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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 47 / 0 / 0 / 37 it is the complementary color CMYK 0 / 45 / 45 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 47 / 0 / 0 / 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 47 / 0 / 0 / 37: CMYK 44 / 0 / 3 / 37, CMYK 40 / 0 / 2 / 30, CMYK 37 / 0 / 2 / 23, CMYK 34 / 0 / 1 / 16 and CMYK 32 / 0 / 0 / 9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 47 / 0 / 0 / 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 47 / 0 / 0 / 37: CMYK 47 / 0 / 0 / 37, CMYK 52 / 0 / 1 / 44, CMYK 59 / 0 / 2 / 51, CMYK 68 / 0 / 3 / 58 and CMYK 81 / 0 / 4 / 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 0 / 37

HEX #55A1A1

RGB 85 161 161

HSL 180, 0.31%, 0.48%

LAB 61.65, -23.46, -7.3

 

Complementary color

CMYK 0 / 45 / 45 / 33

HEX #AA5E5E

RGB 170 94 94

HSL 0, 0.31%, 0.52%

LAB 48.71, 30.84, 13.72

 

CMYK 44 / 0 / 3 / 37

HEX #5AA19C

RGB 90 161 156

HSL 175.77, 0.28%, 0.49%

LAB 61.71, -23.55, -4.37

 

CMYK 40 / 0 / 2 / 30

HEX #6BB3AF

RGB 107 179 175

HSL 176.67, 0.32%, 0.56%

LAB 68.36, -23.48, -5.06

 

CMYK 37 / 0 / 2 / 23

HEX #7CC5C2

RGB 124 197 194

HSL 177.53, 0.39%, 0.63%

LAB 74.9, -23.4, -5.71

 

CMYK 34 / 0 / 1 / 16

HEX #8DD7D5

RGB 141 215 213

HSL 178.38, 0.48%, 0.7%

LAB 81.33, -23.31, -6.32

 

CMYK 32 / 0 / 0 / 9

HEX #9EE9E8

RGB 158 233 232

HSL 179.2, 0.63%, 0.77%

LAB 87.67, -23.21, -6.91

 

CMYK 47 / 0 / 0 / 37

HEX #55A1A1

RGB 85 161 161

HSL 180, 0.31%, 0.48%

LAB 61.65, -23.46, -7.3

 

CMYK 52 / 0 / 1 / 44

HEX #448F8E

RGB 68 143 142

HSL 179.2, 0.36%, 0.41%

LAB 54.89, -23.37, -6.59

 

CMYK 59 / 0 / 2 / 51

HEX #337D7B

RGB 51 125 123

HSL 178.38, 0.42%, 0.35%

LAB 48.01, -23.17, -5.81

 

CMYK 68 / 0 / 3 / 58

HEX #226B68

RGB 34 107 104

HSL 177.53, 0.52%, 0.28%

LAB 40.98, -22.77, -4.91

 

CMYK 81 / 0 / 4 / 65

HEX #115955

RGB 17 89 85

HSL 176.67, 0.68%, 0.21%

LAB 33.82, -21.99, -3.85

 

CMYK 47 / 0 / 0 / 37

HEX #55A1A1

RGB 85 161 161

HSL 180, 0.31%, 0.48%

LAB 61.65, -23.46, -7.3

 

CMYK 48 / 8 / 0 / 37

HEX #5493A0

RGB 84 147 160

HSL 190.26, 0.31%, 0.48%

LAB 57.36, -16.66, -13.17

 

CMYK 48 / 16 / 0 / 37

HEX #5487A0

RGB 84 135 160

HSL 199.74, 0.31%, 0.48%

LAB 53.76, -10.07, -18.62

 

CMYK 48 / 24 / 0 / 37

HEX #547AA0

RGB 84 122 160

HSL 210, 0.31%, 0.48%

LAB 49.91, -2.59, -24.54

 

CMYK 48 / 32 / 0 / 37

HEX #546DA0

RGB 84 109 160

HSL 220.26, 0.31%, 0.48%

LAB 46.12, 5.22, -30.42

 

CMYK 47 / 0 / 0 / 37

HEX #55A1A1

RGB 85 161 161

HSL 180, 0.31%, 0.48%

LAB 61.65, -23.46, -7.3

 

CMYK 47 / 0 / 0 / 17

HEX #70D4D4

RGB 112 212 212

HSL 180, 0.54%, 0.64%

LAB 79.21, -29.2, -9.07

 

CMYK 50 / 0 / 0 / 97

HEX #040808

RGB 4 8 8

HSL 180, 0.33%, 0.02%

LAB 1.96, -1.05, -0.37

 

CMYK 47 / 0 / 0 / 77

HEX #1F3B3B

RGB 31 59 59

HSL 180, 0.31%, 0.18%

LAB 22.78, -10.56, -3.33

 

CMYK 47 / 0 / 0 / 57

HEX #3A6E6E

RGB 58 110 110

HSL 180, 0.31%, 0.33%

LAB 43.03, -17.33, -5.41

 

CMYK 47 / 0 / 0 / 37

HEX #55A1A1

RGB 85 161 161

HSL 180, 0.31%, 0.48%

LAB 61.65, -23.46, -7.3

 

CMYK 38 / 48 / 0 / 37

HEX #6354A0

RGB 99 84 160

HSL 251.84, 0.31%, 0.48%

LAB 40.46, 24.78, -39.28

 

CMYK 0 / 19 / 48 / 37

HEX #A08154

RGB 160 129 84

HSL 35.53, 0.31%, 0.48%

LAB 55.9, 5.88, 28.82

 

CMYK 47 / 0 / 0 / 37

HEX #55A1A1

RGB 85 161 161

HSL 180, 0.31%, 0.48%

LAB 61.65, -23.46, -7.3

 

CMYK 0 / 48 / 0 / 37

HEX #A054A0

RGB 160 84 160

HSL 300, 0.31%, 0.48%

LAB 47.43, 42.67, -27.83

 

CMYK 0 / 0 / 48 / 37

HEX #A0A054

RGB 160 160 84

HSL 60, 0.31%, 0.48%

LAB 64.37, -11.09, 39.34

 

CMYK 47 / 0 / 0 / 37

HEX #55A1A1

RGB 85 161 161

HSL 180, 0.31%, 0.48%

LAB 61.65, -23.46, -7.3

 

CMYK 38 / 48 / 0 / 37

HEX #6354A0

RGB 99 84 160

HSL 251.84, 0.31%, 0.48%

LAB 40.46, 24.78, -39.28

 

CMYK 0 / 48 / 48 / 37

HEX #A05454

RGB 160 84 84

HSL 0, 0.31%, 0.48%

LAB 44.88, 31.32, 14.24

 

CMYK 9 / 0 / 48 / 37

HEX #91A054

RGB 145 160 84

HSL 71.84, 0.31%, 0.48%

LAB 63.18, -17.34, 37.62

 

CMYK 47 / 0 / 0 / 37

HEX #55A1A1

RGB 85 161 161

HSL 180, 0.31%, 0.48%

LAB 61.65, -23.46, -7.3

 

CMYK 24 / 48 / 0 / 37

HEX #7A54A0

RGB 122 84 160

HSL 270, 0.31%, 0.48%

LAB 42.79, 31.28, -35.44

 

CMYK 0 / 48 / 48 / 37

HEX #A05454

RGB 160 84 84

HSL 0, 0.31%, 0.48%

LAB 44.88, 31.32, 14.24

 

CMYK 24 / 0 / 48 / 37

HEX #7AA054

RGB 122 160 84

HSL 90, 0.31%, 0.48%

LAB 61.58, -26.51, 35.3

 

Description

Color code: CMYK 47 / 0 / 0 / 37 | qconv.com Color code: CMYK 47 / 0 / 0 / 37 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 161 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 161 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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