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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 46 / 0 / 0 / 54 it is the complementary color CMYK 0 / 28 / 28 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 46 / 0 / 0 / 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 46 / 0 / 0 / 54: CMYK 42 / 0 / 4 / 54, CMYK 37 / 0 / 3 / 47, CMYK 33 / 0 / 2 / 40, CMYK 30 / 0 / 1 / 33 and CMYK 28 / 0 / 1 / 26

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 46 / 0 / 0 / 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 46 / 0 / 0 / 54: CMYK 46 / 0 / 0 / 54, CMYK 54 / 0 / 1 / 61, CMYK 64 / 0 / 2 / 68, CMYK 81 / 0 / 5 / 75 and CMYK 100 / 0 / 9 / 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 0 / 54

HEX #3F7575

RGB 63 117 117

HSL 180, 0.3%, 0.35%

LAB 45.72, -17.87, -5.59

 

Complementary color

CMYK 0 / 28 / 28 / 25

HEX #C08A8A

RGB 192 138 138

HSL 0, 0.3%, 0.65%

LAB 62.69, 20.6, 8.18

 

CMYK 42 / 0 / 4 / 54

HEX #447570

RGB 68 117 112

HSL 173.88, 0.26%, 0.36%

LAB 45.8, -17.87, -2.46

 

CMYK 37 / 0 / 3 / 47

HEX #558783

RGB 85 135 131

HSL 175.2, 0.23%, 0.43%

LAB 52.84, -17.75, -3.19

 

CMYK 33 / 0 / 2 / 40

HEX #669996

RGB 102 153 150

HSL 176.47, 0.2%, 0.5%

LAB 59.72, -17.63, -3.86

 

CMYK 30 / 0 / 1 / 33

HEX #77ABA9

RGB 119 171 169

HSL 177.69, 0.24%, 0.57%

LAB 66.45, -17.51, -4.49

 

CMYK 28 / 0 / 1 / 26

HEX #88BDBC

RGB 136 189 188

HSL 178.87, 0.29%, 0.64%

LAB 73.06, -17.41, -5.08

 

CMYK 46 / 0 / 0 / 54

HEX #3F7575

RGB 63 117 117

HSL 180, 0.3%, 0.35%

LAB 45.72, -17.87, -5.59

 

CMYK 54 / 0 / 1 / 61

HEX #2E6362

RGB 46 99 98

HSL 178.87, 0.37%, 0.28%

LAB 38.53, -17.81, -4.85

 

CMYK 64 / 0 / 2 / 68

HEX #1D514F

RGB 29 81 79

HSL 177.69, 0.47%, 0.22%

LAB 31.14, -17.6, -3.99

 

CMYK 81 / 0 / 5 / 75

HEX #0C3F3C

RGB 12 63 60

HSL 176.47, 0.68%, 0.15%

LAB 23.54, -17.02, -2.95

 

CMYK 100 / 0 / 9 / 82

HEX #002D29

RGB 0 45 41

HSL 174.67, 1%, 0.09%

LAB 15.68, -15.8, -1.62

 

CMYK 46 / 0 / 0 / 54

HEX #3F7575

RGB 63 117 117

HSL 180, 0.3%, 0.35%

LAB 45.72, -17.87, -5.59

 

CMYK 47 / 8 / 0 / 55

HEX #3E6B74

RGB 62 107 116

HSL 190, 0.3%, 0.35%

LAB 42.46, -12.86, -9.87

 

CMYK 47 / 16 / 0 / 55

HEX #3E6274

RGB 62 98 116

HSL 200, 0.3%, 0.35%

LAB 39.61, -7.62, -14.18

 

CMYK 47 / 23 / 0 / 55

HEX #3E5974

RGB 62 89 116

HSL 210, 0.3%, 0.35%

LAB 36.8, -2.15, -18.5

 

CMYK 47 / 31 / 0 / 55

HEX #3E5074

RGB 62 80 116

HSL 220, 0.3%, 0.35%

LAB 34.03, 3.55, -22.79

 

CMYK 46 / 0 / 0 / 54

HEX #3F7575

RGB 63 117 117

HSL 180, 0.3%, 0.35%

LAB 45.72, -17.87, -5.59

 

CMYK 46 / 0 / 0 / 34

HEX #5AA8A8

RGB 90 168 168

HSL 180, 0.31%, 0.51%

LAB 64.17, -23.96, -7.47

 

CMYK 46 / 0 / 0 / 14

HEX #76DBDB

RGB 118 219 219

HSL 180, 0.58%, 0.66%

LAB 81.64, -29.45, -9.17

 

CMYK 47 / 0 / 0 / 94

HEX #080F0F

RGB 8 15 15

HSL 180, 0.3%, 0.05%

LAB 3.86, -2.02, -0.71

 

CMYK 45 / 0 / 0 / 74

HEX #244242

RGB 36 66 66

HSL 180, 0.29%, 0.2%

LAB 25.76, -11.16, -3.52

 

CMYK 46 / 0 / 0 / 54

HEX #3F7575

RGB 63 117 117

HSL 180, 0.3%, 0.35%

LAB 45.72, -17.87, -5.59

 

CMYK 37 / 47 / 0 / 55

HEX #493E74

RGB 73 62 116

HSL 252.22, 0.3%, 0.35%

LAB 29.72, 18.55, -29.5

 

CMYK 0 / 19 / 47 / 55

HEX #745E3E

RGB 116 94 62

HSL 35.56, 0.3%, 0.35%

LAB 41.32, 4.28, 21.68

 

CMYK 46 / 0 / 0 / 54

HEX #3F7575

RGB 63 117 117

HSL 180, 0.3%, 0.35%

LAB 45.72, -17.87, -5.59

 

CMYK 0 / 47 / 0 / 55

HEX #743E74

RGB 116 62 116

HSL 300, 0.3%, 0.35%

LAB 34.84, 32.23, -21.11

 

CMYK 0 / 0 / 47 / 55

HEX #74743E

RGB 116 116 62

HSL 60, 0.3%, 0.35%

LAB 47.69, -8.49, 29.7

 

CMYK 46 / 0 / 0 / 54

HEX #3F7575

RGB 63 117 117

HSL 180, 0.3%, 0.35%

LAB 45.72, -17.87, -5.59

 

CMYK 37 / 47 / 0 / 55

HEX #493E74

RGB 73 62 116

HSL 252.22, 0.3%, 0.35%

LAB 29.72, 18.55, -29.5

 

CMYK 0 / 47 / 47 / 55

HEX #743E3E

RGB 116 62 62

HSL 0, 0.3%, 0.35%

LAB 32.93, 23.5, 10.48

 

CMYK 9 / 0 / 47 / 55

HEX #69743E

RGB 105 116 62

HSL 72.22, 0.3%, 0.35%

LAB 46.77, -13.32, 28.35

 

CMYK 46 / 0 / 0 / 54

HEX #3F7575

RGB 63 117 117

HSL 180, 0.3%, 0.35%

LAB 45.72, -17.87, -5.59

 

CMYK 23 / 47 / 0 / 55

HEX #593E74

RGB 89 62 116

HSL 270, 0.3%, 0.35%

LAB 31.42, 23.47, -26.71

 

CMYK 0 / 47 / 47 / 55

HEX #743E3E

RGB 116 62 62

HSL 0, 0.3%, 0.35%

LAB 32.93, 23.5, 10.48

 

CMYK 23 / 0 / 47 / 55

HEX #59743E

RGB 89 116 62

HSL 90, 0.3%, 0.35%

LAB 45.58, -20.06, 26.62

 

Description

Color code: CMYK 46 / 0 / 0 / 54 | qconv.com Color code: CMYK 46 / 0 / 0 / 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 117 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 117 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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