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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 52 / 15 / 0 / 44 it is the complementary color CMYK 0 / 28 / 40 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 52 / 15 / 0 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 52 / 15 / 0 / 44: CMYK 46 / 12 / 0 / 46, CMYK 42 / 11 / 0 / 38, CMYK 39 / 11 / 0 / 31, CMYK 36 / 10 / 0 / 24 and CMYK 34 / 10 / 0 / 16

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 52 / 15 / 0 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 52 / 15 / 0 / 44: CMYK 52 / 15 / 0 / 44, CMYK 58 / 17 / 0 / 51, CMYK 67 / 19 / 0 / 59, CMYK 79 / 22 / 0 / 66 and CMYK 99 / 27 / 0 / 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 15 / 0 / 44

HEX #45798F

RGB 69 121 143

HSL 197.84, 0.35%, 0.42%

LAB 48.16, -10.95, -17.31

 

Complementary color

CMYK 0 / 28 / 40 / 27

HEX #BA8670

RGB 186 134 112

HSL 17.84, 0.35%, 0.58%

LAB 60.48, 17.09, 19.73

 

CMYK 46 / 12 / 0 / 46

HEX #4A798A

RGB 74 121 138

HSL 195.94, 0.3%, 0.42%

LAB 48.22, -11.18, -14.26

 

CMYK 42 / 11 / 0 / 38

HEX #5B8B9D

RGB 91 139 157

HSL 196.36, 0.27%, 0.49%

LAB 55.2, -11.33, -14.67

 

CMYK 39 / 11 / 0 / 31

HEX #6C9DB0

RGB 108 157 176

HSL 196.76, 0.3%, 0.56%

LAB 62.03, -11.43, -15.07

 

CMYK 36 / 10 / 0 / 24

HEX #7DAFC3

RGB 125 175 195

HSL 197.14, 0.37%, 0.63%

LAB 68.72, -11.51, -15.47

 

CMYK 34 / 10 / 0 / 16

HEX #8EC1D6

RGB 142 193 214

HSL 197.5, 0.47%, 0.7%

LAB 75.29, -11.57, -15.86

 

CMYK 52 / 15 / 0 / 44

HEX #45798F

RGB 69 121 143

HSL 197.84, 0.35%, 0.42%

LAB 48.16, -10.95, -17.31

 

CMYK 58 / 17 / 0 / 51

HEX #34677C

RGB 52 103 124

HSL 197.5, 0.41%, 0.35%

LAB 41.03, -10.55, -16.93

 

CMYK 67 / 19 / 0 / 59

HEX #235569

RGB 35 85 105

HSL 197.14, 0.5%, 0.27%

LAB 33.72, -9.93, -16.51

 

CMYK 79 / 22 / 0 / 66

HEX #124356

RGB 18 67 86

HSL 196.76, 0.65%, 0.2%

LAB 26.2, -8.91, -16.03

 

CMYK 99 / 27 / 0 / 74

HEX #013143

RGB 1 49 67

HSL 196.36, 0.97%, 0.13%

LAB 18.4, -7.45, -15.51

 

CMYK 52 / 15 / 0 / 44

HEX #45798F

RGB 69 121 143

HSL 197.84, 0.35%, 0.42%

LAB 48.16, -10.95, -17.31

 

CMYK 52 / 24 / 0 / 44

HEX #456E90

RGB 69 110 144

HSL 207.2, 0.35%, 0.42%

LAB 44.84, -4.22, -23.01

 

CMYK 52 / 32 / 0 / 44

HEX #456290

RGB 69 98 144

HSL 216.8, 0.35%, 0.42%

LAB 41.24, 3.11, -28.62

 

CMYK 52 / 41 / 0 / 44

HEX #455590

RGB 69 85 144

HSL 227.2, 0.35%, 0.42%

LAB 37.44, 11.37, -34.6

 

CMYK 52 / 49 / 0 / 44

HEX #454990

RGB 69 73 144

HSL 236.8, 0.35%, 0.42%

LAB 34.07, 19.18, -39.96

 

CMYK 52 / 15 / 0 / 44

HEX #45798F

RGB 69 121 143

HSL 197.84, 0.35%, 0.42%

LAB 48.16, -10.95, -17.31

 

CMYK 52 / 15 / 0 / 24

HEX #5EA4C2

RGB 94 164 194

HSL 198, 0.45%, 0.56%

LAB 64.02, -13.69, -22.2

 

CMYK 52 / 16 / 0 / 4

HEX #76CFF5

RGB 118 207 245

HSL 197.95, 0.86%, 0.71%

LAB 79.08, -16.52, -26.89

 

CMYK 51 / 15 / 0 / 84

HEX #142329

RGB 20 35 41

HSL 197.14, 0.34%, 0.12%

LAB 12.68, -4.35, -6.01

 

CMYK 52 / 15 / 0 / 64

HEX #2C4E5C

RGB 44 78 92

HSL 197.5, 0.35%, 0.27%

LAB 31.25, -8, -12.05

 

CMYK 52 / 15 / 0 / 44

HEX #45798F

RGB 69 121 143

HSL 197.84, 0.35%, 0.42%

LAB 48.16, -10.95, -17.31

 

CMYK 27 / 52 / 0 / 44

HEX #694590

RGB 105 69 144

HSL 268.8, 0.35%, 0.42%

LAB 36.5, 31.22, -35.88

 

CMYK 0 / 6 / 52 / 44

HEX #908745

RGB 144 135 69

HSL 52.8, 0.35%, 0.42%

LAB 55.77, -5.95, 36.36

 

CMYK 52 / 15 / 0 / 44

HEX #45798F

RGB 69 121 143

HSL 197.84, 0.35%, 0.42%

LAB 48.16, -10.95, -17.31

 

CMYK 0 / 52 / 15 / 44

HEX #90457B

RGB 144 69 123

HSL 316.8, 0.35%, 0.42%

LAB 40.6, 38.88, -16.25

 

CMYK 15 / 0 / 52 / 44

HEX #7B9045

RGB 123 144 69

HSL 76.8, 0.35%, 0.42%

LAB 56.67, -19.78, 37.02

 

CMYK 52 / 15 / 0 / 44

HEX #45798F

RGB 69 121 143

HSL 197.84, 0.35%, 0.42%

LAB 48.16, -10.95, -17.31

 

CMYK 27 / 52 / 0 / 44

HEX #694590

RGB 105 69 144

HSL 268.8, 0.35%, 0.42%

LAB 36.5, 31.22, -35.88

 

CMYK 0 / 38 / 52 / 44

HEX #905A45

RGB 144 90 69

HSL 16.8, 0.35%, 0.42%

LAB 43.76, 19.83, 21.36

 

CMYK 25 / 0 / 52 / 44

HEX #6C9045

RGB 108 144 69

HSL 88.8, 0.35%, 0.42%

LAB 55.65, -25.84, 35.55

 

CMYK 52 / 15 / 0 / 44

HEX #45798F

RGB 69 121 143

HSL 197.84, 0.35%, 0.42%

LAB 48.16, -10.95, -17.31

 

CMYK 11 / 52 / 0 / 44

HEX #804590

RGB 128 69 144

HSL 287.2, 0.35%, 0.42%

LAB 39.34, 37.9, -31.21

 

CMYK 0 / 38 / 52 / 44

HEX #905A45

RGB 144 90 69

HSL 16.8, 0.35%, 0.42%

LAB 43.76, 19.83, 21.36

 

CMYK 41 / 0 / 52 / 44

HEX #559045

RGB 85 144 69

HSL 107.2, 0.35%, 0.42%

LAB 54.35, -34.28, 33.67

 

Description

Color code: CMYK 52 / 15 / 0 / 44 | qconv.com Color code: CMYK 52 / 15 / 0 / 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 121 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 121 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 15 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 15% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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