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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 52 / 13 / 56 / 0 it is the complementary color CMYK 7 / 77 / 0 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 52 / 13 / 56 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 52 / 13 / 56 / 0: CMYK 43 / 0 / 52 / 13, CMYK 40 / 0 / 48 / 6, CMYK 37 / 0 / 43 / 0, CMYK 30 / 0 / 36 / 0 and CMYK 24 / 0 / 28 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 52 / 13 / 56 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 52 / 13 / 56 / 0: CMYK 45 / 0 / 50 / 13, CMYK 49 / 0 / 54 / 20, CMYK 53 / 0 / 60 / 27, CMYK 58 / 0 / 67 / 34 and CMYK 64 / 0 / 76 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 13 / 56 / 0

HEX #7ADE70

RGB 122 222 112

HSL 114.55, 0.63%, 0.65%

LAB 80.49, -50.58, 44.74

 

Complementary color

CMYK 7 / 77 / 0 / 44

HEX #85218F

RGB 133 33 143

HSL 294.55, 0.63%, 0.35%

LAB 34.1, 55.29, -38.87

 

CMYK 43 / 0 / 52 / 13

HEX #7FDE6B

RGB 127 222 107

HSL 109.57, 0.64%, 0.65%

LAB 80.64, -49.73, 47.35

 

CMYK 40 / 0 / 48 / 6

HEX #90F07E

RGB 144 240 126

HSL 110.53, 0.79%, 0.72%

LAB 86.88, -49.66, 46.15

 

CMYK 37 / 0 / 43 / 0

HEX #A1FF91

RGB 161 255 145

HSL 111.27, 1%, 0.78%

LAB 92.19, -48.27, 43.88

 

CMYK 30 / 0 / 36 / 0

HEX #B2FFA4

RGB 178 255 164

HSL 110.77, 1%, 0.82%

LAB 93.3, -40.28, 36.17

 

CMYK 24 / 0 / 28 / 0

HEX #C3FFB7

RGB 195 255 183

HSL 110, 1%, 0.86%

LAB 94.54, -31.91, 28.48

 

CMYK 45 / 0 / 50 / 13

HEX #7ADE70

RGB 122 222 112

HSL 114.55, 0.63%, 0.65%

LAB 80.49, -50.58, 44.74

 

CMYK 49 / 0 / 54 / 20

HEX #69CC5D

RGB 105 204 93

HSL 113.51, 0.52%, 0.58%

LAB 74.18, -50.57, 45.97

 

CMYK 53 / 0 / 60 / 27

HEX #58BA4A

RGB 88 186 74

HSL 112.5, 0.45%, 0.51%

LAB 67.79, -50.4, 47.13

 

CMYK 58 / 0 / 67 / 34

HEX #47A837

RGB 71 168 55

HSL 111.5, 0.51%, 0.44%

LAB 61.33, -49.99, 48.11

 

CMYK 64 / 0 / 76 / 41

HEX #369624

RGB 54 150 36

HSL 110.53, 0.61%, 0.36%

LAB 54.79, -49.19, 48.64

 

CMYK 45 / 0 / 50 / 13

HEX #7ADE70

RGB 122 222 112

HSL 114.55, 0.63%, 0.65%

LAB 80.49, -50.58, 44.74

 

CMYK 51 / 0 / 47 / 13

HEX #6DDD75

RGB 109 221 117

HSL 124.29, 0.62%, 0.65%

LAB 79.76, -53.08, 41.3

 

CMYK 51 / 0 / 39 / 13

HEX #6DDD87

RGB 109 221 135

HSL 133.93, 0.62%, 0.65%

LAB 80.02, -50.32, 32.66

 

CMYK 51 / 0 / 30 / 13

HEX #6DDD9A

RGB 109 221 154

HSL 144.11, 0.62%, 0.65%

LAB 80.35, -46.96, 23.32

 

CMYK 51 / 0 / 22 / 13

HEX #6DDDAD

RGB 109 221 173

HSL 154.29, 0.62%, 0.65%

LAB 80.73, -43.16, 13.89

 

CMYK 45 / 0 / 50 / 13

HEX #7ADE70

RGB 122 222 112

HSL 114.55, 0.63%, 0.65%

LAB 80.49, -50.58, 44.74

 

CMYK 44 / 0 / 50 / 93

HEX #0A1209

RGB 10 18 9

HSL 113.33, 0.33%, 0.05%

LAB 4.67, -4.12, 3.22

 

CMYK 45 / 0 / 49 / 73

HEX #264523

RGB 38 69 35

HSL 114.71, 0.33%, 0.2%

LAB 26.13, -19.61, 16.99

 

CMYK 45 / 0 / 49 / 53

HEX #42783D

RGB 66 120 61

HSL 114.92, 0.33%, 0.35%

LAB 45.54, -30.74, 26.83

 

CMYK 45 / 0 / 50 / 33

HEX #5EAB56

RGB 94 171 86

HSL 114.35, 0.34%, 0.5%

LAB 63.49, -41.03, 36.31

 

CMYK 45 / 0 / 50 / 13

HEX #7ADE70

RGB 122 222 112

HSL 114.55, 0.63%, 0.65%

LAB 80.49, -50.58, 44.74

 

CMYK 51 / 5 / 0 / 13

HEX #6DD2DD

RGB 109 210 221

HSL 185.89, 0.62%, 0.65%

LAB 78.79, -26.52, -14.53

 

CMYK 0 / 51 / 25 / 13

HEX #DD6DA5

RGB 221 109 165

HSL 330, 0.62%, 0.65%

LAB 60.8, 50.02, -9.59

 

CMYK 45 / 0 / 50 / 13

HEX #7ADE70

RGB 122 222 112

HSL 114.55, 0.63%, 0.65%

LAB 80.49, -50.58, 44.74

 

CMYK 51 / 46 / 0 / 13

HEX #6D78DD

RGB 109 120 221

HSL 234.11, 0.62%, 0.65%

LAB 53.93, 23.48, -53.08

 

CMYK 0 / 51 / 46 / 13

HEX #DD6D78

RGB 221 109 120

HSL 354.11, 0.62%, 0.65%

LAB 59.59, 44.72, 14.64

 

CMYK 45 / 0 / 50 / 13

HEX #7ADE70

RGB 122 222 112

HSL 114.55, 0.63%, 0.65%

LAB 80.49, -50.58, 44.74

 

CMYK 51 / 5 / 0 / 13

HEX #6DD2DD

RGB 109 210 221

HSL 185.89, 0.62%, 0.65%

LAB 78.79, -26.52, -14.53

 

CMYK 5 / 51 / 0 / 13

HEX #D26DDD

RGB 210 109 221

HSL 294.11, 0.62%, 0.65%

LAB 61.53, 55.79, -40.4

 

CMYK 0 / 46 / 51 / 13

HEX #DD786D

RGB 221 120 109

HSL 5.89, 0.62%, 0.65%

LAB 61.58, 38.1, 23.64

 

CMYK 45 / 0 / 50 / 13

HEX #7ADE70

RGB 122 222 112

HSL 114.55, 0.63%, 0.65%

LAB 80.49, -50.58, 44.74

 

CMYK 51 / 20 / 0 / 13

HEX #6DB0DD

RGB 109 176 221

HSL 204.11, 0.62%, 0.65%

LAB 69.13, -8.95, -29.22

 

CMYK 5 / 51 / 0 / 13

HEX #D26DDD

RGB 210 109 221

HSL 294.11, 0.62%, 0.65%

LAB 61.53, 55.79, -40.4

 

CMYK 0 / 30 / 51 / 13

HEX #DD9A6D

RGB 221 154 109

HSL 24.11, 0.62%, 0.65%

LAB 69.17, 20.05, 33.58

 

Description

Color code: CMYK 52 / 13 / 56 / 0 | qconv.com Color code: CMYK 52 / 13 / 56 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 222 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 222 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 13 magenta, 56 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 13% 56% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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