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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 45 / 7 / 0 / 11 it is the complementary color CMYK 0 / 66 / 78 / 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 45 / 7 / 0 / 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 45 / 7 / 0 / 11: CMYK 41 / 5 / 0 / 13, CMYK 39 / 5 / 0 / 5, CMYK 36 / 3 / 0 / 0, CMYK 29 / 0 / 0 / 0 and CMYK 22 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 45 / 7 / 0 / 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 45 / 7 / 0 / 11: CMYK 45 / 7 / 0 / 11, CMYK 48 / 7 / 0 / 18, CMYK 52 / 7 / 0 / 26, CMYK 56 / 8 / 0 / 33 and CMYK 62 / 8 / 0 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 7 / 0 / 11

HEX #7DD3E3

RGB 125 211 227

HSL 189.41, 0.65%, 0.69%

LAB 79.89, -21.87, -16.01

 

Complementary color

CMYK 0 / 66 / 78 / 49

HEX #822C1C

RGB 130 44 28

HSL 9.41, 0.65%, 0.31%

LAB 30.95, 36.13, 29.68

 

CMYK 41 / 5 / 0 / 13

HEX #82D3DE

RGB 130 211 222

HSL 187.17, 0.58%, 0.69%

LAB 79.96, -21.95, -13.22

 

CMYK 39 / 5 / 0 / 5

HEX #93E5F1

RGB 147 229 241

HSL 187.66, 0.77%, 0.76%

LAB 86.3, -21.97, -13.72

 

CMYK 36 / 3 / 0 / 0

HEX #A4F7FF

RGB 164 247 255

HSL 185.27, 1%, 0.82%

LAB 92.41, -23.15, -11.83

 

CMYK 29 / 0 / 0 / 0

HEX #B5FFFF

RGB 181 255 255

HSL 180, 1%, 0.85%

LAB 95.4, -22.55, -7.31

 

CMYK 22 / 0 / 0 / 0

HEX #C6FFFF

RGB 198 255 255

HSL 180, 1%, 0.89%

LAB 96.31, -17.77, -5.86

 

CMYK 45 / 7 / 0 / 11

HEX #7DD3E3

RGB 125 211 227

HSL 189.41, 0.65%, 0.69%

LAB 79.89, -21.87, -16.01

 

CMYK 48 / 7 / 0 / 18

HEX #6CC1D0

RGB 108 193 208

HSL 189, 0.52%, 0.62%

LAB 73.47, -21.75, -15.52

 

CMYK 52 / 7 / 0 / 26

HEX #5BAFBD

RGB 91 175 189

HSL 188.57, 0.43%, 0.55%

LAB 66.94, -21.57, -14.99

 

CMYK 56 / 8 / 0 / 33

HEX #4A9DAA

RGB 74 157 170

HSL 188.13, 0.39%, 0.48%

LAB 60.31, -21.31, -14.43

 

CMYK 62 / 8 / 0 / 41

HEX #398B97

RGB 57 139 151

HSL 187.66, 0.45%, 0.41%

LAB 53.57, -20.9, -13.82

 

CMYK 45 / 7 / 0 / 11

HEX #7DD3E3

RGB 125 211 227

HSL 189.41, 0.65%, 0.69%

LAB 79.89, -21.87, -16.01

 

CMYK 45 / 15 / 0 / 11

HEX #7CC2E3

RGB 124 194 227

HSL 199.22, 0.65%, 0.69%

LAB 75.09, -13.38, -23.3

 

CMYK 45 / 22 / 0 / 11

HEX #7CB1E3

RGB 124 177 227

HSL 209.13, 0.65%, 0.69%

LAB 70.37, -4.26, -30.53

 

CMYK 45 / 30 / 0 / 11

HEX #7CA0E3

RGB 124 160 227

HSL 219.03, 0.65%, 0.69%

LAB 65.73, 5.25, -37.73

 

CMYK 45 / 37 / 0 / 11

HEX #7C8FE3

RGB 124 143 227

HSL 228.93, 0.65%, 0.69%

LAB 61.2, 15.08, -44.83

 

CMYK 45 / 7 / 0 / 11

HEX #7DD3E3

RGB 125 211 227

HSL 189.41, 0.65%, 0.69%

LAB 79.89, -21.87, -16.01

 

CMYK 43 / 9 / 0 / 91

HEX #0D1517

RGB 13 21 23

HSL 192, 0.28%, 0.07%

LAB 6.18, -2.5, -2.39

 

CMYK 45 / 7 / 0 / 71

HEX #29454A

RGB 41 69 74

HSL 189.09, 0.29%, 0.23%

LAB 27.36, -9.02, -6.35

 

CMYK 45 / 7 / 0 / 51

HEX #45747D

RGB 69 116 125

HSL 189.64, 0.29%, 0.38%

LAB 45.96, -13.46, -9.98

 

CMYK 45 / 7 / 0 / 31

HEX #61A4B0

RGB 97 164 176

HSL 189.11, 0.33%, 0.54%

LAB 63.53, -18.05, -12.87

 

CMYK 45 / 7 / 0 / 11

HEX #7DD3E3

RGB 125 211 227

HSL 189.41, 0.65%, 0.69%

LAB 79.89, -21.87, -16.01

 

CMYK 30 / 45 / 0 / 11

HEX #A07CE3

RGB 160 124 227

HSL 260.97, 0.65%, 0.69%

LAB 59.37, 35.43, -47.53

 

CMYK 0 / 11 / 45 / 11

HEX #E3C97C

RGB 227 201 124

HSL 44.85, 0.65%, 0.69%

LAB 81.6, -1.01, 41.69

 

CMYK 45 / 7 / 0 / 11

HEX #7DD3E3

RGB 125 211 227

HSL 189.41, 0.65%, 0.69%

LAB 79.89, -21.87, -16.01

 

CMYK 0 / 45 / 7 / 11

HEX #E37CD3

RGB 227 124 211

HSL 309.32, 0.65%, 0.69%

LAB 66.1, 51.49, -27.54

 

CMYK 7 / 0 / 45 / 11

HEX #D3E37C

RGB 211 227 124

HSL 69.32, 0.65%, 0.69%

LAB 87.12, -20.44, 48.27

 

CMYK 45 / 7 / 0 / 11

HEX #7DD3E3

RGB 125 211 227

HSL 189.41, 0.65%, 0.69%

LAB 79.89, -21.87, -16.01

 

CMYK 30 / 45 / 0 / 11

HEX #A07CE3

RGB 160 124 227

HSL 260.97, 0.65%, 0.69%

LAB 59.37, 35.43, -47.53

 

CMYK 0 / 39 / 45 / 11

HEX #E38B7C

RGB 227 139 124

HSL 8.74, 0.65%, 0.69%

LAB 66.71, 31.88, 22.27

 

CMYK 16 / 0 / 45 / 11

HEX #BFE37C

RGB 191 227 124

HSL 80.97, 0.65%, 0.69%

LAB 85.74, -28.05, 46.26

 

CMYK 45 / 7 / 0 / 11

HEX #7DD3E3

RGB 125 211 227

HSL 189.41, 0.65%, 0.69%

LAB 79.89, -21.87, -16.01

 

CMYK 16 / 45 / 0 / 11

HEX #BF7CE3

RGB 191 124 227

HSL 279.03, 0.65%, 0.69%

LAB 62.54, 43.99, -42.33

 

CMYK 0 / 39 / 45 / 11

HEX #E38B7C

RGB 227 139 124

HSL 8.74, 0.65%, 0.69%

LAB 66.71, 31.88, 22.27

 

CMYK 30 / 0 / 45 / 11

HEX #A0E37C

RGB 160 227 124

HSL 99.03, 0.65%, 0.69%

LAB 83.9, -39.15, 43.57

 

Description

Color code: CMYK 45 / 7 / 0 / 11 | qconv.com Color code: CMYK 45 / 7 / 0 / 11 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 211 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 211 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 7 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 7% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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