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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 47 / 85 / 8 / 15 it is the complementary color CMYK 37 / 0 / 75 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 47 / 85 / 8 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 47 / 85 / 8 / 15: CMYK 38 / 83 / 0 / 24, CMYK 36 / 76 / 0 / 16, CMYK 34 / 70 / 0 / 9, CMYK 32 / 65 / 0 / 2 and CMYK 26 / 59 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 47 / 85 / 8 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 47 / 85 / 8 / 15: CMYK 42 / 83 / 0 / 22, CMYK 46 / 92 / 0 / 29, CMYK 50 / 100 / 0 / 37, CMYK 55 / 100 / 0 / 44 and CMYK 62 / 100 / 0 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 85 / 8 / 15

HEX #7321C7

RGB 115 33 199

HSL 269.64, 0.72%, 0.45%

LAB 35.71, 63.85, -69.94

 

Complementary color

CMYK 37 / 0 / 75 / 13

HEX #8CDE38

RGB 140 222 56

HSL 89.64, 0.72%, 0.55%

LAB 80.8, -50.02, 68.48

 

CMYK 38 / 83 / 0 / 24

HEX #7821C2

RGB 120 33 194

HSL 272.42, 0.71%, 0.45%

LAB 35.94, 63.41, -66.6

 

CMYK 36 / 76 / 0 / 16

HEX #8933D5

RGB 137 51 213

HSL 271.85, 0.66%, 0.52%

LAB 41.98, 63.93, -67.67

 

CMYK 34 / 70 / 0 / 9

HEX #9A45E8

RGB 154 69 232

HSL 271.29, 0.78%, 0.59%

LAB 48.2, 63.78, -68.29

 

CMYK 32 / 65 / 0 / 2

HEX #AB57FB

RGB 171 87 251

HSL 270.73, 0.95%, 0.66%

LAB 54.49, 63.26, -68.64

 

CMYK 26 / 59 / 0 / 0

HEX #BC69FF

RGB 188 105 255

HSL 273.2, 1%, 0.71%

LAB 59.9, 59.16, -62.04

 

CMYK 42 / 83 / 0 / 22

HEX #7321C7

RGB 115 33 199

HSL 269.64, 0.72%, 0.45%

LAB 35.71, 63.85, -69.94

 

CMYK 46 / 92 / 0 / 29

HEX #620FB4

RGB 98 15 180

HSL 270.18, 0.85%, 0.38%

LAB 29.99, 62.28, -68.2

 

CMYK 50 / 100 / 0 / 37

HEX #5100A1

RGB 81 0 161

HSL 270.19, 1%, 0.32%

LAB 24.71, 59.19, -65.54

 

CMYK 55 / 100 / 0 / 44

HEX #40008E

RGB 64 0 142

HSL 267.04, 1%, 0.28%

LAB 20.22, 53.45, -61.34

 

CMYK 62 / 100 / 0 / 52

HEX #2F007B

RGB 47 0 123

HSL 262.93, 1%, 0.24%

LAB 15.67, 47.64, -56.93

 

CMYK 42 / 83 / 0 / 22

HEX #7321C7

RGB 115 33 199

HSL 269.64, 0.72%, 0.45%

LAB 35.71, 63.85, -69.94

 

CMYK 29 / 84 / 0 / 23

HEX #8B20C5

RGB 139 32 197

HSL 278.91, 0.72%, 0.45%

LAB 38.82, 67.15, -63.54

 

CMYK 15 / 84 / 0 / 23

HEX #A720C5

RGB 167 32 197

HSL 289.09, 0.72%, 0.45%

LAB 43.18, 71.68, -56.26

 

CMYK 2 / 84 / 0 / 23

HEX #C220C5

RGB 194 32 197

HSL 298.91, 0.72%, 0.45%

LAB 47.67, 76.44, -48.82

 

CMYK 0 / 84 / 13 / 23

HEX #C520AC

RGB 197 32 172

HSL 309.09, 0.72%, 0.45%

LAB 46.82, 73.36, -35.48

 

CMYK 42 / 83 / 0 / 22

HEX #7321C7

RGB 115 33 199

HSL 269.64, 0.72%, 0.45%

LAB 35.71, 63.85, -69.94

 

CMYK 42 / 84 / 0 / 2

HEX #9029FA

RGB 144 41 250

HSL 269.57, 0.95%, 0.57%

LAB 44.83, 76.54, -83.98

 

CMYK 41 / 83 / 0 / 82

HEX #1B082E

RGB 27 8 46

HSL 270, 0.7%, 0.11%

LAB 5.46, 18.24, -20.95

 

CMYK 42 / 84 / 0 / 62

HEX #381061

RGB 56 16 97

HSL 269.63, 0.72%, 0.22%

LAB 15.87, 36.15, -39.59

 

CMYK 42 / 83 / 0 / 42

HEX #561994

RGB 86 25 148

HSL 269.76, 0.71%, 0.34%

LAB 26.19, 50.43, -55.11

 

CMYK 42 / 83 / 0 / 22

HEX #7321C7

RGB 115 33 199

HSL 269.64, 0.72%, 0.45%

LAB 35.71, 63.85, -69.94

 

CMYK 0 / 84 / 57 / 23

HEX #C52054

RGB 197 32 84

HSL 341.09, 0.72%, 0.45%

LAB 43.57, 64.2, 13.46

 

CMYK 84 / 0 / 77 / 23

HEX #20C52D

RGB 32 197 45

HSL 124.73, 0.72%, 0.45%

LAB 69.77, -67.27, 60.2

 

CMYK 42 / 83 / 0 / 22

HEX #7321C7

RGB 115 33 199

HSL 269.64, 0.72%, 0.45%

LAB 35.71, 63.85, -69.94

 

CMYK 0 / 44 / 84 / 23

HEX #C56F20

RGB 197 111 32

HSL 28.73, 0.72%, 0.45%

LAB 55.42, 28.63, 54.8

 

CMYK 84 / 0 / 44 / 23

HEX #20C56F

RGB 32 197 111

HSL 148.73, 0.72%, 0.45%

LAB 70.45, -59.1, 32.06

 

CMYK 42 / 83 / 0 / 22

HEX #7321C7

RGB 115 33 199

HSL 269.64, 0.72%, 0.45%

LAB 35.71, 63.85, -69.94

 

CMYK 0 / 84 / 57 / 23

HEX #C52054

RGB 197 32 84

HSL 341.09, 0.72%, 0.45%

LAB 43.57, 64.2, 13.46

 

CMYK 41 / 0 / 84 / 23

HEX #75C520

RGB 117 197 32

HSL 89.09, 0.72%, 0.45%

LAB 72.11, -48.82, 66.86

 

CMYK 84 / 0 / 26 / 23

HEX #20C591

RGB 32 197 145

HSL 161.09, 0.72%, 0.45%

LAB 71.07, -52.08, 14.97

 

CMYK 42 / 83 / 0 / 22

HEX #7321C7

RGB 115 33 199

HSL 269.64, 0.72%, 0.45%

LAB 35.71, 63.85, -69.94

 

CMYK 0 / 84 / 83 / 23

HEX #C52022

RGB 197 32 34

HSL 359.27, 0.72%, 0.45%

LAB 42.79, 61.87, 42.54

 

CMYK 41 / 0 / 84 / 23

HEX #75C520

RGB 117 197 32

HSL 89.09, 0.72%, 0.45%

LAB 72.11, -48.82, 66.86

 

CMYK 84 / 0 / 2 / 23

HEX #20C5C2

RGB 32 197 194

HSL 178.91, 0.72%, 0.45%

LAB 72.32, -39.12, -9.82

 

Description

Color code: CMYK 47 / 85 / 8 / 15 | qconv.com Color code: CMYK 47 / 85 / 8 / 15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 33 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 33 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 85 magenta, 8 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 85% 8% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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