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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 4 / 6 / 0 / 31 it is the complementary color CMYK 4 / 0 / 12 / 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 4 / 6 / 0 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 4 / 6 / 0 / 31: CMYK 0 / 5 / 2 / 32, CMYK 0 / 4 / 1 / 25, CMYK 0 / 4 / 0 / 18, CMYK 1 / 4 / 0 / 11 and CMYK 2 / 4 / 0 / 3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 4 / 6 / 0 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 4 / 6 / 0 / 31: CMYK 4 / 6 / 0 / 31, CMYK 3 / 6 / 0 / 38, CMYK 2 / 7 / 0 / 46, CMYK 1 / 7 / 0 / 53 and CMYK 0 / 8 / 1 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 6 / 0 / 31

HEX #A9A5B0

RGB 169 165 176

HSL 261.82, 0.07%, 0.67%

LAB 68.37, 3.54, -5.16

 

Complementary color

CMYK 4 / 0 / 12 / 65

HEX #565A4F

RGB 86 90 79

HSL 81.82, 0.07%, 0.33%

LAB 37.58, -3.86, 5.81

 

CMYK 0 / 5 / 2 / 32

HEX #AEA5AB

RGB 174 165 171

HSL 320, 0.05%, 0.66%

LAB 68.64, 4.35, -1.94

 

CMYK 0 / 4 / 1 / 25

HEX #BFB7BE

RGB 191 183 190

HSL 307.5, 0.06%, 0.73%

LAB 75.24, 4.1, -2.54

 

CMYK 0 / 4 / 0 / 18

HEX #D0C9D1

RGB 208 201 209

HSL 292.5, 0.08%, 0.8%

LAB 81.72, 3.87, -3.12

 

CMYK 1 / 4 / 0 / 11

HEX #E1DBE4

RGB 225 219 228

HSL 280, 0.14%, 0.88%

LAB 88.1, 3.66, -3.68

 

CMYK 2 / 4 / 0 / 3

HEX #F2EDF7

RGB 242 237 247

HSL 270, 0.38%, 0.95%

LAB 94.38, 3.46, -4.23

 

CMYK 4 / 6 / 0 / 31

HEX #A9A5B0

RGB 169 165 176

HSL 261.82, 0.07%, 0.67%

LAB 68.37, 3.54, -5.16

 

CMYK 3 / 6 / 0 / 38

HEX #98939D

RGB 152 147 157

HSL 270, 0.05%, 0.6%

LAB 61.63, 3.78, -4.61

 

CMYK 2 / 7 / 0 / 46

HEX #87818A

RGB 135 129 138

HSL 280, 0.04%, 0.52%

LAB 54.75, 4.03, -4.05

 

CMYK 1 / 7 / 0 / 53

HEX #766F77

RGB 118 111 119

HSL 292.5, 0.03%, 0.45%

LAB 47.69, 4.31, -3.46

 

CMYK 0 / 8 / 1 / 60

HEX #655D64

RGB 101 93 100

HSL 307.5, 0.04%, 0.38%

LAB 40.44, 4.63, -2.84

 

CMYK 4 / 6 / 0 / 31

HEX #A9A5B0

RGB 169 165 176

HSL 261.82, 0.07%, 0.67%

LAB 68.37, 3.54, -5.16

 

CMYK 3 / 7 / 0 / 31

HEX #ABA4B0

RGB 171 164 176

HSL 275, 0.07%, 0.67%

LAB 68.27, 4.79, -5.29

 

CMYK 2 / 7 / 0 / 31

HEX #ADA4B0

RGB 173 164 176

HSL 285, 0.07%, 0.67%

LAB 68.44, 5.5, -5.03

 

CMYK 1 / 7 / 0 / 31

HEX #AEA4B0

RGB 174 164 176

HSL 290, 0.07%, 0.67%

LAB 68.52, 5.85, -4.89

 

CMYK 0 / 7 / 0 / 31

HEX #B0A4B0

RGB 176 164 176

HSL 300, 0.07%, 0.67%

LAB 68.69, 6.55, -4.63

 

CMYK 4 / 6 / 0 / 31

HEX #A9A5B0

RGB 169 165 176

HSL 261.82, 0.07%, 0.67%

LAB 68.37, 3.54, -5.16

 

CMYK 4 / 6 / 0 / 11

HEX #DAD5E3

RGB 218 213 227

HSL 261.43, 0.2%, 0.86%

LAB 86.03, 4.27, -6.27

 

CMYK 4 / 4 / 0 / 91

HEX #161617

RGB 22 22 23

HSL 240, 0.02%, 0.09%

LAB 7.28, 0.25, -0.68

 

CMYK 4 / 7 / 0 / 71

HEX #47454A

RGB 71 69 74

HSL 264, 0.03%, 0.28%

LAB 29.64, 1.95, -2.71

 

CMYK 4 / 6 / 0 / 51

HEX #78757D

RGB 120 117 125

HSL 262.5, 0.03%, 0.47%

LAB 49.73, 2.78, -3.98

 

CMYK 4 / 6 / 0 / 31

HEX #A9A5B0

RGB 169 165 176

HSL 261.82, 0.07%, 0.67%

LAB 68.37, 3.54, -5.16

 

CMYK 0 / 7 / 3 / 31

HEX #B0A4AA

RGB 176 164 170

HSL 330, 0.07%, 0.67%

LAB 68.52, 5.43, -1.54

 

CMYK 6 / 0 / 7 / 31

HEX #A5B0A4

RGB 165 176 164

HSL 115, 0.07%, 0.67%

LAB 70.68, -6.13, 4.81

 

CMYK 4 / 6 / 0 / 31

HEX #A9A5B0

RGB 169 165 176

HSL 261.82, 0.07%, 0.67%

LAB 68.37, 3.54, -5.16

 

CMYK 0 / 4 / 7 / 31

HEX #B0A9A4

RGB 176 169 164

HSL 25, 0.07%, 0.67%

LAB 69.67, 1.61, 3.46

 

CMYK 7 / 0 / 4 / 31

HEX #A4B0A9

RGB 164 176 169

HSL 145, 0.07%, 0.67%

LAB 70.74, -5.54, 2.13

 

CMYK 4 / 6 / 0 / 31

HEX #A9A5B0

RGB 169 165 176

HSL 261.82, 0.07%, 0.67%

LAB 68.37, 3.54, -5.16

 

CMYK 0 / 7 / 3 / 31

HEX #B0A4AA

RGB 176 164 170

HSL 330, 0.07%, 0.67%

LAB 68.52, 5.43, -1.54

 

CMYK 2 / 0 / 7 / 31

HEX #ACB0A4

RGB 172 176 164

HSL 80, 0.07%, 0.67%

LAB 71.22, -3.62, 5.65

 

CMYK 7 / 0 / 3 / 31

HEX #A4B0AB

RGB 164 176 171

HSL 155, 0.07%, 0.67%

LAB 70.79, -5.15, 1.11

 

CMYK 4 / 6 / 0 / 31

HEX #A9A5B0

RGB 169 165 176

HSL 261.82, 0.07%, 0.67%

LAB 68.37, 3.54, -5.16

 

CMYK 0 / 7 / 6 / 31

HEX #B0A4A6

RGB 176 164 166

HSL 350, 0.07%, 0.67%

LAB 68.41, 4.7, 0.52

 

CMYK 2 / 0 / 7 / 31

HEX #ACB0A4

RGB 172 176 164

HSL 80, 0.07%, 0.67%

LAB 71.22, -3.62, 5.65

 

CMYK 7 / 0 / 1 / 31

HEX #A4B0AE

RGB 164 176 174

HSL 170, 0.07%, 0.67%

LAB 70.87, -4.57, -0.43

 

Description

Color code: CMYK 4 / 6 / 0 / 31 | qconv.com Color code: CMYK 4 / 6 / 0 / 31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 165 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 165 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 6 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 6% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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