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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 44 / 28 / 0 / 29 it is the complementary color CMYK 0 / 19 / 52 / 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 44 / 28 / 0 / 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 44 / 28 / 0 / 29: CMYK 40 / 26 / 0 / 31, CMYK 37 / 24 / 0 / 24, CMYK 35 / 22 / 0 / 16, CMYK 33 / 21 / 0 / 9 and CMYK 31 / 20 / 0 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 44 / 28 / 0 / 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 44 / 28 / 0 / 29: CMYK 44 / 28 / 0 / 29, CMYK 48 / 31 / 0 / 36, CMYK 53 / 34 / 0 / 44, CMYK 60 / 39 / 0 / 51 and CMYK 69 / 45 / 0 / 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 28 / 0 / 29

HEX #6582B5

RGB 101 130 181

HSL 218.25, 0.35%, 0.55%

LAB 54.1, 3.39, -30.11

 

Complementary color

CMYK 0 / 19 / 52 / 40

HEX #9A7D4A

RGB 154 125 74

HSL 38.25, 0.35%, 0.45%

LAB 54.06, 4.53, 31.85

 

CMYK 40 / 26 / 0 / 31

HEX #6A82B0

RGB 106 130 176

HSL 219.43, 0.31%, 0.55%

LAB 54.2, 3.3, -27.06

 

CMYK 37 / 24 / 0 / 24

HEX #7B94C3

RGB 123 148 195

HSL 219.17, 0.38%, 0.62%

LAB 61.07, 2.88, -27.15

 

CMYK 35 / 22 / 0 / 16

HEX #8CA6D6

RGB 140 166 214

HSL 218.92, 0.47%, 0.69%

LAB 67.8, 2.51, -27.28

 

CMYK 33 / 21 / 0 / 9

HEX #9DB8E9

RGB 157 184 233

HSL 218.68, 0.63%, 0.76%

LAB 74.4, 2.2, -27.43

 

CMYK 31 / 20 / 0 / 1

HEX #AECAFC

RGB 174 202 252

HSL 218.46, 0.93%, 0.84%

LAB 80.89, 1.91, -27.61

 

CMYK 44 / 28 / 0 / 29

HEX #6582B5

RGB 101 130 181

HSL 218.25, 0.35%, 0.55%

LAB 54.1, 3.39, -30.11

 

CMYK 48 / 31 / 0 / 36

HEX #5470A2

RGB 84 112 162

HSL 218.46, 0.32%, 0.48%

LAB 47.08, 4.01, -30.1

 

CMYK 53 / 34 / 0 / 44

HEX #435E8F

RGB 67 94 143

HSL 218.68, 0.36%, 0.41%

LAB 39.89, 4.79, -30.15

 

CMYK 60 / 39 / 0 / 51

HEX #324C7C

RGB 50 76 124

HSL 218.92, 0.43%, 0.34%

LAB 32.49, 5.83, -30.25

 

CMYK 69 / 45 / 0 / 59

HEX #213A69

RGB 33 58 105

HSL 219.17, 0.52%, 0.27%

LAB 24.86, 7.29, -30.41

 

CMYK 44 / 28 / 0 / 29

HEX #6582B5

RGB 101 130 181

HSL 218.25, 0.35%, 0.55%

LAB 54.1, 3.39, -30.11

 

CMYK 44 / 36 / 0 / 29

HEX #6474B4

RGB 100 116 180

HSL 228, 0.35%, 0.55%

LAB 50.09, 11.22, -35.8

 

CMYK 44 / 43 / 0 / 29

HEX #6466B4

RGB 100 102 180

HSL 238.5, 0.35%, 0.55%

LAB 46.32, 19.8, -41.76

 

CMYK 39 / 44 / 0 / 29

HEX #6E64B4

RGB 110 100 180

HSL 247.5, 0.35%, 0.55%

LAB 46.61, 23.63, -41.25

 

CMYK 31 / 44 / 0 / 29

HEX #7C64B4

RGB 124 100 180

HSL 258, 0.35%, 0.55%

LAB 47.87, 27.47, -39.17

 

CMYK 44 / 28 / 0 / 29

HEX #6582B5

RGB 101 130 181

HSL 218.25, 0.35%, 0.55%

LAB 54.1, 3.39, -30.11

 

CMYK 44 / 28 / 0 / 9

HEX #81A7E8

RGB 129 167 232

HSL 217.86, 0.69%, 0.71%

LAB 68.12, 3.94, -36.73

 

CMYK 43 / 29 / 0 / 89

HEX #10141C

RGB 16 20 28

HSL 220, 0.27%, 0.09%

LAB 6.27, 0.55, -6.07

 

CMYK 44 / 28 / 0 / 69

HEX #2C394F

RGB 44 57 79

HSL 217.71, 0.28%, 0.24%

LAB 23.76, 1.28, -15.11

 

CMYK 44 / 28 / 0 / 49

HEX #495D82

RGB 73 93 130

HSL 218.95, 0.28%, 0.4%

LAB 39.34, 2.83, -23.1

 

CMYK 44 / 28 / 0 / 29

HEX #6582B5

RGB 101 130 181

HSL 218.25, 0.35%, 0.55%

LAB 54.1, 3.39, -30.11

 

CMYK 7 / 44 / 0 / 29

HEX #A764B4

RGB 167 100 180

HSL 290.25, 0.35%, 0.55%

LAB 52.54, 40.15, -31.52

 

CMYK 11 / 0 / 44 / 29

HEX #A1B464

RGB 161 180 100

HSL 74.25, 0.35%, 0.55%

LAB 70.27, -19.32, 38.49

 

CMYK 44 / 28 / 0 / 29

HEX #6582B5

RGB 101 130 181

HSL 218.25, 0.35%, 0.55%

LAB 54.1, 3.39, -30.11

 

CMYK 0 / 44 / 28 / 29

HEX #B46481

RGB 180 100 129

HSL 338.25, 0.35%, 0.55%

LAB 52.29, 35.72, -1.83

 

CMYK 28 / 0 / 44 / 29

HEX #81B464

RGB 129 180 100

HSL 98.25, 0.35%, 0.55%

LAB 68.19, -31.49, 35.44

 

CMYK 44 / 28 / 0 / 29

HEX #6582B5

RGB 101 130 181

HSL 218.25, 0.35%, 0.55%

LAB 54.1, 3.39, -30.11

 

CMYK 7 / 44 / 0 / 29

HEX #A764B4

RGB 167 100 180

HSL 290.25, 0.35%, 0.55%

LAB 52.54, 40.15, -31.52

 

CMYK 0 / 17 / 44 / 29

HEX #B49664

RGB 180 150 100

HSL 37.5, 0.35%, 0.55%

LAB 63.7, 4.4, 30.51

 

CMYK 37 / 0 / 44 / 29

HEX #71B464

RGB 113 180 100

HSL 110.25, 0.35%, 0.55%

LAB 67.33, -37, 34.17

 

CMYK 44 / 28 / 0 / 29

HEX #6582B5

RGB 101 130 181

HSL 218.25, 0.35%, 0.55%

LAB 54.1, 3.39, -30.11

 

CMYK 0 / 44 / 6 / 29

HEX #B464A9

RGB 180 100 169

HSL 308.25, 0.35%, 0.55%

LAB 53.69, 42.09, -23.22

 

CMYK 0 / 17 / 44 / 29

HEX #B49664

RGB 180 150 100

HSL 37.5, 0.35%, 0.55%

LAB 63.7, 4.4, 30.51

 

CMYK 44 / 0 / 39 / 29

HEX #64B46E

RGB 100 180 110

HSL 127.5, 0.35%, 0.55%

LAB 66.88, -39.52, 28.26

 

Description

Color code: CMYK 44 / 28 / 0 / 29 | qconv.com Color code: CMYK 44 / 28 / 0 / 29 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 130 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 130 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 28 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 28% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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