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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 43 / 15 / 34 / 1 it is the complementary color CMYK 0 / 64 / 21 / 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 43 / 15 / 34 / 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 43 / 15 / 34 / 1: CMYK 31 / 0 / 25 / 16, CMYK 29 / 0 / 22 / 9, CMYK 27 / 0 / 20 / 2, CMYK 22 / 0 / 14 / 0 and CMYK 15 / 0 / 7 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 43 / 15 / 34 / 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 43 / 15 / 34 / 1: CMYK 33 / 0 / 22 / 16, CMYK 36 / 0 / 25 / 23, CMYK 39 / 0 / 28 / 30, CMYK 42 / 0 / 32 / 37 and CMYK 47 / 0 / 36 / 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 15 / 34 / 1

HEX #90D7A7

RGB 144 215 167

HSL 139.44, 0.47%, 0.7%

LAB 80.36, -32.17, 16.76

 

Complementary color

CMYK 0 / 64 / 21 / 56

HEX #6F2858

RGB 111 40 88

HSL 319.44, 0.47%, 0.3%

LAB 28.38, 37.22, -13.21

 

CMYK 31 / 0 / 25 / 16

HEX #95D7A2

RGB 149 215 162

HSL 131.82, 0.45%, 0.71%

LAB 80.52, -31.53, 19.65

 

CMYK 29 / 0 / 22 / 9

HEX #A6E9B5

RGB 166 233 181

HSL 133.43, 0.6%, 0.78%

LAB 86.86, -31.29, 18.67

 

CMYK 27 / 0 / 20 / 2

HEX #B7FBC8

RGB 183 251 200

HSL 135, 0.89%, 0.85%

LAB 93.12, -31.05, 17.76

 

CMYK 22 / 0 / 14 / 0

HEX #C8FFDB

RGB 200 255 219

HSL 140.73, 1%, 0.89%

LAB 95.54, -24.23, 11.57

 

CMYK 15 / 0 / 7 / 0

HEX #D9FFEE

RGB 217 255 238

HSL 153.16, 1%, 0.93%

LAB 97, -15.37, 4.04

 

CMYK 33 / 0 / 22 / 16

HEX #90D7A7

RGB 144 215 167

HSL 139.44, 0.47%, 0.7%

LAB 80.36, -32.17, 16.76

 

CMYK 36 / 0 / 25 / 23

HEX #7FC594

RGB 127 197 148

HSL 138, 0.38%, 0.64%

LAB 73.92, -32.44, 17.76

 

CMYK 39 / 0 / 28 / 30

HEX #6EB381

RGB 110 179 129

HSL 136.52, 0.31%, 0.57%

LAB 67.38, -32.71, 18.83

 

CMYK 42 / 0 / 32 / 37

HEX #5DA16E

RGB 93 161 110

HSL 135, 0.27%, 0.5%

LAB 60.73, -32.98, 19.99

 

CMYK 47 / 0 / 36 / 44

HEX #4C8F5B

RGB 76 143 91

HSL 133.43, 0.31%, 0.43%

LAB 53.96, -33.22, 21.24

 

CMYK 33 / 0 / 22 / 16

HEX #90D7A7

RGB 144 215 167

HSL 139.44, 0.47%, 0.7%

LAB 80.36, -32.17, 16.76

 

CMYK 34 / 0 / 17 / 16

HEX #8ED6B1

RGB 142 214 177

HSL 149.17, 0.47%, 0.7%

LAB 80.19, -30.37, 11.21

 

CMYK 34 / 0 / 12 / 16

HEX #8ED6BD

RGB 142 214 189

HSL 159.17, 0.47%, 0.7%

LAB 80.47, -27.9, 5.23

 

CMYK 34 / 0 / 6 / 16

HEX #8ED6C9

RGB 142 214 201

HSL 169.17, 0.47%, 0.7%

LAB 80.77, -25.29, -0.73

 

CMYK 34 / 0 / 0 / 16

HEX #8ED6D5

RGB 142 214 213

HSL 179.17, 0.47%, 0.7%

LAB 81.1, -22.54, -6.66

 

CMYK 33 / 0 / 22 / 16

HEX #90D7A7

RGB 144 215 167

HSL 139.44, 0.47%, 0.7%

LAB 80.36, -32.17, 16.76

 

CMYK 36 / 0 / 18 / 96

HEX #070B09

RGB 7 11 9

HSL 150, 0.22%, 0.04%

LAB 2.75, -1.33, 0.4

 

CMYK 32 / 0 / 23 / 76

HEX #2A3E30

RGB 42 62 48

HSL 138, 0.19%, 0.2%

LAB 24.16, -11.49, 6.09

 

CMYK 33 / 0 / 22 / 56

HEX #4C7158

RGB 76 113 88

HSL 139.46, 0.2%, 0.37%

LAB 44.31, -18.91, 9.76

 

CMYK 33 / 0 / 23 / 36

HEX #6EA47F

RGB 110 164 127

HSL 138.89, 0.23%, 0.54%

LAB 62.84, -25.86, 13.63

 

CMYK 33 / 0 / 22 / 16

HEX #90D7A7

RGB 144 215 167

HSL 139.44, 0.47%, 0.7%

LAB 80.36, -32.17, 16.76

 

CMYK 34 / 17 / 0 / 16

HEX #8EB1D6

RGB 142 177 214

HSL 210.83, 0.47%, 0.7%

LAB 70.91, -3, -22.51

 

CMYK 0 / 34 / 31 / 16

HEX #D68E94

RGB 214 142 148

HSL 355, 0.47%, 0.7%

LAB 66.35, 28.13, 8.09

 

CMYK 33 / 0 / 22 / 16

HEX #90D7A7

RGB 144 215 167

HSL 139.44, 0.47%, 0.7%

LAB 80.36, -32.17, 16.76

 

CMYK 23 / 34 / 0 / 16

HEX #A58ED6

RGB 165 142 214

HSL 259.17, 0.47%, 0.7%

LAB 63.51, 23.45, -33.76

 

CMYK 0 / 23 / 34 / 16

HEX #D6A58E

RGB 214 165 142

HSL 19.17, 0.47%, 0.7%

LAB 71.66, 14.9, 18.88

 

CMYK 33 / 0 / 22 / 16

HEX #90D7A7

RGB 144 215 167

HSL 139.44, 0.47%, 0.7%

LAB 80.36, -32.17, 16.76

 

CMYK 34 / 17 / 0 / 16

HEX #8EB1D6

RGB 142 177 214

HSL 210.83, 0.47%, 0.7%

LAB 70.91, -3, -22.51

 

CMYK 0 / 34 / 11 / 16

HEX #D68EBF

RGB 214 142 191

HSL 319.17, 0.47%, 0.7%

LAB 67.58, 34.6, -14.25

 

CMYK 0 / 16 / 34 / 16

HEX #D6B38E

RGB 214 179 142

HSL 30.83, 0.47%, 0.7%

LAB 75.13, 7.38, 23.63

 

CMYK 33 / 0 / 22 / 16

HEX #90D7A7

RGB 144 215 167

HSL 139.44, 0.47%, 0.7%

LAB 80.36, -32.17, 16.76

 

CMYK 34 / 28 / 0 / 16

HEX #8E9BD6

RGB 142 155 214

HSL 229.17, 0.47%, 0.7%

LAB 65, 9.29, -31.59

 

CMYK 0 / 34 / 11 / 16

HEX #D68EBF

RGB 214 142 191

HSL 319.17, 0.47%, 0.7%

LAB 67.58, 34.6, -14.25

 

CMYK 0 / 6 / 34 / 16

HEX #D6C98E

RGB 214 201 142

HSL 49.17, 0.47%, 0.7%

LAB 80.75, -4.2, 31.16

 

Description

Color code: CMYK 43 / 15 / 34 / 1 | qconv.com Color code: CMYK 43 / 15 / 34 / 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 215 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 215 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 15 magenta, 34 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 15% 34% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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