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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 55 / 0 / 0 / 51 it is the complementary color CMYK 0 / 35 / 35 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 55 / 0 / 0 / 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 55 / 0 / 0 / 51: CMYK 51 / 0 / 4 / 51, CMYK 45 / 0 / 3 / 44, CMYK 41 / 0 / 2 / 37, CMYK 37 / 0 / 1 / 30 and CMYK 35 / 0 / 1 / 23

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 55 / 0 / 0 / 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 55 / 0 / 0 / 51: CMYK 55 / 0 / 0 / 51, CMYK 64 / 0 / 1 / 58, CMYK 75 / 0 / 2 / 65, CMYK 93 / 0 / 4 / 72 and CMYK 100 / 0 / 8 / 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 0 / 51

HEX #387D7D

RGB 56 125 125

HSL 180, 0.38%, 0.35%

LAB 48.25, -21.53, -6.61

 

Complementary color

CMYK 0 / 35 / 35 / 22

HEX #C78282

RGB 199 130 130

HSL 0, 0.38%, 0.65%

LAB 61.41, 26.63, 11.03

 

CMYK 51 / 0 / 4 / 51

HEX #3D7D78

RGB 61 125 120

HSL 175.31, 0.34%, 0.36%

LAB 48.28, -21.8, -3.59

 

CMYK 45 / 0 / 3 / 44

HEX #4E8F8B

RGB 78 143 139

HSL 176.31, 0.29%, 0.43%

LAB 55.2, -21.8, -4.36

 

CMYK 41 / 0 / 2 / 37

HEX #5FA19E

RGB 95 161 158

HSL 177.27, 0.26%, 0.5%

LAB 61.99, -21.74, -5.06

 

CMYK 37 / 0 / 1 / 30

HEX #70B3B1

RGB 112 179 177

HSL 178.21, 0.31%, 0.57%

LAB 68.65, -21.67, -5.71

 

CMYK 35 / 0 / 1 / 23

HEX #81C5C4

RGB 129 197 196

HSL 179.12, 0.37%, 0.64%

LAB 75.19, -21.58, -6.33

 

CMYK 55 / 0 / 0 / 51

HEX #387D7D

RGB 56 125 125

HSL 180, 0.38%, 0.35%

LAB 48.25, -21.53, -6.61

 

CMYK 64 / 0 / 1 / 58

HEX #276B6A

RGB 39 107 106

HSL 179.12, 0.47%, 0.29%

LAB 41.2, -21.23, -5.8

 

CMYK 75 / 0 / 2 / 65

HEX #165957

RGB 22 89 87

HSL 178.21, 0.6%, 0.22%

LAB 33.99, -20.64, -4.84

 

CMYK 93 / 0 / 4 / 72

HEX #054744

RGB 5 71 68

HSL 177.27, 0.87%, 0.15%

LAB 26.61, -19.58, -3.68

 

CMYK 100 / 0 / 8 / 79

HEX #003531

RGB 0 53 49

HSL 175.47, 1%, 0.1%

LAB 19.09, -17.3, -2.13

 

CMYK 55 / 0 / 0 / 51

HEX #387D7D

RGB 56 125 125

HSL 180, 0.38%, 0.35%

LAB 48.25, -21.53, -6.61

 

CMYK 55 / 10 / 0 / 52

HEX #376F7B

RGB 55 111 123

HSL 190.59, 0.38%, 0.35%

LAB 43.67, -14.76, -12.3

 

CMYK 55 / 19 / 0 / 52

HEX #37647B

RGB 55 100 123

HSL 200.29, 0.38%, 0.35%

LAB 40.17, -8.41, -17.63

 

CMYK 55 / 28 / 0 / 52

HEX #37597B

RGB 55 89 123

HSL 210, 0.38%, 0.35%

LAB 36.72, -1.7, -22.97

 

CMYK 55 / 37 / 0 / 52

HEX #374D7B

RGB 55 77 123

HSL 220.59, 0.38%, 0.35%

LAB 33.03, 6, -28.75

 

CMYK 55 / 0 / 0 / 51

HEX #387D7D

RGB 56 125 125

HSL 180, 0.38%, 0.35%

LAB 48.25, -21.53, -6.61

 

CMYK 55 / 0 / 0 / 31

HEX #4FB0B0

RGB 79 176 176

HSL 180, 0.38%, 0.5%

LAB 66.4, -28.19, -8.64

 

CMYK 55 / 0 / 0 / 11

HEX #66E3E3

RGB 102 227 227

HSL 180, 0.69%, 0.65%

LAB 83.6, -34.47, -10.54

 

CMYK 57 / 0 / 0 / 91

HEX #0A1717

RGB 10 23 23

HSL 180, 0.39%, 0.06%

LAB 6.68, -4.77, -1.68

 

CMYK 55 / 0 / 0 / 71

HEX #214A4A

RGB 33 74 74

HSL 180, 0.38%, 0.21%

LAB 28.68, -14.27, -4.41

 

CMYK 55 / 0 / 0 / 51

HEX #387D7D

RGB 56 125 125

HSL 180, 0.38%, 0.35%

LAB 48.25, -21.53, -6.61

 

CMYK 45 / 55 / 0 / 52

HEX #44377B

RGB 68 55 123

HSL 251.47, 0.38%, 0.35%

LAB 27.82, 23.89, -36.97

 

CMYK 0 / 22 / 55 / 52

HEX #7B6037

RGB 123 96 55

HSL 36.18, 0.38%, 0.35%

LAB 42.54, 5.56, 27.41

 

CMYK 55 / 0 / 0 / 51

HEX #387D7D

RGB 56 125 125

HSL 180, 0.38%, 0.35%

LAB 48.25, -21.53, -6.61

 

CMYK 0 / 55 / 0 / 52

HEX #7B377B

RGB 123 55 123

HSL 300, 0.38%, 0.35%

LAB 34.75, 39.59, -25.55

 

CMYK 0 / 0 / 55 / 52

HEX #7B7B37

RGB 123 123 55

HSL 60, 0.38%, 0.35%

LAB 50.28, -9.95, 36.61

 

CMYK 55 / 0 / 0 / 51

HEX #387D7D

RGB 56 125 125

HSL 180, 0.38%, 0.35%

LAB 48.25, -21.53, -6.61

 

CMYK 45 / 55 / 0 / 52

HEX #44377B

RGB 68 55 123

HSL 251.47, 0.38%, 0.35%

LAB 27.82, 23.89, -36.97

 

CMYK 0 / 55 / 55 / 52

HEX #7B3737

RGB 123 55 55

HSL 0, 0.38%, 0.35%

LAB 32.3, 29.6, 14.29

 

CMYK 11 / 0 / 55 / 52

HEX #6D7B37

RGB 109 123 55

HSL 72.35, 0.38%, 0.35%

LAB 49.12, -16.14, 34.97

 

CMYK 55 / 0 / 0 / 51

HEX #387D7D

RGB 56 125 125

HSL 180, 0.38%, 0.35%

LAB 48.25, -21.53, -6.61

 

CMYK 28 / 55 / 0 / 52

HEX #59377B

RGB 89 55 123

HSL 270, 0.38%, 0.35%

LAB 30.12, 29.6, -33.16

 

CMYK 0 / 55 / 55 / 52

HEX #7B3737

RGB 123 55 55

HSL 0, 0.38%, 0.35%

LAB 32.3, 29.6, 14.29

 

CMYK 28 / 0 / 55 / 52

HEX #597B37

RGB 89 123 55

HSL 90, 0.38%, 0.35%

LAB 47.71, -24.52, 32.96

 

Description

Color code: CMYK 55 / 0 / 0 / 51 | qconv.com Color code: CMYK 55 / 0 / 0 / 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 125 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 125 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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