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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 47 / 0 / 4 / 24 it is the complementary color CMYK 0 / 60 / 55 / 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 47 / 0 / 4 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 47 / 0 / 4 / 24: CMYK 44 / 0 / 7 / 24, CMYK 41 / 0 / 6 / 17, CMYK 38 / 0 / 5 / 10, CMYK 36 / 0 / 4 / 3 and CMYK 31 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 47 / 0 / 4 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 47 / 0 / 4 / 24: CMYK 47 / 0 / 4 / 24, CMYK 51 / 0 / 5 / 31, CMYK 56 / 0 / 6 / 38, CMYK 63 / 0 / 8 / 45 and CMYK 71 / 0 / 10 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 4 / 24

HEX #67C2BA

RGB 103 194 186

HSL 174.73, 0.43%, 0.58%

LAB 72.9, -29.13, -4.41

 

Complementary color

CMYK 0 / 60 / 55 / 40

HEX #983D45

RGB 152 61 69

HSL 354.73, 0.43%, 0.42%

LAB 38.63, 38.84, 14.76

 

CMYK 44 / 0 / 7 / 24

HEX #6CC2B5

RGB 108 194 181

HSL 170.93, 0.41%, 0.59%

LAB 72.96, -29.16, -1.57

 

CMYK 41 / 0 / 6 / 17

HEX #7DD4C8

RGB 125 212 200

HSL 171.72, 0.5%, 0.66%

LAB 79.4, -29.06, -2.31

 

CMYK 38 / 0 / 5 / 10

HEX #8EE6DB

RGB 142 230 219

HSL 172.5, 0.64%, 0.73%

LAB 85.74, -28.95, -3

 

CMYK 36 / 0 / 4 / 3

HEX #9FF8EE

RGB 159 248 238

HSL 173.26, 0.86%, 0.8%

LAB 91.99, -28.83, -3.66

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFF

RGB 176 255 255

HSL 180, 1%, 0.85%

LAB 95.15, -23.9, -7.7

 

CMYK 47 / 0 / 4 / 24

HEX #67C2BA

RGB 103 194 186

HSL 174.73, 0.43%, 0.58%

LAB 72.9, -29.13, -4.41

 

CMYK 51 / 0 / 5 / 31

HEX #56B0A7

RGB 86 176 167

HSL 174, 0.36%, 0.51%

LAB 66.38, -29.12, -3.65

 

CMYK 56 / 0 / 6 / 38

HEX #459E94

RGB 69 158 148

HSL 173.26, 0.39%, 0.45%

LAB 59.76, -29.02, -2.82

 

CMYK 63 / 0 / 8 / 45

HEX #348C81

RGB 52 140 129

HSL 172.5, 0.46%, 0.38%

LAB 53.03, -28.8, -1.9

 

CMYK 71 / 0 / 10 / 52

HEX #237A6E

RGB 35 122 110

HSL 171.72, 0.55%, 0.31%

LAB 46.18, -28.36, -0.85

 

CMYK 47 / 0 / 4 / 24

HEX #67C2BA

RGB 103 194 186

HSL 174.73, 0.43%, 0.58%

LAB 72.9, -29.13, -4.41

 

CMYK 48 / 3 / 0 / 24

HEX #65BBC1

RGB 101 187 193

HSL 183.91, 0.43%, 0.58%

LAB 70.98, -24.33, -11.09

 

CMYK 48 / 11 / 0 / 24

HEX #65ACC1

RGB 101 172 193

HSL 193.7, 0.43%, 0.58%

LAB 66.61, -16.63, -17.67

 

CMYK 48 / 19 / 0 / 24

HEX #659DC1

RGB 101 157 193

HSL 203.48, 0.43%, 0.58%

LAB 62.28, -8.53, -24.28

 

CMYK 48 / 27 / 0 / 24

HEX #658DC1

RGB 101 141 193

HSL 213.91, 0.43%, 0.58%

LAB 57.72, 0.53, -31.32

 

CMYK 47 / 0 / 4 / 24

HEX #67C2BA

RGB 103 194 186

HSL 174.73, 0.43%, 0.58%

LAB 72.9, -29.13, -4.41

 

CMYK 47 / 0 / 4 / 4

HEX #82F5EB

RGB 130 245 235

HSL 174.78, 0.85%, 0.74%

LAB 89.88, -35.1, -5.34

 

CMYK 46 / 0 / 5 / 84

HEX #162927

RGB 22 41 39

HSL 173.68, 0.3%, 0.12%

LAB 14.97, -8.35, -1.15

 

CMYK 47 / 0 / 4 / 64

HEX #315C58

RGB 49 92 88

HSL 174.42, 0.3%, 0.28%

LAB 36.01, -16.04, -2.37

 

CMYK 47 / 0 / 4 / 44

HEX #4C8F89

RGB 76 143 137

HSL 174.63, 0.31%, 0.43%

LAB 55.06, -22.83, -3.43

 

CMYK 47 / 0 / 4 / 24

HEX #67C2BA

RGB 103 194 186

HSL 174.73, 0.43%, 0.58%

LAB 72.9, -29.13, -4.41

 

CMYK 42 / 48 / 0 / 24

HEX #6F65C1

RGB 111 101 193

HSL 246.52, 0.43%, 0.58%

LAB 47.67, 27.03, -47.1

 

CMYK 0 / 24 / 48 / 24

HEX #C19365

RGB 193 147 101

HSL 30, 0.43%, 0.58%

LAB 64.28, 11.59, 30.98

 

CMYK 47 / 0 / 4 / 24

HEX #67C2BA

RGB 103 194 186

HSL 174.73, 0.43%, 0.58%

LAB 72.9, -29.13, -4.41

 

CMYK 5 / 48 / 0 / 24

HEX #B865C1

RGB 184 101 193

HSL 294.13, 0.43%, 0.58%

LAB 55.43, 47.21, -34.34

 

CMYK 0 / 5 / 48 / 24

HEX #C1B865

RGB 193 184 101

HSL 54.13, 0.43%, 0.58%

LAB 73.91, -8.26, 43.03

 

CMYK 47 / 0 / 4 / 24

HEX #67C2BA

RGB 103 194 186

HSL 174.73, 0.43%, 0.58%

LAB 72.9, -29.13, -4.41

 

CMYK 42 / 48 / 0 / 24

HEX #6F65C1

RGB 111 101 193

HSL 246.52, 0.43%, 0.58%

LAB 47.67, 27.03, -47.1

 

CMYK 0 / 48 / 42 / 24

HEX #C1656F

RGB 193 101 111

HSL 353.48, 0.43%, 0.58%

LAB 53.81, 37.7, 11.22

 

CMYK 5 / 0 / 48 / 24

HEX #B8C165

RGB 184 193 101

HSL 65.87, 0.43%, 0.58%

LAB 75.62, -16.55, 44.94

 

CMYK 47 / 0 / 4 / 24

HEX #67C2BA

RGB 103 194 186

HSL 174.73, 0.43%, 0.58%

LAB 72.9, -29.13, -4.41

 

CMYK 28 / 48 / 0 / 24

HEX #8A65C1

RGB 138 101 193

HSL 264.13, 0.43%, 0.58%

LAB 50.17, 34.12, -42.97

 

CMYK 0 / 48 / 42 / 24

HEX #C1656F

RGB 193 101 111

HSL 353.48, 0.43%, 0.58%

LAB 53.81, 37.7, 11.22

 

CMYK 19 / 0 / 48 / 24

HEX #9DC165

RGB 157 193 101

HSL 83.48, 0.43%, 0.58%

LAB 73.71, -27.18, 42.17

 

Description

Color code: CMYK 47 / 0 / 4 / 24 | qconv.com Color code: CMYK 47 / 0 / 4 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 194 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 194 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 4 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 4% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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