1A4

RGB 137 225 164

HSL 138.41, 0.59%, 0.71%

LAB 82.83, -39.38, 21.71

 

CMYK 38 / 0 / 29 / 92

HEX #0D150F

RGB 13 21 15

HSL 135, 0.24%, 0.07%

LAB 5.93, -4.24, 2.34

 

CMYK 39 / 0 / 26 / 72

HEX #2C4835

RGB 44 72 53

HSL 139.29, 0.24%, 0.23%

LAB 27.92, -15.41, 8.12

 

CMYK 39 / 0 / 27 / 52

HEX #4B7B5A

RGB 75 123 90

HSL 138.75, 0.24%, 0.39%

LAB 47.49, -24.04, 13.02

 

CMYK 39 / 0 / 27 / 32

HEX #6AAE7F

RGB 106 174 127

HSL 138.53, 0.3%, 0.55%

LAB 65.65, -31.95, 17.5

 

CMYK 40 / 20 / 0 / 32

HEX #698CAE

RGB 105 140 174

HSL 209.57, 0.3%, 0.55%

LAB 56.9, -3.33, -21.77

 

CMYK 0 / 40 / 36 / 32

HEX #AE6970

RGB 174 105 112

HSL 353.91, 0.3%, 0.55%

LAB 52.14, 28.47, 7.92

 

CMYK 39 / 0 / 27 / 32

HEX #6AAE7F

RGB 106 174 127

HSL 138.53, 0.3%, 0.55%

LAB 65.65, -31.95, 17.5

 

CMYK 28 / 40 / 0 / 32

HEX #7E69AE

RGB 126 105 174

HSL 258.26, 0.3%, 0.55%

LAB 49, 23.51, -33.88

 

CMYK 0 / 28 / 40 / 32

HEX #AE7E69

RGB 174 126 105

HSL 18.26, 0.3%, 0.55%

LAB 57.02, 15.84, 18.77

 

CMYK 39 / 0 / 27 / 32

HEX #6AAE7F

RGB 106 174 127

HSL 138.53, 0.3%, 0.55%

LAB 65.65, -31.95, 17.5

 

CMYK 40 / 20 / 0 / 32

HEX #698CAE

RGB 105 140 174

HSL 209.57, 0.3%, 0.55%

LAB 56.9, -3.33, -21.77

 

CMYK 0 / 40 / 11 / 32

HEX #AE699A

RGB 174 105 154

HSL 317.39, 0.3%, 0.55%

LAB 53.42, 34.8, -14.94

 

CMYK 0 / 20 / 40 / 32

HEX #AE8C69

RGB 174 140 105

HSL 30.43, 0.3%, 0.55%

LAB 60.58, 7.99, 23.57

 

CMYK 39 / 0 / 27 / 32

HEX #6AAE7F

RGB 106 174 127

HSL 138.53, 0.3%, 0.55%

LAB 65.65, -31.95, 17.5

 

CMYK 40 / 32 / 0 / 32

HEX #6977AE

RGB 105 119 174

HSL 227.83, 0.3%, 0.55%

LAB 50.98, 8.99, -30.91

 

CMYK 0 / 40 / 11 / 32

HEX #AE699A

RGB 174 105 154

HSL 317.39, 0.3%, 0.55%

LAB 53.42, 34.8, -14.94

 

CMYK 0 / 8 / 40 / 32

HEX #AEA069

RGB 174 160 105

HSL 47.83, 0.3%, 0.55%

LAB 65.87, -2.99, 30.52

 

Description

Color code: CMYK 55 / 26 / 46 / 8 | qconv.com Color code: CMYK 55 / 26 / 46 / 8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 174 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 174 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 26 magenta, 46 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 26% 46% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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