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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 50 / 20 / 65 / 25 it is the complementary color CMYK 15 / 46 / 0 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 50 / 20 / 65 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 50 / 20 / 65 / 25: CMYK 34 / 0 / 59 / 40, CMYK 31 / 0 / 53 / 33, CMYK 29 / 0 / 47 / 26, CMYK 27 / 0 / 43 / 19 and CMYK 25 / 0 / 39 / 12

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 50 / 20 / 65 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 50 / 20 / 65 / 25: CMYK 37 / 0 / 56 / 40, CMYK 41 / 0 / 64 / 47, CMYK 47 / 0 / 75 / 54, CMYK 55 / 0 / 90 / 61 and CMYK 65 / 0 / 100 / 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 20 / 65 / 25

HEX #609943

RGB 96 153 67

HSL 99.77, 0.39%, 0.43%

LAB 57.73, -34.82, 38.85

 

Complementary color

CMYK 15 / 46 / 0 / 26

HEX #9F66BC

RGB 159 102 188

HSL 279.77, 0.39%, 0.57%

LAB 52.4, 38.35, -36.42

 

CMYK 34 / 0 / 59 / 40

HEX #65993E

RGB 101 153 62

HSL 94.29, 0.42%, 0.42%

LAB 57.94, -33.57, 41.58

 

CMYK 31 / 0 / 53 / 33

HEX #76AB51

RGB 118 171 81

HSL 95.33, 0.36%, 0.49%

LAB 64.62, -33.6, 40.46

 

CMYK 29 / 0 / 47 / 26

HEX #87BD64

RGB 135 189 100

HSL 96.4, 0.4%, 0.57%

LAB 71.19, -33.55, 39.27

 

CMYK 27 / 0 / 43 / 19

HEX #98CF77

RGB 152 207 119

HSL 97.5, 0.48%, 0.64%

LAB 77.66, -33.45, 38.07

 

CMYK 25 / 0 / 39 / 12

HEX #A9E18A

RGB 169 225 138

HSL 98.62, 0.59%, 0.71%

LAB 84.03, -33.33, 36.91

 

CMYK 37 / 0 / 56 / 40

HEX #609943

RGB 96 153 67

HSL 99.77, 0.39%, 0.43%

LAB 57.73, -34.82, 38.85

 

CMYK 41 / 0 / 64 / 47

HEX #4F8730

RGB 79 135 48

HSL 98.62, 0.48%, 0.36%

LAB 50.92, -34.73, 39.93

 

CMYK 47 / 0 / 75 / 54

HEX #3E751D

RGB 62 117 29

HSL 97.5, 0.6%, 0.29%

LAB 44, -34.4, 40.58

 

CMYK 55 / 0 / 90 / 61

HEX #2D630A

RGB 45 99 10

HSL 96.4, 0.82%, 0.21%

LAB 36.94, -33.63, 40.07

 

CMYK 65 / 0 / 100 / 68

HEX #1C5100

RGB 28 81 0

HSL 99.26, 1%, 0.16%

LAB 29.74, -32.08, 36.94

 

CMYK 37 / 0 / 56 / 40

HEX #609943

RGB 96 153 67

HSL 99.77, 0.39%, 0.43%

LAB 57.73, -34.82, 38.85

 

CMYK 46 / 0 / 57 / 40

HEX #529842

RGB 82 152 66

HSL 108.84, 0.39%, 0.43%

LAB 56.73, -39.19, 38

 

CMYK 55 / 0 / 57 / 40

HEX #449842

RGB 68 152 66

HSL 118.6, 0.39%, 0.43%

LAB 56.17, -43.31, 37.2

 

CMYK 57 / 0 / 48 / 40

HEX #42984F

RGB 66 152 79

HSL 129.07, 0.39%, 0.43%

LAB 56.27, -41.98, 30.67

 

CMYK 57 / 0 / 39 / 40

HEX #42985D

RGB 66 152 93

HSL 138.84, 0.39%, 0.43%

LAB 56.49, -39.58, 23.44

 

CMYK 37 / 0 / 56 / 40

HEX #609943

RGB 96 153 67

HSL 99.77, 0.39%, 0.43%

LAB 57.73, -34.82, 38.85

 

CMYK 37 / 0 / 56 / 20

HEX #80CC59

RGB 128 204 89

HSL 99.65, 0.53%, 0.57%

LAB 75.14, -43.92, 49.21

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 37 / 0 / 57 / 80

HEX #203316

RGB 32 51 22

HSL 99.31, 0.4%, 0.14%

LAB 18.94, -14.33, 15.92

 

CMYK 37 / 0 / 56 / 60

HEX #40662D

RGB 64 102 45

HSL 100, 0.39%, 0.29%

LAB 39.21, -25.06, 27.74

 

CMYK 37 / 0 / 56 / 40

HEX #609943

RGB 96 153 67

HSL 99.77, 0.39%, 0.43%

LAB 57.73, -34.82, 38.85

 

CMYK 57 / 0 / 9 / 40

HEX #42988B

RGB 66 152 139

HSL 170.93, 0.39%, 0.43%

LAB 57.54, -29.13, -0.98

 

CMYK 0 / 57 / 14 / 40

HEX #984283

RGB 152 66 131

HSL 314.65, 0.39%, 0.43%

LAB 41.55, 44.27, -19.59

 

CMYK 37 / 0 / 56 / 40

HEX #609943

RGB 96 153 67

HSL 99.77, 0.39%, 0.43%

LAB 57.73, -34.82, 38.85

 

CMYK 57 / 37 / 0 / 40

HEX #426098

RGB 66 96 152

HSL 219.07, 0.39%, 0.43%

LAB 40.88, 6.33, -33.98

 

CMYK 0 / 57 / 37 / 40

HEX #984260

RGB 152 66 96

HSL 339.07, 0.39%, 0.43%

LAB 40.27, 39.2, 0.15

 

CMYK 37 / 0 / 56 / 40

HEX #609943

RGB 96 153 67

HSL 99.77, 0.39%, 0.43%

LAB 57.73, -34.82, 38.85

 

CMYK 57 / 0 / 9 / 40

HEX #42988B

RGB 66 152 139

HSL 170.93, 0.39%, 0.43%

LAB 57.54, -29.13, -0.98

 

CMYK 20 / 57 / 0 / 40

HEX #7A4298

RGB 122 66 152

HSL 279.07, 0.39%, 0.43%

LAB 38.38, 39.62, -37.63

 

CMYK 0 / 57 / 48 / 40

HEX #98424F

RGB 152 66 79

HSL 350.93, 0.39%, 0.43%

LAB 39.81, 37.28, 10.12

 

CMYK 37 / 0 / 56 / 40

HEX #609943

RGB 96 153 67

HSL 99.77, 0.39%, 0.43%

LAB 57.73, -34.82, 38.85

 

CMYK 57 / 9 / 0 / 40

HEX #428B98

RGB 66 139 152

HSL 189.07, 0.39%, 0.43%

LAB 53.91, -18.82, -13.84

 

CMYK 20 / 57 / 0 / 40

HEX #7A4298

RGB 122 66 152

HSL 279.07, 0.39%, 0.43%

LAB 38.38, 39.62, -37.63

 

CMYK 0 / 48 / 57 / 40

HEX #984F42

RGB 152 79 66

HSL 9.07, 0.39%, 0.43%

LAB 42.25, 29.14, 21.4

 

Description

Color code: CMYK 50 / 20 / 65 / 25 | qconv.com Color code: CMYK 50 / 20 / 65 / 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 153 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 153 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 20 magenta, 65 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 20% 65% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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