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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 50 / 75 / 60 / 50 it is the complementary color CMYK 14 / 0 / 9 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 50 / 75 / 60 / 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 50 / 75 / 60 / 50: CMYK 0 / 54 / 33 / 73, CMYK 0 / 42 / 24 / 66, CMYK 0 / 34 / 18 / 60, CMYK 0 / 28 / 14 / 53 and CMYK 0 / 24 / 11 / 46

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 50 / 75 / 60 / 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 50 / 75 / 60 / 50: CMYK 0 / 50 / 20 / 75, CMYK 0 / 70 / 32 / 82, CMYK 0 / 100 / 57 / 88, CMYK 0 / 100 / 100 / 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 75 / 60 / 50

HEX #402033

RGB 64 32 51

HSL 324.38, 0.33%, 0.19%

LAB 17.28, 18.47, -5.71

 

Complementary color

CMYK 14 / 0 / 9 / 13

HEX #BFDFCC

RGB 191 223 204

HSL 144.38, 0.33%, 0.81%

LAB 86.11, -14.16, 5.78

 

CMYK 0 / 54 / 33 / 73

HEX #45202E

RGB 69 32 46

HSL 337.3, 0.37%, 0.2%

LAB 17.9, 19.66, -1.17

 

CMYK 0 / 42 / 24 / 66

HEX #563241

RGB 86 50 65

HSL 335, 0.26%, 0.27%

LAB 25.69, 18.65, -2.43

 

CMYK 0 / 34 / 18 / 60

HEX #674454

RGB 103 68 84

HSL 332.57, 0.2%, 0.34%

LAB 33.26, 17.75, -3.39

 

CMYK 0 / 28 / 14 / 53

HEX #785667

RGB 120 86 103

HSL 330, 0.17%, 0.4%

LAB 40.62, 16.97, -4.19

 

CMYK 0 / 24 / 11 / 46

HEX #89687A

RGB 137 104 122

HSL 327.27, 0.14%, 0.47%

LAB 47.78, 16.29, -4.9

 

CMYK 0 / 50 / 20 / 75

HEX #402033

RGB 64 32 51

HSL 324.38, 0.33%, 0.19%

LAB 17.28, 18.47, -5.71

 

CMYK 0 / 70 / 32 / 82

HEX #2F0E20

RGB 47 14 32

HSL 327.27, 0.54%, 0.12%

LAB 9.18, 19.35, -4.32

 

CMYK 0 / 100 / 57 / 88

HEX #1E000D

RGB 30 0 13

HSL 334, 1%, 0.06%

LAB 2.76, 13.03, -1.08

 

CMYK 0 / 100 / 100 / 95

HEX #0D0000

RGB 13 0 0

HSL 0, 1%, 0.03%

LAB 0.77, 3.47, 1.22

 

CMYK 0 / 50 / 20 / 75

HEX #402033

RGB 64 32 51

HSL 324.38, 0.33%, 0.19%

LAB 17.28, 18.47, -5.71

 

CMYK 0 / 50 / 28 / 75

HEX #40202E

RGB 64 32 46

HSL 333.75, 0.33%, 0.19%

LAB 17.09, 17.55, -2.46

 

CMYK 0 / 50 / 38 / 75

HEX #402028

RGB 64 32 40

HSL 345, 0.33%, 0.19%

LAB 16.87, 16.56, 1.49

 

CMYK 0 / 50 / 45 / 75

HEX #402023

RGB 64 32 35

HSL 354.38, 0.33%, 0.19%

LAB 16.72, 15.81, 4.83

 

CMYK 0 / 47 / 50 / 75

HEX #402220

RGB 64 34 32

HSL 3.75, 0.33%, 0.19%

LAB 17.17, 14.1, 7.57

 

CMYK 0 / 50 / 20 / 75

HEX #402033

RGB 64 32 51

HSL 324.38, 0.33%, 0.19%

LAB 17.28, 18.47, -5.71

 

CMYK 0 / 50 / 20 / 55

HEX #733A5C

RGB 115 58 92

HSL 324.21, 0.33%, 0.34%

LAB 32.8, 29.7, -9.04

 

CMYK 0 / 50 / 20 / 35

HEX #A65384

RGB 166 83 132

HSL 324.58, 0.33%, 0.49%

LAB 46.92, 40.29, -11.82

 

CMYK 0 / 50 / 20 / 15

HEX #D96DAD

RGB 217 109 173

HSL 324.44, 0.59%, 0.64%

LAB 60.52, 49.87, -14.67

 

CMYK 0 / 46 / 23 / 95

HEX #0D070A

RGB 13 7 10

HSL 330, 0.3%, 0.04%

LAB 2.34, 2.05, -0.56

 

CMYK 0 / 50 / 20 / 75

HEX #402033

RGB 64 32 51

HSL 324.38, 0.33%, 0.19%

LAB 17.28, 18.47, -5.71

 

CMYK 0 / 20 / 50 / 75

HEX #403320

RGB 64 51 32

HSL 35.63, 0.33%, 0.19%

LAB 22.17, 2.76, 14.24

 

CMYK 50 / 0 / 0 / 75

HEX #204040

RGB 32 64 64

HSL 180, 0.33%, 0.19%

LAB 24.78, -11.76, -3.68

 

CMYK 0 / 50 / 20 / 75

HEX #402033

RGB 64 32 51

HSL 324.38, 0.33%, 0.19%

LAB 17.28, 18.47, -5.71

 

CMYK 20 / 0 / 50 / 75

HEX #334020

RGB 51 64 32

HSL 84.38, 0.33%, 0.19%

LAB 25.18, -11.81, 17.82

 

CMYK 50 / 20 / 0 / 75

HEX #203340

RGB 32 51 64

HSL 204.38, 0.33%, 0.19%

LAB 20.22, -3.48, -10.55

 

CMYK 0 / 50 / 20 / 75

HEX #402033

RGB 64 32 51

HSL 324.38, 0.33%, 0.19%

LAB 17.28, 18.47, -5.71

 

CMYK 0 / 20 / 50 / 75

HEX #403320

RGB 64 51 32

HSL 35.63, 0.33%, 0.19%

LAB 22.17, 2.76, 14.24

 

CMYK 50 / 0 / 30 / 75

HEX #20402D

RGB 32 64 45

HSL 144.38, 0.33%, 0.19%

LAB 24.2, -17.01, 8.03

 

CMYK 50 / 30 / 0 / 75

HEX #202D40

RGB 32 45 64

HSL 215.63, 0.33%, 0.19%

LAB 18.16, 0.64, -13.73

 

CMYK 0 / 50 / 20 / 75

HEX #402033

RGB 64 32 51

HSL 324.38, 0.33%, 0.19%

LAB 17.28, 18.47, -5.71

 

CMYK 0 / 5 / 50 / 75

HEX #403D20

RGB 64 61 32

HSL 54.38, 0.33%, 0.19%

LAB 25.36, -3.71, 18.29

 

CMYK 50 / 0 / 30 / 75

HEX #20402D

RGB 32 64 45

HSL 144.38, 0.33%, 0.19%

LAB 24.2, -17.01, 8.03

 

CMYK 50 / 45 / 0 / 75

HEX #202340

RGB 32 35 64

HSL 234.38, 0.33%, 0.19%

LAB 14.84, 7.86, -18.93

 

Description

Color code: CMYK 50 / 75 / 60 / 50 | qconv.com Color code: CMYK 50 / 75 / 60 / 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 32 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 32 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 75 magenta, 60 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 75% 60% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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