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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 48 / 0 / 49 / 66 it is the complementary color CMYK 0 / 20 / 0 / 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 48 / 0 / 49 / 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 48 / 0 / 49 / 66: CMYK 43 / 0 / 55 / 66, CMYK 36 / 0 / 45 / 59, CMYK 32 / 0 / 37 / 52, CMYK 28 / 0 / 32 / 45 and CMYK 26 / 0 / 28 / 38

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 48 / 0 / 49 / 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 48 / 0 / 49 / 66: CMYK 48 / 0 / 49 / 66, CMYK 59 / 0 / 64 / 73, CMYK 78 / 0 / 88 / 80, CMYK 100 / 0 / 100 / 87 and CMYK 100 / 0 / 100 / 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 49 / 66

HEX #2D572C

RGB 45 87 44

HSL 118.6, 0.33%, 0.26%

LAB 33.04, -24.73, 20.48

Complementary color

CMYK 0 / 20 / 0 / 17

HEX #D2A8D3

RGB 210 168 211

HSL 298.6, 0.33%, 0.74%

LAB 73.81, 22.71, -15.96

 

CMYK 43 / 0 / 55 / 66

HEX #325727

RGB 50 87 39

HSL 106.25, 0.38%, 0.25%

LAB 33.22, -23.71, 23.63

 

CMYK 36 / 0 / 45 / 59

HEX #43693A

RGB 67 105 58

HSL 108.51, 0.29%, 0.32%

LAB 40.58, -23.56, 22.23

 

CMYK 32 / 0 / 37 / 52

HEX #547B4D

RGB 84 123 77

HSL 110.87, 0.23%, 0.39%

LAB 47.73, -23.34, 20.91

 

CMYK 28 / 0 / 32 / 45

HEX #658D60

RGB 101 141 96

HSL 113.33, 0.19%, 0.46%

LAB 54.72, -23.1, 19.7

 

CMYK 26 / 0 / 28 / 38

HEX #769F73

RGB 118 159 115

HSL 115.91, 0.19%, 0.54%

LAB 61.56, -22.88, 18.57

 

CMYK 48 / 0 / 49 / 66

HEX #2D572C

RGB 45 87 44

HSL 118.6, 0.33%, 0.26%

LAB 33.04, -24.73, 20.48

RAL® 6002

CMYK 59 / 0 / 64 / 73

HEX #1C4519

RGB 28 69 25

HSL 115.91, 0.47%, 0.18%

LAB 25.48, -24.71, 21.97

 

CMYK 78 / 0 / 88 / 80

HEX #0B3306

RGB 11 51 6

HSL 113.33, 0.79%, 0.11%

LAB 17.7, -24.03, 22.3

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 100 / 0 / 100 / 94

HEX #000F00

RGB 0 15 0

HSL 120, 1%, 0.03%

LAB 3.09, -6.3, 4.51

 

CMYK 48 / 0 / 49 / 66

HEX #2D572C

RGB 45 87 44

HSL 118.6, 0.33%, 0.26%

LAB 33.04, -24.73, 20.48

RAL® 6002

CMYK 50 / 0 / 43 / 65

HEX #2C5832

RGB 44 88 50

HSL 128.18, 0.33%, 0.26%

LAB 33.45, -24.49, 17.44

 

CMYK 50 / 0 / 35 / 65

HEX #2C5839

RGB 44 88 57

HSL 137.73, 0.33%, 0.26%

LAB 33.58, -23.1, 13.39

 

CMYK 50 / 0 / 27 / 65

HEX #2C5840

RGB 44 88 64

HSL 147.27, 0.33%, 0.26%

LAB 33.74, -21.55, 9.3

 

CMYK 50 / 0 / 18 / 65

HEX #2C5848

RGB 44 88 72

HSL 158.18, 0.33%, 0.26%

LAB 33.95, -19.6, 4.6

 

CMYK 48 / 0 / 49 / 66

HEX #2D572C

RGB 45 87 44

HSL 118.6, 0.33%, 0.26%

LAB 33.04, -24.73, 20.48

RAL® 6002

CMYK 49 / 0 / 49 / 46

HEX #478A46

RGB 71 138 70

HSL 119.12, 0.33%, 0.41%

LAB 51.79, -35.96, 29.85

 

CMYK 48 / 0 / 49 / 26

HEX #62BD60

RGB 98 189 96

HSL 118.71, 0.41%, 0.56%

LAB 69.35, -46.07, 38.59

 

CMYK 48 / 0 / 50 / 6

HEX #7CF079

RGB 124 240 121

HSL 118.49, 0.8%, 0.71%

LAB 86, -56.04, 47.26

 

CMYK 47 / 0 / 50 / 86

HEX #132412

RGB 19 36 18

HSL 116.67, 0.33%, 0.11%

LAB 12.25, -11.88, 9.7

 

CMYK 48 / 0 / 49 / 66

HEX #2D572C

RGB 45 87 44

HSL 118.6, 0.33%, 0.26%

LAB 33.04, -24.73, 20.48

RAL® 6002

CMYK 50 / 9 / 0 / 65

HEX #2C5058

RGB 44 80 88

HSL 190.91, 0.33%, 0.26%

LAB 31.76, -10.49, -8.73

 

CMYK 0 / 50 / 28 / 65

HEX #582C3F

RGB 88 44 63

HSL 334.09, 0.33%, 0.26%

LAB 24.43, 22.82, -2.91

 

CMYK 48 / 0 / 49 / 66

HEX #2D572C

RGB 45 87 44

HSL 118.6, 0.33%, 0.26%

LAB 33.04, -24.73, 20.48

RAL® 6002

CMYK 50 / 49 / 0 / 65

HEX #2C2D58

RGB 44 45 88

HSL 238.64, 0.33%, 0.26%

LAB 20.51, 12.69, -26.19

 

CMYK 0 / 50 / 49 / 65

HEX #582C2D

RGB 88 44 45

HSL 358.64, 0.33%, 0.26%

LAB 23.89, 20.28, 8.48

 

CMYK 48 / 0 / 49 / 66

HEX #2D572C

RGB 45 87 44

HSL 118.6, 0.33%, 0.26%

LAB 33.04, -24.73, 20.48

RAL® 6002

CMYK 50 / 9 / 0 / 65

HEX #2C5058

RGB 44 80 88

HSL 190.91, 0.33%, 0.26%

LAB 31.76, -10.49, -8.73

 

CMYK 2 / 50 / 0 / 65

HEX #562C58

RGB 86 44 88

HSL 297.27, 0.33%, 0.26%

LAB 25.21, 26.83, -18.44

 

CMYK 0 / 42 / 50 / 65

HEX #58332C

RGB 88 51 44

HSL 9.55, 0.33%, 0.26%

LAB 25.64, 15.82, 11.53

 

CMYK 48 / 0 / 49 / 66

HEX #2D572C

RGB 45 87 44

HSL 118.6, 0.33%, 0.26%

LAB 33.04, -24.73, 20.48

RAL® 6002

CMYK 50 / 24 / 0 / 65

HEX #2C4358

RGB 44 67 88

HSL 208.64, 0.33%, 0.26%

LAB 27.45, -2.36, -15.31

 

CMYK 2 / 50 / 0 / 65

HEX #562C58

RGB 86 44 88

HSL 297.27, 0.33%, 0.26%

LAB 25.21, 26.83, -18.44

 

CMYK 0 / 27 / 50 / 65

HEX #58402C

RGB 88 64 44

HSL 27.27, 0.33%, 0.26%

LAB 29.22, 7.58, 16.28

 

Description

Color code: CMYK 48 / 0 / 49 / 66 | qconv.com Color code: CMYK 48 / 0 / 49 / 66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 87 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 87 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 49 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 49% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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