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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 4 / 0 / 12 / 47 it is the complementary color CMYK 8 / 12 / 0 / 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 4 / 0 / 12 / 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 4 / 0 / 12 / 47: CMYK 0 / 0 / 16 / 47, CMYK 1 / 0 / 13 / 40, CMYK 1 / 0 / 11 / 33, CMYK 2 / 0 / 10 / 26 and CMYK 2 / 0 / 8 / 19

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 4 / 0 / 12 / 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 4 / 0 / 12 / 47: CMYK 4 / 0 / 12 / 47, CMYK 3 / 0 / 15 / 54, CMYK 3 / 0 / 18 / 61, CMYK 2 / 0 / 23 / 68 and CMYK 2 / 0 / 32 / 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 12 / 47

HEX #828777

RGB 130 135 119

HSL 78.75, 0.06%, 0.5%

LAB 55.49, -4.91, 7.97

 

Complementary color

CMYK 8 / 12 / 0 / 47

HEX #7D7888

RGB 125 120 136

HSL 258.75, 0.06%, 0.5%

LAB 51.35, 5.2, -8.02

 

CMYK 0 / 0 / 16 / 47

HEX #878772

RGB 135 135 114

HSL 60, 0.08%, 0.49%

LAB 55.78, -3.84, 11.31

 

CMYK 1 / 0 / 13 / 40

HEX #989985

RGB 152 153 133

HSL 63, 0.09%, 0.56%

LAB 62.64, -3.99, 10.4

 

CMYK 1 / 0 / 11 / 33

HEX #A9AB98

RGB 169 171 152

HSL 66.32, 0.1%, 0.63%

LAB 69.35, -4.14, 9.54

 

CMYK 2 / 0 / 10 / 26

HEX #BABDAB

RGB 186 189 171

HSL 70, 0.12%, 0.71%

LAB 75.93, -4.27, 8.73

 

CMYK 2 / 0 / 8 / 19

HEX #CBCFBE

RGB 203 207 190

HSL 74.12, 0.15%, 0.78%

LAB 82.4, -4.38, 7.97

 

CMYK 4 / 0 / 12 / 47

HEX #828777

RGB 130 135 119

HSL 78.75, 0.06%, 0.5%

LAB 55.49, -4.91, 7.97

 

CMYK 3 / 0 / 15 / 54

HEX #717564

RGB 113 117 100

HSL 74.12, 0.08%, 0.43%

LAB 48.45, -4.81, 8.87

 

CMYK 3 / 0 / 18 / 61

HEX #606351

RGB 96 99 81

HSL 70, 0.1%, 0.35%

LAB 41.22, -4.69, 9.85

 

CMYK 2 / 0 / 23 / 68

HEX #4F513E

RGB 79 81 62

HSL 66.32, 0.13%, 0.28%

LAB 33.76, -4.55, 10.94

 

CMYK 2 / 0 / 32 / 75

HEX #3E3F2B

RGB 62 63 43

HSL 63, 0.19%, 0.21%

LAB 26.02, -4.35, 12.17

 

CMYK 4 / 0 / 12 / 47

HEX #828777

RGB 130 135 119

HSL 78.75, 0.06%, 0.5%

LAB 55.49, -4.91, 7.97

 

CMYK 5 / 0 / 12 / 47

HEX #808777

RGB 128 135 119

HSL 86.25, 0.06%, 0.5%

LAB 55.33, -5.68, 7.72

 

CMYK 7 / 0 / 12 / 47

HEX #7D8777

RGB 125 135 119

HSL 97.5, 0.06%, 0.5%

LAB 55.09, -6.82, 7.35

 

CMYK 10 / 0 / 12 / 47

HEX #7A8777

RGB 122 135 119

HSL 108.75, 0.06%, 0.5%

LAB 54.86, -7.95, 7

 

CMYK 11 / 0 / 12 / 47

HEX #788777

RGB 120 135 119

HSL 116.25, 0.06%, 0.5%

LAB 54.71, -8.7, 6.76

 

CMYK 4 / 0 / 12 / 47

HEX #828777

RGB 130 135 119

HSL 78.75, 0.06%, 0.5%

LAB 55.49, -4.91, 7.97

 

CMYK 4 / 0 / 12 / 27

HEX #B3BAA4

RGB 179 186 164

HSL 79.09, 0.14%, 0.69%

LAB 74.43, -6.41, 10.32

 

CMYK 4 / 0 / 12 / 7

HEX #E4EDD1

RGB 228 237 209

HSL 79.29, 0.44%, 0.87%

LAB 92.43, -7.82, 12.54

 

CMYK 3 / 0 / 12 / 87

HEX #20211D

RGB 32 33 29

HSL 75, 0.06%, 0.12%

LAB 12.5, -1.43, 2.55

 

CMYK 4 / 0 / 12 / 67

HEX #51544A

RGB 81 84 74

HSL 78, 0.06%, 0.31%

LAB 35.17, -3.29, 5.43

 

CMYK 4 / 0 / 12 / 47

HEX #828777

RGB 130 135 119

HSL 78.75, 0.06%, 0.5%

LAB 55.49, -4.91, 7.97

 

CMYK 12 / 0 / 6 / 47

HEX #77877F

RGB 119 135 127

HSL 150, 0.06%, 0.5%

LAB 54.85, -7.47, 2.32

 

CMYK 1 / 12 / 0 / 47

HEX #857787

RGB 133 119 135

HSL 292.5, 0.06%, 0.5%

LAB 51.76, 8.49, -6.75

 

CMYK 4 / 0 / 12 / 47

HEX #828777

RGB 130 135 119

HSL 78.75, 0.06%, 0.5%

LAB 55.49, -4.91, 7.97

 

CMYK 12 / 4 / 0 / 47

HEX #778287

RGB 119 130 135

HSL 198.75, 0.06%, 0.5%

LAB 53.64, -2.95, -4.09

 

CMYK 0 / 12 / 4 / 47

HEX #877782

RGB 135 119 130

HSL 318.75, 0.06%, 0.5%

LAB 51.79, 8.24, -3.74

 

CMYK 4 / 0 / 12 / 47

HEX #828777

RGB 130 135 119

HSL 78.75, 0.06%, 0.5%

LAB 55.49, -4.91, 7.97

 

CMYK 12 / 0 / 6 / 47

HEX #77877F

RGB 119 135 127

HSL 150, 0.06%, 0.5%

LAB 54.85, -7.47, 2.32

 

CMYK 8 / 12 / 0 / 47

HEX #7C7787

RGB 124 119 135

HSL 258.75, 0.06%, 0.5%

LAB 50.95, 5.2, -8.03

 

CMYK 0 / 12 / 6 / 47

HEX #87777F

RGB 135 119 127

HSL 330, 0.06%, 0.5%

LAB 51.7, 7.66, -2.11

 

CMYK 4 / 0 / 12 / 47

HEX #828777

RGB 130 135 119

HSL 78.75, 0.06%, 0.5%

LAB 55.49, -4.91, 7.97

 

CMYK 12 / 0 / 2 / 47

HEX #778784

RGB 119 135 132

HSL 168.75, 0.06%, 0.5%

LAB 54.99, -6.43, -0.37

 

CMYK 8 / 12 / 0 / 47

HEX #7C7787

RGB 124 119 135

HSL 258.75, 0.06%, 0.5%

LAB 50.95, 5.2, -8.03

 

CMYK 0 / 12 / 10 / 47

HEX #87777A

RGB 135 119 122

HSL 348.75, 0.06%, 0.5%

LAB 51.55, 6.72, 0.62

 

Description

Color code: CMYK 4 / 0 / 12 / 47 | qconv.com Color code: CMYK 4 / 0 / 12 / 47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 135 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 135 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 12 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 12% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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