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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 52 / 26 / 0 / 9 it is the complementary color CMYK 0 / 42 / 84 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 52 / 26 / 0 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 52 / 26 / 0 / 9: CMYK 49 / 24 / 0 / 11, CMYK 46 / 23 / 0 / 4, CMYK 41 / 18 / 0 / 0, CMYK 35 / 11 / 0 / 0 and CMYK 28 / 4 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 52 / 26 / 0 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 52 / 26 / 0 / 9: CMYK 52 / 26 / 0 / 9, CMYK 56 / 28 / 0 / 16, CMYK 60 / 30 / 0 / 24, CMYK 66 / 33 / 0 / 31 and CMYK 72 / 36 / 0 / 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 26 / 0 / 9

HEX #6FACE8

RGB 111 172 232

HSL 209.75, 0.72%, 0.67%

LAB 68.54, -3.06, -36.15

 

Complementary color

CMYK 0 / 42 / 84 / 44

HEX #905317

RGB 144 83 23

HSL 29.75, 0.72%, 0.33%

LAB 41.5, 20.86, 43.18

 

CMYK 49 / 24 / 0 / 11

HEX #74ACE3

RGB 116 172 227

HSL 209.73, 0.66%, 0.67%

LAB 68.58, -3.41, -33.33

 

CMYK 46 / 23 / 0 / 4

HEX #85BEF6

RGB 133 190 246

HSL 209.73, 0.86%, 0.74%

LAB 75.12, -3.86, -33.46

 

CMYK 41 / 18 / 0 / 0

HEX #96D0FF

RGB 150 208 255

HSL 206.86, 1%, 0.79%

LAB 81.19, -6.91, -28.86

 

CMYK 35 / 11 / 0 / 0

HEX #A7E2FF

RGB 167 226 255

HSL 199.77, 1%, 0.83%

LAB 86.91, -11.87, -20.07

 

CMYK 28 / 4 / 0 / 0

HEX #B8F4FF

RGB 184 244 255

HSL 189.3, 1%, 0.86%

LAB 92.62, -16.31, -11.41

 

CMYK 52 / 26 / 0 / 9

HEX #6FACE8

RGB 111 172 232

HSL 209.75, 0.72%, 0.67%

LAB 68.54, -3.06, -36.15

 

CMYK 56 / 28 / 0 / 16

HEX #5E9AD5

RGB 94 154 213

HSL 209.75, 0.59%, 0.6%

LAB 61.91, -2.4, -36.05

 

CMYK 60 / 30 / 0 / 24

HEX #4D88C2

RGB 77 136 194

HSL 209.74, 0.49%, 0.53%

LAB 55.16, -1.57, -35.97

 

CMYK 66 / 33 / 0 / 31

HEX #3C76AF

RGB 60 118 175

HSL 209.74, 0.49%, 0.46%

LAB 48.28, -0.52, -35.91

 

CMYK 72 / 36 / 0 / 39

HEX #2B649C

RGB 43 100 156

HSL 209.73, 0.57%, 0.39%

LAB 41.26, 0.87, -35.84

 

CMYK 52 / 26 / 0 / 9

HEX #6FACE8

RGB 111 172 232

HSL 209.75, 0.72%, 0.67%

LAB 68.54, -3.06, -36.15

 

CMYK 52 / 34 / 0 / 9

HEX #6E98E7

RGB 110 152 231

HSL 219.17, 0.72%, 0.67%

LAB 62.96, 7.78, -44.33

 

CMYK 52 / 43 / 0 / 9

HEX #6E84E7

RGB 110 132 231

HSL 229.09, 0.72%, 0.67%

LAB 57.64, 19.59, -52.75

 

CMYK 52 / 52 / 0 / 9

HEX #6E70E7

RGB 110 112 231

HSL 239.01, 0.72%, 0.67%

LAB 52.59, 31.61, -60.84

 

CMYK 45 / 52 / 0 / 9

HEX #806EE7

RGB 128 110 231

HSL 248.93, 0.72%, 0.67%

LAB 53.5, 36.64, -59.3

 

CMYK 52 / 26 / 0 / 9

HEX #6FACE8

RGB 111 172 232

HSL 209.75, 0.72%, 0.67%

LAB 68.54, -3.06, -36.15

 

CMYK 54 / 25 / 0 / 89

HEX #0D151C

RGB 13 21 28

HSL 208, 0.37%, 0.08%

LAB 6.37, -1.11, -5.94

 

CMYK 52 / 25 / 0 / 69

HEX #263B4F

RGB 38 59 79

HSL 209.27, 0.35%, 0.23%

LAB 24.01, -1.89, -14.74

 

CMYK 52 / 26 / 0 / 49

HEX #3E6082

RGB 62 96 130

HSL 210, 0.35%, 0.38%

LAB 39.58, -1.99, -22.77

 

CMYK 52 / 26 / 0 / 29

HEX #5786B5

RGB 87 134 181

HSL 210, 0.39%, 0.53%

LAB 54.46, -2.43, -29.61

 

CMYK 52 / 26 / 0 / 9

HEX #6FACE8

RGB 111 172 232

HSL 209.75, 0.72%, 0.67%

LAB 68.54, -3.06, -36.15

 

CMYK 16 / 52 / 0 / 9

HEX #C16EE7

RGB 193 110 231

HSL 281.16, 0.72%, 0.67%

LAB 60.12, 52.7, -48.35

 

CMYK 4 / 0 / 52 / 9

HEX #DDE76E

RGB 221 231 110

HSL 64.96, 0.72%, 0.67%

LAB 88.76, -19.76, 56.95

 

CMYK 52 / 26 / 0 / 9

HEX #6FACE8

RGB 111 172 232

HSL 209.75, 0.72%, 0.67%

LAB 68.54, -3.06, -36.15

 

CMYK 0 / 52 / 26 / 9

HEX #E76EAC

RGB 231 110 172

HSL 329.26, 0.72%, 0.67%

LAB 62.61, 53.67, -10.76

 

CMYK 26 / 0 / 52 / 9

HEX #ACE76E

RGB 172 231 110

HSL 89.26, 0.72%, 0.67%

LAB 85.53, -38.34, 52.35

 

CMYK 52 / 26 / 0 / 9

HEX #6FACE8

RGB 111 172 232

HSL 209.75, 0.72%, 0.67%

LAB 68.54, -3.06, -36.15

 

CMYK 16 / 52 / 0 / 9

HEX #C16EE7

RGB 193 110 231

HSL 281.16, 0.72%, 0.67%

LAB 60.12, 52.7, -48.35

 

CMYK 0 / 27 / 52 / 9

HEX #E7A86E

RGB 231 168 110

HSL 28.76, 0.72%, 0.67%

LAB 73.62, 16.71, 38.91

 

CMYK 36 / 0 / 52 / 9

HEX #94E76E

RGB 148 231 110

HSL 101.16, 0.72%, 0.67%

LAB 84.26, -46.55, 50.53

 

CMYK 52 / 26 / 0 / 9

HEX #6FACE8

RGB 111 172 232

HSL 209.75, 0.72%, 0.67%

LAB 68.54, -3.06, -36.15

 

CMYK 1 / 52 / 0 / 9

HEX #E56EE7

RGB 229 110 231

HSL 299.01, 0.72%, 0.67%

LAB 64.63, 62.23, -40.95

 

CMYK 0 / 27 / 52 / 9

HEX #E7A86E

RGB 231 168 110

HSL 28.76, 0.72%, 0.67%

LAB 73.62, 16.71, 38.91

 

CMYK 52 / 0 / 52 / 9

HEX #70E76E

RGB 112 231 110

HSL 119.01, 0.72%, 0.67%

LAB 82.77, -57.14, 48.38

 

Description

Color code: CMYK 52 / 26 / 0 / 9 | qconv.com Color code: CMYK 52 / 26 / 0 / 9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 172 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 172 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 26 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 26% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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