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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 47 / 48 / 0 / 38 it is the complementary color CMYK 1 / 0 / 44 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 47 / 48 / 0 / 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 47 / 48 / 0 / 38: CMYK 42 / 46 / 0 / 40, CMYK 38 / 42 / 0 / 33, CMYK 36 / 38 / 0 / 25, CMYK 33 / 35 / 0 / 18 and CMYK 31 / 33 / 0 / 10

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 47 / 48 / 0 / 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 47 / 48 / 0 / 38: CMYK 47 / 48 / 0 / 38, CMYK 52 / 54 / 0 / 45, CMYK 58 / 62 / 0 / 53, CMYK 67 / 72 / 0 / 60 and CMYK 80 / 88 / 0 / 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 48 / 0 / 38

HEX #54529E

RGB 84 82 158

HSL 241.58, 0.32%, 0.47%

LAB 38.53, 21.54, -41.24

 

Complementary color

CMYK 1 / 0 / 44 / 32

HEX #ABAD61

RGB 171 173 97

HSL 61.58, 0.32%, 0.53%

LAB 69.05, -12, 38.66

 

CMYK 42 / 46 / 0 / 40

HEX #595299

RGB 89 82 153

HSL 245.92, 0.3%, 0.46%

LAB 38.65, 21.29, -38.01

 

CMYK 38 / 42 / 0 / 33

HEX #6A64AC

RGB 106 100 172

HSL 245, 0.3%, 0.53%

LAB 45.85, 20.26, -37.8

 

CMYK 36 / 38 / 0 / 25

HEX #7B76BF

RGB 123 118 191

HSL 244.11, 0.36%, 0.61%

LAB 52.87, 19.39, -37.65

 

CMYK 33 / 35 / 0 / 18

HEX #8C88D2

RGB 140 136 210

HSL 243.24, 0.45%, 0.68%

LAB 59.74, 18.63, -37.55

 

CMYK 31 / 33 / 0 / 10

HEX #9D9AE5

RGB 157 154 229

HSL 242.4, 0.59%, 0.75%

LAB 66.47, 17.97, -37.51

 

CMYK 47 / 48 / 0 / 38

HEX #54529E

RGB 84 82 158

HSL 241.58, 0.32%, 0.47%

LAB 38.53, 21.54, -41.24

 

CMYK 52 / 54 / 0 / 45

HEX #43408B

RGB 67 64 139

HSL 242.4, 0.37%, 0.4%

LAB 31.17, 22.95, -41.56

 

CMYK 58 / 62 / 0 / 53

HEX #322E78

RGB 50 46 120

HSL 243.24, 0.45%, 0.33%

LAB 23.63, 24.68, -41.92

 

CMYK 67 / 72 / 0 / 60

HEX #211C65

RGB 33 28 101

HSL 244.11, 0.57%, 0.25%

LAB 15.97, 26.81, -42.18

 

CMYK 80 / 88 / 0 / 68

HEX #100A52

RGB 16 10 82

HSL 245, 0.78%, 0.18%

LAB 8.45, 28.99, -41.84

 

CMYK 47 / 48 / 0 / 38

HEX #54529E

RGB 84 82 158

HSL 241.58, 0.32%, 0.47%

LAB 38.53, 21.54, -41.24

 

CMYK 40 / 49 / 0 / 38

HEX #5F519E

RGB 95 81 158

HSL 250.91, 0.32%, 0.47%

LAB 39.22, 25, -40.08

 

CMYK 32 / 49 / 0 / 38

HEX #6C519E

RGB 108 81 158

HSL 261.04, 0.32%, 0.47%

LAB 40.48, 28.54, -38

 

CMYK 23 / 49 / 0 / 38

HEX #79519E

RGB 121 81 158

HSL 271.17, 0.32%, 0.47%

LAB 41.87, 32.25, -35.7

 

CMYK 16 / 49 / 0 / 38

HEX #85519E

RGB 133 81 158

HSL 280.52, 0.32%, 0.47%

LAB 43.27, 35.78, -33.4

 

CMYK 47 / 48 / 0 / 38

HEX #54529E

RGB 84 82 158

HSL 241.58, 0.32%, 0.47%

LAB 38.53, 21.54, -41.24

 

CMYK 47 / 48 / 0 / 18

HEX #6F6CD1

RGB 111 108 209

HSL 241.78, 0.52%, 0.62%

LAB 50.34, 27.53, -52

 

CMYK 40 / 40 / 0 / 98

HEX #030305

RGB 3 3 5

HSL 240, 0.25%, 0.02%

LAB 0.86, 0.28, -0.76

 

CMYK 46 / 48 / 0 / 78

HEX #1E1D38

RGB 30 29 56

HSL 242.22, 0.32%, 0.17%

LAB 12.22, 8.81, -17.44

 

CMYK 47 / 48 / 0 / 58

HEX #39386B

RGB 57 56 107

HSL 241.18, 0.31%, 0.32%

LAB 26.04, 15.14, -29.71

 

CMYK 47 / 48 / 0 / 38

HEX #54529E

RGB 84 82 158

HSL 241.58, 0.32%, 0.47%

LAB 38.53, 21.54, -41.24

 

CMYK 0 / 49 / 11 / 38

HEX #9E518D

RGB 158 81 141

HSL 313.25, 0.32%, 0.47%

LAB 45.74, 40.18, -19.14

 

CMYK 30 / 0 / 49 / 38

HEX #6E9E51

RGB 110 158 81

HSL 97.4, 0.32%, 0.47%

LAB 60.22, -30.41, 34.99

 

CMYK 47 / 48 / 0 / 38

HEX #54529E

RGB 84 82 158

HSL 241.58, 0.32%, 0.47%

LAB 38.53, 21.54, -41.24

 

CMYK 0 / 48 / 49 / 38

HEX #9E5251

RGB 158 82 81

HSL 0.78, 0.32%, 0.47%

LAB 44.09, 31.31, 14.93

 

CMYK 49 / 0 / 48 / 38

HEX #519E52

RGB 81 158 82

HSL 120.78, 0.32%, 0.47%

LAB 58.8, -39.91, 32.4

 

CMYK 47 / 48 / 0 / 38

HEX #54529E

RGB 84 82 158

HSL 241.58, 0.32%, 0.47%

LAB 38.53, 21.54, -41.24

 

CMYK 0 / 49 / 11 / 38

HEX #9E518D

RGB 158 81 141

HSL 313.25, 0.32%, 0.47%

LAB 45.74, 40.18, -19.14

 

CMYK 1 / 0 / 49 / 38

HEX #9C9E51

RGB 156 158 81

HSL 61.56, 0.32%, 0.47%

LAB 63.44, -12.02, 39.66

 

CMYK 49 / 0 / 38 / 38

HEX #519E62

RGB 81 158 98

HSL 133.25, 0.32%, 0.47%

LAB 59.05, -37.31, 24.21

 

CMYK 47 / 48 / 0 / 38

HEX #54529E

RGB 84 82 158

HSL 241.58, 0.32%, 0.47%

LAB 38.53, 21.54, -41.24

 

CMYK 0 / 49 / 25 / 38

HEX #9E5176

RGB 158 81 118

HSL 331.17, 0.32%, 0.47%

LAB 44.89, 36.49, -6.51

 

CMYK 1 / 0 / 49 / 38

HEX #9C9E51

RGB 156 158 81

HSL 61.56, 0.32%, 0.47%

LAB 63.44, -12.02, 39.66

 

CMYK 49 / 0 / 23 / 38

HEX #519E79

RGB 81 158 121

HSL 151.17, 0.32%, 0.47%

LAB 59.51, -32.76, 12.11

 

Description

Color code: CMYK 47 / 48 / 0 / 38 | qconv.com Color code: CMYK 47 / 48 / 0 / 38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 82 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 82 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 48 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 48% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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