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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 47 / 67 / 0 / 4 it is the complementary color CMYK 28 / 0 / 94 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 47 / 67 / 0 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 47 / 67 / 0 / 4: CMYK 44 / 66 / 0 / 6, CMYK 40 / 61 / 0 / 0, CMYK 34 / 54 / 0 / 0, CMYK 27 / 47 / 0 / 0 and CMYK 20 / 40 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 47 / 67 / 0 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 47 / 67 / 0 / 4: CMYK 47 / 67 / 0 / 4, CMYK 50 / 72 / 0 / 11, CMYK 54 / 78 / 0 / 19, CMYK 58 / 86 / 0 / 26 and CMYK 63 / 95 / 0 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 67 / 0 / 4

HEX #8251F5

RGB 130 81 245

HSL 257.93, 0.89%, 0.64%

LAB 48.54, 56.98, -75.16

 

Complementary color

CMYK 28 / 0 / 94 / 32

HEX #7DAE0A

RGB 125 174 10

HSL 77.93, 0.89%, 0.36%

LAB 65.48, -36.72, 65.53

 

CMYK 44 / 66 / 0 / 6

HEX #8751F0

RGB 135 81 240

HSL 260.38, 0.84%, 0.63%

LAB 48.67, 56.55, -72.13

 

CMYK 40 / 61 / 0 / 0

HEX #9863FF

RGB 152 99 255

HSL 260.38, 1%, 0.69%

LAB 54.89, 54.41, -70.32

 

CMYK 34 / 54 / 0 / 0

HEX #A975FF

RGB 169 117 255

HSL 262.61, 1%, 0.73%

LAB 60.23, 48.52, -61.63

 

CMYK 27 / 47 / 0 / 0

HEX #BA87FF

RGB 186 135 255

HSL 265.5, 1%, 0.76%

LAB 65.74, 42.96, -52.75

 

CMYK 20 / 40 / 0 / 0

HEX #CB99FF

RGB 203 153 255

HSL 269.41, 1%, 0.8%

LAB 71.35, 37.78, -43.8

 

CMYK 47 / 67 / 0 / 4

HEX #8251F5

RGB 130 81 245

HSL 257.93, 0.89%, 0.64%

LAB 48.54, 56.98, -75.16

 

CMYK 50 / 72 / 0 / 11

HEX #713FE2

RGB 113 63 226

HSL 258.4, 0.74%, 0.57%

LAB 42.09, 58.08, -75.05

 

CMYK 54 / 78 / 0 / 19

HEX #602DCF

RGB 96 45 207

HSL 258.89, 0.64%, 0.49%

LAB 35.73, 58.88, -74.64

 

CMYK 58 / 86 / 0 / 26

HEX #4F1BBC

RGB 79 27 188

HSL 259.38, 0.75%, 0.42%

LAB 29.61, 59, -73.67

 

CMYK 63 / 95 / 0 / 34

HEX #3E09A9

RGB 62 9 169

HSL 259.88, 0.9%, 0.35%

LAB 23.95, 57.76, -71.73

 

CMYK 47 / 67 / 0 / 4

HEX #8251F5

RGB 130 81 245

HSL 257.93, 0.89%, 0.64%

LAB 48.54, 56.98, -75.16

 

CMYK 36 / 67 / 0 / 4

HEX #9B51F4

RGB 155 81 244

HSL 267.24, 0.88%, 0.64%

LAB 51.13, 61.3, -70.27

 

CMYK 25 / 67 / 0 / 4

HEX #B651F4

RGB 182 81 244

HSL 277.18, 0.88%, 0.64%

LAB 54.41, 66.67, -64.81

 

CMYK 14 / 67 / 0 / 4

HEX #D151F4

RGB 209 81 244

HSL 287.12, 0.88%, 0.64%

LAB 58.01, 72.32, -58.83

 

CMYK 3 / 67 / 0 / 4

HEX #EC51F4

RGB 236 81 244

HSL 297.06, 0.88%, 0.64%

LAB 61.87, 78.13, -52.45

 

CMYK 47 / 67 / 0 / 4

HEX #8251F5

RGB 130 81 245

HSL 257.93, 0.89%, 0.64%

LAB 48.54, 56.98, -75.16

 

CMYK 46 / 66 / 0 / 84

HEX #160E29

RGB 22 14 41

HSL 257.78, 0.49%, 0.11%

LAB 5.82, 11.25, -16.64

 

CMYK 47 / 67 / 0 / 64

HEX #311E5C

RGB 49 30 92

HSL 258.39, 0.51%, 0.24%

LAB 17.25, 25.58, -34.06

 

CMYK 47 / 67 / 0 / 44

HEX #4C2F8F

RGB 76 47 143

HSL 258.13, 0.51%, 0.37%

LAB 28.25, 36.76, -48.7

 

CMYK 47 / 67 / 0 / 24

HEX #6740C2

RGB 103 64 194

HSL 258, 0.52%, 0.51%

LAB 38.63, 47.14, -62.29

 

CMYK 47 / 67 / 0 / 4

HEX #8251F5

RGB 130 81 245

HSL 257.93, 0.89%, 0.64%

LAB 48.54, 56.98, -75.16

 

CMYK 0 / 67 / 32 / 4

HEX #F451A5

RGB 244 81 165

HSL 329.08, 0.88%, 0.64%

LAB 59.74, 69.04, -10.83

 

CMYK 59 / 0 / 67 / 4

HEX #64F451

RGB 100 244 81

HSL 113.01, 0.88%, 0.64%

LAB 86.01, -67.86, 64.41

 

CMYK 47 / 67 / 0 / 4

HEX #8251F5

RGB 130 81 245

HSL 257.93, 0.89%, 0.64%

LAB 48.54, 56.98, -75.16

 

CMYK 0 / 48 / 67 / 4

HEX #F47F51

RGB 244 127 81

HSL 16.93, 0.88%, 0.64%

LAB 65.75, 41.26, 44.81

 

CMYK 67 / 0 / 48 / 4

HEX #51F47F

RGB 81 244 127

HSL 136.93, 0.88%, 0.64%

LAB 86, -66.28, 44.12

 

CMYK 47 / 67 / 0 / 4

HEX #8251F5

RGB 130 81 245

HSL 257.93, 0.89%, 0.64%

LAB 48.54, 56.98, -75.16

 

CMYK 0 / 67 / 32 / 4

HEX #F451A5

RGB 244 81 165

HSL 329.08, 0.88%, 0.64%

LAB 59.74, 69.04, -10.83

 

CMYK 19 / 0 / 67 / 4

HEX #C6F451

RGB 198 244 81

HSL 76.93, 0.88%, 0.64%

LAB 90.46, -36.93, 70.44

 

CMYK 67 / 0 / 34 / 4

HEX #51F4A0

RGB 81 244 160

HSL 149.08, 0.88%, 0.64%

LAB 86.5, -60.7, 28.46

 

CMYK 47 / 67 / 0 / 4

HEX #8251F5

RGB 130 81 245

HSL 257.93, 0.89%, 0.64%

LAB 48.54, 56.98, -75.16

 

CMYK 0 / 67 / 52 / 4

HEX #F45174

RGB 244 81 116

HSL 347.12, 0.88%, 0.64%

LAB 58.39, 64.36, 15.87

 

CMYK 19 / 0 / 67 / 4

HEX #C6F451

RGB 198 244 81

HSL 76.93, 0.88%, 0.64%

LAB 90.46, -36.93, 70.44

 

CMYK 67 / 0 / 14 / 4

HEX #51F4D1

RGB 81 244 209

HSL 167.12, 0.88%, 0.64%

LAB 87.51, -50.07, 4.59

 

Description

Color code: CMYK 47 / 67 / 0 / 4 | qconv.com Color code: CMYK 47 / 67 / 0 / 4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 81 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 81 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 67 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 67% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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