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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 45 / 44 / 0 / 34 it is the complementary color CMYK 0 / 1 / 46 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 45 / 44 / 0 / 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 45 / 44 / 0 / 34: CMYK 40 / 42 / 0 / 36, CMYK 37 / 38 / 0 / 29, CMYK 34 / 35 / 0 / 21, CMYK 32 / 33 / 0 / 14 and CMYK 31 / 31 / 0 / 6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 45 / 44 / 0 / 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 45 / 44 / 0 / 34: CMYK 45 / 44 / 0 / 34, CMYK 49 / 49 / 0 / 42, CMYK 55 / 55 / 0 / 49, CMYK 62 / 64 / 0 / 56 and CMYK 73 / 76 / 0 / 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 44 / 0 / 34

HEX #5D5EA8

RGB 93 94 168

HSL 239.2, 0.3%, 0.51%

LAB 43, 19.35, -40.02

 

Complementary color

CMYK 0 / 1 / 46 / 36

HEX #A2A157

RGB 162 161 87

HSL 59.2, 0.3%, 0.49%

LAB 64.85, -10.48, 38.44

 

CMYK 40 / 42 / 0 / 36

HEX #625EA3

RGB 98 94 163

HSL 243.48, 0.27%, 0.5%

LAB 43.13, 19.17, -36.83

 

CMYK 37 / 38 / 0 / 29

HEX #7370B6

RGB 115 112 182

HSL 242.57, 0.32%, 0.58%

LAB 50.23, 18.27, -36.67

 

CMYK 34 / 35 / 0 / 21

HEX #8482C9

RGB 132 130 201

HSL 241.69, 0.4%, 0.65%

LAB 57.16, 17.51, -36.56

 

CMYK 32 / 33 / 0 / 14

HEX #9594DC

RGB 149 148 220

HSL 240.83, 0.51%, 0.72%

LAB 63.95, 16.84, -36.51

 

CMYK 31 / 31 / 0 / 6

HEX #A6A6EF

RGB 166 166 239

HSL 240, 0.7%, 0.79%

LAB 70.6, 16.25, -36.5

 

CMYK 45 / 44 / 0 / 34

HEX #5D5EA8

RGB 93 94 168

HSL 239.2, 0.3%, 0.51%

LAB 43, 19.35, -40.02

 

CMYK 49 / 49 / 0 / 42

HEX #4C4C95

RGB 76 76 149

HSL 240, 0.32%, 0.44%

LAB 35.74, 20.56, -40.3

 

CMYK 55 / 55 / 0 / 49

HEX #3B3A82

RGB 59 58 130

HSL 240.83, 0.38%, 0.37%

LAB 28.29, 22.06, -40.64

 

CMYK 62 / 64 / 0 / 56

HEX #2A286F

RGB 42 40 111

HSL 241.69, 0.47%, 0.3%

LAB 20.66, 23.95, -41.01

 

CMYK 73 / 76 / 0 / 64

HEX #19165C

RGB 25 22 92

HSL 242.57, 0.61%, 0.22%

LAB 12.94, 26.28, -41.19

 

CMYK 45 / 44 / 0 / 34

HEX #5D5EA8

RGB 93 94 168

HSL 239.2, 0.3%, 0.51%

LAB 43, 19.35, -40.02

 

CMYK 38 / 45 / 0 / 35

HEX #675CA7

RGB 103 92 167

HSL 248.8, 0.3%, 0.51%

LAB 43.25, 22.93, -38.98

 

CMYK 31 / 45 / 0 / 35

HEX #745CA7

RGB 116 92 167

HSL 259.2, 0.3%, 0.51%

LAB 44.46, 26.56, -37

 

CMYK 23 / 45 / 0 / 35

HEX #805CA7

RGB 128 92 167

HSL 268.8, 0.3%, 0.51%

LAB 45.68, 30.06, -34.99

 

CMYK 16 / 45 / 0 / 35

HEX #8D5CA7

RGB 141 92 167

HSL 279.2, 0.3%, 0.51%

LAB 47.11, 33.95, -32.63

 

CMYK 45 / 44 / 0 / 34

HEX #5D5EA8

RGB 93 94 168

HSL 239.2, 0.3%, 0.51%

LAB 43, 19.35, -40.02

 

CMYK 45 / 44 / 0 / 14

HEX #797BDB

RGB 121 123 219

HSL 238.78, 0.58%, 0.67%

LAB 55.43, 23.84, -49.52

 

CMYK 47 / 47 / 0 / 94

HEX #08080F

RGB 8 8 15

HSL 240, 0.3%, 0.05%

LAB 2.35, 1.08, -2.93

 

CMYK 44 / 44 / 0 / 74

HEX #252542

RGB 37 37 66

HSL 240, 0.28%, 0.2%

LAB 16.05, 8.69, -18.37

 

CMYK 44 / 44 / 0 / 54

HEX #414175

RGB 65 65 117

HSL 240, 0.29%, 0.36%

LAB 29.88, 14.58, -29.92

 

CMYK 45 / 44 / 0 / 34

HEX #5D5EA8

RGB 93 94 168

HSL 239.2, 0.3%, 0.51%

LAB 43, 19.35, -40.02

 

CMYK 0 / 45 / 8 / 35

HEX #A75C99

RGB 167 92 153

HSL 311.2, 0.3%, 0.51%

LAB 49.7, 39.34, -20.11

 

CMYK 26 / 0 / 45 / 35

HEX #7BA75C

RGB 123 167 92

HSL 95.2, 0.3%, 0.51%

LAB 63.85, -28.52, 34.02

 

CMYK 45 / 44 / 0 / 34

HEX #5D5EA8

RGB 93 94 168

HSL 239.2, 0.3%, 0.51%

LAB 43, 19.35, -40.02

 

CMYK 0 / 45 / 44 / 35

HEX #A75C5D

RGB 167 92 93

HSL 359.2, 0.3%, 0.51%

LAB 47.83, 30.65, 13.04

 

CMYK 44 / 0 / 45 / 35

HEX #5DA75C

RGB 93 167 92

HSL 119.2, 0.3%, 0.51%

LAB 62.29, -38.74, 31.7

 

CMYK 45 / 44 / 0 / 34

HEX #5D5EA8

RGB 93 94 168

HSL 239.2, 0.3%, 0.51%

LAB 43, 19.35, -40.02

 

CMYK 0 / 45 / 8 / 35

HEX #A75C99

RGB 167 92 153

HSL 311.2, 0.3%, 0.51%

LAB 49.7, 39.34, -20.11

 

CMYK 0 / 1 / 45 / 35

HEX #A7A65C

RGB 167 166 92

HSL 59.2, 0.3%, 0.51%

LAB 66.72, -10.52, 38.27

 

CMYK 45 / 0 / 37 / 35

HEX #5CA76A

RGB 92 167 106

HSL 131.2, 0.3%, 0.51%

LAB 62.47, -36.75, 24.49

 

CMYK 45 / 44 / 0 / 34

HEX #5D5EA8

RGB 93 94 168

HSL 239.2, 0.3%, 0.51%

LAB 43, 19.35, -40.02

 

CMYK 0 / 45 / 22 / 35

HEX #A75C83

RGB 167 92 131

HSL 328.8, 0.3%, 0.51%

LAB 48.89, 35.7, -8.24

 

CMYK 0 / 1 / 45 / 35

HEX #A7A65C

RGB 167 166 92

HSL 59.2, 0.3%, 0.51%

LAB 66.72, -10.52, 38.27

 

CMYK 45 / 0 / 23 / 35

HEX #5CA780

RGB 92 167 128

HSL 148.8, 0.3%, 0.51%

LAB 62.9, -32.51, 13.04

 

Description

Color code: CMYK 45 / 44 / 0 / 34 | qconv.com Color code: CMYK 45 / 44 / 0 / 34 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 94 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 94 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 44 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 44% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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