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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 46 / 32 / 0 / 7 it is the complementary color CMYK 0 / 26 / 86 / 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 46 / 32 / 0 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 46 / 32 / 0 / 7: CMYK 43 / 31 / 0 / 9, CMYK 40 / 29 / 0 / 2, CMYK 35 / 23 / 0 / 0, CMYK 28 / 16 / 0 / 0 and CMYK 21 / 9 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 46 / 32 / 0 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 46 / 32 / 0 / 7: CMYK 46 / 32 / 0 / 7, CMYK 49 / 34 / 0 / 15, CMYK 53 / 37 / 0 / 22, CMYK 57 / 41 / 0 / 29 and CMYK 63 / 45 / 0 / 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 32 / 0 / 7

HEX #80A1ED

RGB 128 161 237

HSL 221.83, 0.75%, 0.72%

LAB 66.67, 8.54, -41.74

 

Complementary color

CMYK 0 / 26 / 86 / 50

HEX #7F5E12

RGB 127 94 18

HSL 41.83, 0.75%, 0.28%

LAB 42.09, 6.31, 44.73

 

CMYK 43 / 31 / 0 / 9

HEX #85A1E8

RGB 133 161 232

HSL 223.03, 0.68%, 0.72%

LAB 66.75, 8.34, -38.85

 

CMYK 40 / 29 / 0 / 2

HEX #96B3FB

RGB 150 179 251

HSL 222.77, 0.93%, 0.79%

LAB 73.34, 7.78, -38.83

 

CMYK 35 / 23 / 0 / 0

HEX #A7C5FF

RGB 167 197 255

HSL 219.55, 1%, 0.83%

LAB 79.25, 3.42, -31.75

 

CMYK 28 / 16 / 0 / 0

HEX #B8D7FF

RGB 184 215 255

HSL 213.8, 1%, 0.86%

LAB 85, -1.45, -22.87

 

CMYK 21 / 9 / 0 / 0

HEX #C9E9FF

RGB 201 233 255

HSL 204.44, 1%, 0.89%

LAB 90.74, -5.83, -14.11

 

CMYK 46 / 32 / 0 / 7

HEX #80A1ED

RGB 128 161 237

HSL 221.83, 0.75%, 0.72%

LAB 66.67, 8.54, -41.74

 

CMYK 49 / 34 / 0 / 15

HEX #6F8FDA

RGB 111 143 218

HSL 222.06, 0.59%, 0.65%

LAB 59.97, 9.29, -41.82

 

CMYK 53 / 37 / 0 / 22

HEX #5E7DC7

RGB 94 125 199

HSL 222.29, 0.48%, 0.57%

LAB 53.14, 10.19, -41.94

 

CMYK 57 / 41 / 0 / 29

HEX #4D6BB4

RGB 77 107 180

HSL 222.52, 0.41%, 0.5%

LAB 46.16, 11.3, -42.11

 

CMYK 63 / 45 / 0 / 37

HEX #3C59A1

RGB 60 89 161

HSL 222.77, 0.46%, 0.43%

LAB 39.03, 12.7, -42.32

 

CMYK 46 / 32 / 0 / 7

HEX #80A1ED

RGB 128 161 237

HSL 221.83, 0.75%, 0.72%

LAB 66.67, 8.54, -41.74

 

CMYK 45 / 38 / 0 / 7

HEX #8292ED

RGB 130 146 237

HSL 231.03, 0.75%, 0.72%

LAB 62.86, 17.69, -47.72

 

CMYK 45 / 45 / 0 / 7

HEX #8382ED

RGB 131 130 237

HSL 240.56, 0.75%, 0.72%

LAB 58.89, 27.31, -54.02

 

CMYK 37 / 45 / 0 / 7

HEX #9582ED

RGB 149 130 237

HSL 250.65, 0.75%, 0.72%

LAB 60.31, 31.71, -51.67

 

CMYK 30 / 45 / 0 / 7

HEX #A782ED

RGB 167 130 237

HSL 260.75, 0.75%, 0.72%

LAB 61.91, 36.38, -49.03

 

CMYK 46 / 32 / 0 / 7

HEX #80A1ED

RGB 128 161 237

HSL 221.83, 0.75%, 0.72%

LAB 66.67, 8.54, -41.74

 

CMYK 45 / 33 / 0 / 87

HEX #121621

RGB 18 22 33

HSL 224, 0.29%, 0.1%

LAB 7.34, 1.59, -8.27

 

CMYK 46 / 32 / 0 / 67

HEX #2D3954

RGB 45 57 84

HSL 221.54, 0.3%, 0.25%

LAB 24.08, 3.25, -17.91

 

CMYK 46 / 32 / 0 / 47

HEX #495C87

RGB 73 92 135

HSL 221.61, 0.3%, 0.41%

LAB 39.28, 5.02, -26.23

 

CMYK 46 / 32 / 0 / 27

HEX #647EBA

RGB 100 126 186

HSL 221.86, 0.38%, 0.56%

LAB 53.14, 7, -34.48

 

CMYK 46 / 32 / 0 / 7

HEX #80A1ED

RGB 128 161 237

HSL 221.83, 0.75%, 0.72%

LAB 66.67, 8.54, -41.74

 

CMYK 5 / 45 / 0 / 7

HEX #E082ED

RGB 224 130 237

HSL 292.71, 0.75%, 0.72%

LAB 67.97, 52.21, -39.09

 

CMYK 13 / 0 / 45 / 7

HEX #CEED82

RGB 206 237 130

HSL 77.38, 0.75%, 0.72%

LAB 89.53, -26.53, 48.29

 

CMYK 46 / 32 / 0 / 7

HEX #80A1ED

RGB 128 161 237

HSL 221.83, 0.75%, 0.72%

LAB 66.67, 8.54, -41.74

 

CMYK 0 / 45 / 31 / 7

HEX #ED82A3

RGB 237 130 163

HSL 341.5, 0.75%, 0.72%

LAB 66.99, 44.63, 0.91

 

CMYK 31 / 0 / 45 / 7

HEX #A3ED82

RGB 163 237 130

HSL 101.5, 0.75%, 0.72%

LAB 86.98, -41.83, 44.55

 

CMYK 46 / 32 / 0 / 7

HEX #80A1ED

RGB 128 161 237

HSL 221.83, 0.75%, 0.72%

LAB 66.67, 8.54, -41.74

 

CMYK 5 / 45 / 0 / 7

HEX #E082ED

RGB 224 130 237

HSL 292.71, 0.75%, 0.72%

LAB 67.97, 52.21, -39.09

 

CMYK 0 / 14 / 45 / 7

HEX #EDCB82

RGB 237 203 130

HSL 40.93, 0.75%, 0.72%

LAB 83.09, 2.55, 40.74

 

CMYK 40 / 0 / 45 / 7

HEX #8EED82

RGB 142 237 130

HSL 113.27, 0.75%, 0.72%

LAB 85.97, -48.49, 43.07

 

CMYK 46 / 32 / 0 / 7

HEX #80A1ED

RGB 128 161 237

HSL 221.83, 0.75%, 0.72%

LAB 66.67, 8.54, -41.74

 

CMYK 0 / 45 / 8 / 7

HEX #ED82D9

RGB 237 130 217

HSL 311.21, 0.75%, 0.72%

LAB 68.74, 52.5, -26.72

 

CMYK 0 / 14 / 45 / 7

HEX #EDCB82

RGB 237 203 130

HSL 40.93, 0.75%, 0.72%

LAB 83.09, 2.55, 40.74

 

CMYK 45 / 0 / 37 / 7

HEX #82ED95

RGB 130 237 149

HSL 130.65, 0.75%, 0.72%

LAB 85.75, -49.12, 33.28

 

Description

Color code: CMYK 46 / 32 / 0 / 7 | qconv.com Color code: CMYK 46 / 32 / 0 / 7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 161 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 161 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 32 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 32% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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