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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 42 / 42 / 0 / 58 it is the complementary color CMYK 0 / 0 / 23 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 42 / 42 / 0 / 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 42 / 42 / 0 / 58: CMYK 34 / 39 / 0 / 60, CMYK 31 / 34 / 0 / 53, CMYK 28 / 30 / 0 / 45, CMYK 26 / 27 / 0 / 38 and CMYK 24 / 25 / 0 / 30

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 42 / 42 / 0 / 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 42 / 42 / 0 / 58: CMYK 42 / 42 / 0 / 58, CMYK 49 / 50 / 0 / 65, CMYK 59 / 62 / 0 / 73, CMYK 78 / 84 / 0 / 80 and CMYK 100 / 100 / 0 / 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 42 / 0 / 58

HEX #3E3E6B

RGB 62 62 107

HSL 240, 0.27%, 0.33%

LAB 28.2, 12.52, -26.26

 

Complementary color

CMYK 0 / 0 / 23 / 24

HEX #C1C194

RGB 193 193 148

HSL 60, 0.27%, 0.67%

LAB 77.05, -7.36, 22.73

 

CMYK 34 / 39 / 0 / 60

HEX #433E66

RGB 67 62 102

HSL 247.5, 0.24%, 0.32%

LAB 28.37, 12.52, -22.76

 

CMYK 31 / 34 / 0 / 53

HEX #545079

RGB 84 80 121

HSL 245.85, 0.2%, 0.39%

LAB 35.99, 11.76, -22.71

 

CMYK 28 / 30 / 0 / 45

HEX #65628C

RGB 101 98 140

HSL 244.29, 0.18%, 0.47%

LAB 43.35, 11.14, -22.75

 

CMYK 26 / 27 / 0 / 38

HEX #76749F

RGB 118 116 159

HSL 242.79, 0.18%, 0.54%

LAB 50.51, 10.61, -22.84

 

CMYK 24 / 25 / 0 / 30

HEX #8786B2

RGB 135 134 178

HSL 241.36, 0.22%, 0.61%

LAB 57.48, 10.14, -22.98

 

CMYK 42 / 42 / 0 / 58

HEX #3E3E6B

RGB 62 62 107

HSL 240, 0.27%, 0.33%

LAB 28.2, 12.52, -26.26

 

CMYK 49 / 50 / 0 / 65

HEX #2D2C58

RGB 45 44 88

HSL 241.36, 0.33%, 0.26%

LAB 20.3, 13.67, -26.52

 

CMYK 59 / 62 / 0 / 73

HEX #1C1A45

RGB 28 26 69

HSL 242.79, 0.45%, 0.19%

LAB 12.06, 15.29, -26.88

 

CMYK 78 / 84 / 0 / 80

HEX #0B0832

RGB 11 8 50

HSL 244.29, 0.72%, 0.11%

LAB 4.29, 14.3, -25.87

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 42 / 42 / 0 / 58

HEX #3E3E6B

RGB 62 62 107

HSL 240, 0.27%, 0.33%

LAB 28.2, 12.52, -26.26

 

CMYK 35 / 42 / 0 / 58

HEX #453D6A

RGB 69 61 106

HSL 250.67, 0.27%, 0.33%

LAB 28.49, 15.01, -25.11

 

CMYK 28 / 42 / 0 / 58

HEX #4C3D6A

RGB 76 61 106

HSL 260, 0.27%, 0.33%

LAB 29.2, 17.25, -23.96

 

CMYK 21 / 42 / 0 / 58

HEX #543D6A

RGB 84 61 106

HSL 270.67, 0.27%, 0.33%

LAB 30.07, 19.89, -22.54

 

CMYK 14 / 42 / 0 / 58

HEX #5B3D6A

RGB 91 61 106

HSL 280, 0.27%, 0.33%

LAB 30.88, 22.25, -21.2

 

CMYK 42 / 42 / 0 / 58

HEX #3E3E6B

RGB 62 62 107

HSL 240, 0.27%, 0.33%

LAB 28.2, 12.52, -26.26

 

CMYK 42 / 42 / 0 / 38

HEX #5C5C9E

RGB 92 92 158

HSL 240, 0.26%, 0.49%

LAB 41.84, 17.31, -35.93

 

CMYK 42 / 42 / 0 / 18

HEX #7979D1

RGB 121 121 209

HSL 240, 0.49%, 0.65%

LAB 54.39, 22.13, -45.52

 

CMYK 40 / 40 / 0 / 98

HEX #030305

RGB 3 3 5

HSL 240, 0.25%, 0.02%

LAB 0.86, 0.28, -0.76

 

CMYK 43 / 43 / 0 / 78

HEX #202038

RGB 32 32 56

HSL 240, 0.27%, 0.17%

LAB 13.39, 7.25, -15.59

 

CMYK 42 / 42 / 0 / 58

HEX #3E3E6B

RGB 62 62 107

HSL 240, 0.27%, 0.33%

LAB 28.2, 12.52, -26.26

 

CMYK 0 / 42 / 8 / 58

HEX #6A3D61

RGB 106 61 97

HSL 312, 0.27%, 0.33%

LAB 32.4, 25.59, -12.96

 

CMYK 25 / 0 / 42 / 58

HEX #4F6A3D

RGB 79 106 61

HSL 96, 0.27%, 0.33%

LAB 41.7, -18.96, 22.11

 

CMYK 42 / 42 / 0 / 58

HEX #3E3E6B

RGB 62 62 107

HSL 240, 0.27%, 0.33%

LAB 28.2, 12.52, -26.26

 

CMYK 0 / 42 / 42 / 58

HEX #6A3D3D

RGB 106 61 61

HSL 0, 0.27%, 0.33%

LAB 31.2, 19.73, 8.5

 

CMYK 42 / 0 / 42 / 58

HEX #3D6A3D

RGB 61 106 61

HSL 120, 0.27%, 0.33%

LAB 40.63, -25.71, 20.52

 

CMYK 42 / 42 / 0 / 58

HEX #3E3E6B

RGB 62 62 107

HSL 240, 0.27%, 0.33%

LAB 28.2, 12.52, -26.26

 

CMYK 0 / 42 / 8 / 58

HEX #6A3D61

RGB 106 61 97

HSL 312, 0.27%, 0.33%

LAB 32.4, 25.59, -12.96

 

CMYK 0 / 0 / 42 / 58

HEX #6A6A3D

RGB 106 106 61

HSL 60, 0.27%, 0.33%

LAB 43.81, -7.4, 25.24

 

CMYK 42 / 0 / 34 / 58

HEX #3D6A46

RGB 61 106 70

HSL 132, 0.27%, 0.33%

LAB 40.8, -24.05, 15.48

 

CMYK 42 / 42 / 0 / 58

HEX #3E3E6B

RGB 62 62 107

HSL 240, 0.27%, 0.33%

LAB 28.2, 12.52, -26.26

 

CMYK 0 / 42 / 21 / 58

HEX #6A3D54

RGB 106 61 84

HSL 329.33, 0.27%, 0.33%

LAB 31.9, 23.21, -5.37

 

CMYK 0 / 0 / 42 / 58

HEX #6A6A3D

RGB 106 106 61

HSL 60, 0.27%, 0.33%

LAB 43.81, -7.4, 25.24

 

CMYK 42 / 0 / 21 / 58

HEX #3D6A54

RGB 61 106 84

HSL 150.67, 0.27%, 0.33%

LAB 41.12, -21.06, 7.55

 

Description

Color code: CMYK 42 / 42 / 0 / 58 | qconv.com Color code: CMYK 42 / 42 / 0 / 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 62 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 62 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 42 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 42% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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