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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 51 / 33 / 0 / 7 it is the complementary color CMYK 0 / 31 / 87 / 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 51 / 33 / 0 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 51 / 33 / 0 / 7: CMYK 48 / 31 / 0 / 9, CMYK 45 / 29 / 0 / 2, CMYK 39 / 24 / 0 / 0, CMYK 33 / 16 / 0 / 0 and CMYK 26 / 9 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 51 / 33 / 0 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 51 / 33 / 0 / 7: CMYK 51 / 33 / 0 / 7, CMYK 55 / 35 / 0 / 15, CMYK 59 / 38 / 0 / 22, CMYK 64 / 42 / 0 / 29 and CMYK 70 / 46 / 0 / 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 33 / 0 / 7

HEX #749FED

RGB 116 159 237

HSL 218.68, 0.77%, 0.69%

LAB 65.45, 6.9, -43.69

 

Complementary color

CMYK 0 / 31 / 87 / 45

HEX #8B6012

RGB 139 96 18

HSL 38.68, 0.77%, 0.31%

LAB 44.09, 10.84, 47

 

CMYK 48 / 31 / 0 / 9

HEX #799FE8

RGB 121 159 232

HSL 219.46, 0.71%, 0.69%

LAB 65.5, 6.55, -40.85

 

CMYK 45 / 29 / 0 / 2

HEX #8AB1FB

RGB 138 177 251

HSL 219.29, 0.93%, 0.76%

LAB 72.1, 5.91, -40.82

 

CMYK 39 / 24 / 0 / 0

HEX #9BC3FF

RGB 155 195 255

HSL 216, 1%, 0.8%

LAB 78, 1.33, -33.74

 

CMYK 33 / 16 / 0 / 0

HEX #ACD5FF

RGB 172 213 255

HSL 210.36, 1%, 0.84%

LAB 83.75, -3.76, -24.85

 

CMYK 26 / 9 / 0 / 0

HEX #BDE7FF

RGB 189 231 255

HSL 201.82, 1%, 0.87%

LAB 89.48, -8.33, -16.08

 

CMYK 51 / 33 / 0 / 7

HEX #749FED

RGB 116 159 237

HSL 218.68, 0.77%, 0.69%

LAB 65.45, 6.9, -43.69

 

CMYK 55 / 35 / 0 / 15

HEX #638DDA

RGB 99 141 218

HSL 218.82, 0.62%, 0.62%

LAB 58.76, 7.78, -43.77

 

CMYK 59 / 38 / 0 / 22

HEX #527BC7

RGB 82 123 199

HSL 218.97, 0.51%, 0.55%

LAB 51.93, 8.85, -43.89

 

CMYK 64 / 42 / 0 / 29

HEX #4169B4

RGB 65 105 180

HSL 219.13, 0.47%, 0.48%

LAB 44.97, 10.18, -44.03

 

CMYK 70 / 46 / 0 / 37

HEX #3057A1

RGB 48 87 161

HSL 219.29, 0.54%, 0.41%

LAB 37.87, 11.89, -44.21

 

CMYK 51 / 33 / 0 / 7

HEX #749FED

RGB 116 159 237

HSL 218.68, 0.77%, 0.69%

LAB 65.45, 6.9, -43.69

 

CMYK 51 / 41 / 0 / 7

HEX #738BEC

RGB 115 139 236

HSL 228.1, 0.76%, 0.69%

LAB 60.04, 18.05, -51.7

 

CMYK 51 / 50 / 0 / 7

HEX #7377EC

RGB 115 119 236

HSL 238.02, 0.76%, 0.69%

LAB 54.96, 29.98, -59.8

 

CMYK 44 / 51 / 0 / 7

HEX #8373EC

RGB 131 115 236

HSL 247.93, 0.76%, 0.69%

LAB 55.22, 35.82, -59.33

 

CMYK 36 / 51 / 0 / 7

HEX #9773EC

RGB 151 115 236

HSL 257.85, 0.76%, 0.69%

LAB 56.97, 40.51, -56.42

 

CMYK 51 / 33 / 0 / 7

HEX #749FED

RGB 116 159 237

HSL 218.68, 0.77%, 0.69%

LAB 65.45, 6.9, -43.69

 

CMYK 52 / 33 / 0 / 87

HEX #101621

RGB 16 22 33

HSL 218.82, 0.35%, 0.1%

LAB 7.17, 0.85, -8.54

 

CMYK 51 / 33 / 0 / 67

HEX #293854

RGB 41 56 84

HSL 219.07, 0.34%, 0.25%

LAB 23.47, 2.74, -18.88

 

CMYK 51 / 33 / 0 / 47

HEX #425B87

RGB 66 91 135

HSL 218.26, 0.34%, 0.39%

LAB 38.53, 3.79, -27.43

 

CMYK 51 / 33 / 0 / 27

HEX #5B7DBA

RGB 91 125 186

HSL 218.53, 0.41%, 0.54%

LAB 52.33, 5.39, -35.79

 

CMYK 51 / 33 / 0 / 7

HEX #749FED

RGB 116 159 237

HSL 218.68, 0.77%, 0.69%

LAB 65.45, 6.9, -43.69

 

CMYK 8 / 51 / 0 / 7

HEX #D873EC

RGB 216 115 236

HSL 290.08, 0.76%, 0.69%

LAB 64.09, 57.29, -44.68

 

CMYK 12 / 0 / 51 / 7

HEX #D0EC73

RGB 208 236 115

HSL 73.88, 0.76%, 0.69%

LAB 89.22, -26.78, 54.98

 

CMYK 51 / 33 / 0 / 7

HEX #749FED

RGB 116 159 237

HSL 218.68, 0.77%, 0.69%

LAB 65.45, 6.9, -43.69

 

CMYK 0 / 51 / 33 / 7

HEX #EC739F

RGB 236 115 159

HSL 338.18, 0.76%, 0.69%

LAB 63.83, 51.22, -1.44

 

CMYK 33 / 0 / 51 / 7

HEX #9FEC73

RGB 159 236 115

HSL 98.18, 0.76%, 0.69%

LAB 86.31, -44.5, 50.8

 

CMYK 51 / 33 / 0 / 7

HEX #749FED

RGB 116 159 237

HSL 218.68, 0.77%, 0.69%

LAB 65.45, 6.9, -43.69

 

CMYK 8 / 51 / 0 / 7

HEX #D873EC

RGB 216 115 236

HSL 290.08, 0.76%, 0.69%

LAB 64.09, 57.29, -44.68

 

CMYK 0 / 19 / 51 / 7

HEX #ECC073

RGB 236 192 115

HSL 38.18, 0.76%, 0.69%

LAB 80.05, 6.49, 44.46

 

CMYK 43 / 0 / 51 / 7

HEX #87EC73

RGB 135 236 115

HSL 110.08, 0.76%, 0.69%

LAB 85.19, -52.08, 49.19

 

CMYK 51 / 33 / 0 / 7

HEX #749FED

RGB 116 159 237

HSL 218.68, 0.77%, 0.69%

LAB 65.45, 6.9, -43.69

 

CMYK 0 / 51 / 7 / 7

HEX #EC73DC

RGB 236 115 220

HSL 307.93, 0.76%, 0.69%

LAB 65.95, 59.96, -32.7

 

CMYK 0 / 19 / 51 / 7

HEX #ECC073

RGB 236 192 115

HSL 38.18, 0.76%, 0.69%

LAB 80.05, 6.49, 44.46

 

CMYK 51 / 0 / 44 / 7

HEX #73EC83

RGB 115 236 131

HSL 127.93, 0.76%, 0.69%

LAB 84.62, -55.44, 40.65

 

Description

Color code: CMYK 51 / 33 / 0 / 7 | qconv.com Color code: CMYK 51 / 33 / 0 / 7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 159 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 159 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 33 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 33% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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