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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 47 / 0 / 0 / 29 it is the complementary color CMYK 0 / 53 / 53 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 47 / 0 / 0 / 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 47 / 0 / 0 / 29: CMYK 44 / 0 / 3 / 29, CMYK 41 / 0 / 2 / 22, CMYK 38 / 0 / 1 / 15, CMYK 35 / 0 / 1 / 8 and CMYK 33 / 0 / 0 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 47 / 0 / 0 / 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 47 / 0 / 0 / 29: CMYK 47 / 0 / 0 / 29, CMYK 52 / 0 / 1 / 36, CMYK 57 / 0 / 1 / 43, CMYK 65 / 0 / 2 / 50 and CMYK 74 / 0 / 4 / 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 0 / 29

HEX #60B5B5

RGB 96 181 181

HSL 180, 0.36%, 0.54%

LAB 68.66, -25.65, -7.98

 

Complementary color

CMYK 0 / 53 / 53 / 38

HEX #9F4A4A

RGB 159 74 74

HSL 0, 0.36%, 0.46%

LAB 42.4, 35.3, 16.95

 

CMYK 44 / 0 / 3 / 29

HEX #65B5B0

RGB 101 181 176

HSL 176.25, 0.35%, 0.55%

LAB 68.71, -25.75, -5.12

 

CMYK 41 / 0 / 2 / 22

HEX #76C7C3

RGB 118 199 195

HSL 177.04, 0.42%, 0.62%

LAB 75.23, -25.7, -5.79

 

CMYK 38 / 0 / 1 / 15

HEX #87D9D6

RGB 135 217 214

HSL 177.8, 0.52%, 0.69%

LAB 81.64, -25.63, -6.43

 

CMYK 35 / 0 / 1 / 8

HEX #98EBE9

RGB 152 235 233

HSL 178.55, 0.67%, 0.76%

LAB 87.96, -25.54, -7.03

 

CMYK 33 / 0 / 0 / 1

HEX #A9FDFC

RGB 169 253 252

HSL 179.29, 0.95%, 0.83%

LAB 94.19, -25.46, -7.61

 

CMYK 47 / 0 / 0 / 29

HEX #60B5B5

RGB 96 181 181

HSL 180, 0.36%, 0.54%

LAB 68.66, -25.65, -7.98

 

CMYK 52 / 0 / 1 / 36

HEX #4FA3A2

RGB 79 163 162

HSL 179.29, 0.35%, 0.47%

LAB 62.05, -25.57, -7.29

 

CMYK 57 / 0 / 1 / 43

HEX #3E918F

RGB 62 145 143

HSL 178.55, 0.4%, 0.41%

LAB 55.34, -25.39, -6.53

 

CMYK 65 / 0 / 2 / 50

HEX #2D7F7C

RGB 45 127 124

HSL 177.8, 0.48%, 0.34%

LAB 48.5, -25.05, -5.68

 

CMYK 74 / 0 / 4 / 57

HEX #1C6D69

RGB 28 109 105

HSL 177.04, 0.59%, 0.27%

LAB 41.54, -24.44, -4.71

 

CMYK 47 / 0 / 0 / 29

HEX #60B5B5

RGB 96 181 181

HSL 180, 0.36%, 0.54%

LAB 68.66, -25.65, -7.98

 

CMYK 47 / 8 / 0 / 30

HEX #5FA5B3

RGB 95 165 179

HSL 190, 0.36%, 0.54%

LAB 63.83, -18.25, -14.1

 

CMYK 47 / 16 / 0 / 30

HEX #5F97B3

RGB 95 151 179

HSL 200, 0.36%, 0.54%

LAB 59.73, -10.72, -20.33

 

CMYK 47 / 23 / 0 / 30

HEX #5F89B3

RGB 95 137 179

HSL 210, 0.36%, 0.54%

LAB 55.66, -2.83, -26.57

 

CMYK 47 / 31 / 0 / 30

HEX #5F7BB3

RGB 95 123 179

HSL 220, 0.36%, 0.54%

LAB 51.67, 5.41, -32.77

 

CMYK 47 / 0 / 0 / 29

HEX #60B5B5

RGB 96 181 181

HSL 180, 0.36%, 0.54%

LAB 68.66, -25.65, -7.98

 

CMYK 47 / 0 / 0 / 9

HEX #7BE8E8

RGB 123 232 232

HSL 180, 0.7%, 0.7%

LAB 85.88, -31.28, -9.72

 

CMYK 46 / 0 / 0 / 89

HEX #0F1C1C

RGB 15 28 28

HSL 180, 0.3%, 0.08%

LAB 9.12, -5.66, -1.82

 

CMYK 47 / 0 / 0 / 69

HEX #2A4F4F

RGB 42 79 79

HSL 180, 0.31%, 0.24%

LAB 30.99, -13.21, -4.15

 

CMYK 47 / 0 / 0 / 49

HEX #458282

RGB 69 130 130

HSL 180, 0.31%, 0.39%

LAB 50.5, -19.69, -6.14

 

CMYK 47 / 0 / 0 / 29

HEX #60B5B5

RGB 96 181 181

HSL 180, 0.36%, 0.54%

LAB 68.66, -25.65, -7.98

 

CMYK 37 / 47 / 0 / 30

HEX #705FB3

RGB 112 95 179

HSL 252.14, 0.36%, 0.54%

LAB 45.47, 26.92, -42.46

 

CMYK 0 / 18 / 47 / 30

HEX #B3925F

RGB 179 146 95

HSL 36.43, 0.36%, 0.54%

LAB 62.48, 5.66, 31.62

 

CMYK 47 / 0 / 0 / 29

HEX #60B5B5

RGB 96 181 181

HSL 180, 0.36%, 0.54%

LAB 68.66, -25.65, -7.98

 

CMYK 0 / 47 / 0 / 30

HEX #B35FB3

RGB 179 95 179

HSL 300, 0.36%, 0.54%

LAB 52.97, 46.2, -30.14

 

CMYK 0 / 0 / 47 / 30

HEX #B3B35F

RGB 179 179 95

HSL 60, 0.36%, 0.54%

LAB 71.32, -12.02, 42.6

 

CMYK 47 / 0 / 0 / 29

HEX #60B5B5

RGB 96 181 181

HSL 180, 0.36%, 0.54%

LAB 68.66, -25.65, -7.98

 

CMYK 37 / 47 / 0 / 30

HEX #705FB3

RGB 112 95 179

HSL 252.14, 0.36%, 0.54%

LAB 45.47, 26.92, -42.46

 

CMYK 0 / 47 / 47 / 30

HEX #B35F5F

RGB 179 95 95

HSL 0, 0.36%, 0.54%

LAB 50.21, 33.9, 15.39

 

CMYK 9 / 0 / 47 / 30

HEX #A3B35F

RGB 163 179 95

HSL 71.43, 0.36%, 0.54%

LAB 70.07, -18.56, 40.8

 

CMYK 47 / 0 / 0 / 29

HEX #60B5B5

RGB 96 181 181

HSL 180, 0.36%, 0.54%

LAB 68.66, -25.65, -7.98

 

CMYK 23 / 47 / 0 / 30

HEX #895FB3

RGB 137 95 179

HSL 270, 0.36%, 0.54%

LAB 47.95, 33.85, -38.37

 

CMYK 0 / 47 / 47 / 30

HEX #B35F5F

RGB 179 95 95

HSL 0, 0.36%, 0.54%

LAB 50.21, 33.9, 15.39

 

CMYK 23 / 0 / 47 / 30

HEX #89B35F

RGB 137 179 95

HSL 90, 0.36%, 0.54%

LAB 68.3, -28.71, 38.22

 

Description

Color code: CMYK 47 / 0 / 0 / 29 | qconv.com Color code: CMYK 47 / 0 / 0 / 29 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 181 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 181 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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