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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 41.95 / 7.35 / 100 / 0 it is the complementary color CMYK 58 / 93 / 0 / 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 41.95 / 7.35 / 100 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 41.95 / 7.35 / 100 / 0: CMYK 35 / 0 / 100 / 7, CMYK 33 / 0 / 94 / 0, CMYK 27 / 0 / 87 / 0, CMYK 20 / 0 / 80 / 0 and CMYK 13 / 0 / 72 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 41.95 / 7.35 / 100 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 41.95 / 7.35 / 100 / 0: CMYK 37 / 0 / 100 / 7, CMYK 40 / 0 / 100 / 15, CMYK 43 / 0 / 100 / 22, CMYK 47 / 0 / 100 / 29 and CMYK 51 / 0 / 100 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41.95 / 7.35 / 100 / 0

HEX #94EC00

RGB 148 236 0

HSL 82.37, 1%, 0.46%

LAB 85.14, -54.49, 82.47

 

Complementary color

CMYK 58 / 93 / 0 / 0

HEX #6B13FF

RGB 107 19 255

HSL 262.37, 1%, 0.54%

LAB 39.26, 79.35, -96.11

 

CMYK 35 / 0 / 100 / 7

HEX #99EC00

RGB 153 236 0

HSL 81.1, 1%, 0.46%

LAB 85.38, -52.77, 82.76

 

CMYK 33 / 0 / 94 / 0

HEX #AAFE0E

RGB 170 254 14

HSL 81, 0.99%, 0.53%

LAB 91.44, -53.92, 86.75

 

CMYK 27 / 0 / 87 / 0

HEX #BBFF21

RGB 187 255 33

HSL 78.38, 1%, 0.56%

LAB 92.66, -47.89, 85.63

 

CMYK 20 / 0 / 80 / 0

HEX #CCFF34

RGB 204 255 52

HSL 75.07, 1%, 0.6%

LAB 93.71, -40.95, 82.86

 

CMYK 13 / 0 / 72 / 0

HEX #DDFF47

RGB 221 255 71

HSL 71.09, 1%, 0.64%

LAB 94.89, -33.59, 78.83

 

CMYK 37 / 0 / 100 / 7

HEX #94EC00

RGB 148 236 0

HSL 82.37, 1%, 0.46%

LAB 85.14, -54.49, 82.47

 

CMYK 40 / 0 / 100 / 15

HEX #83DA00

RGB 131 218 0

HSL 83.94, 1%, 0.43%

LAB 79.02, -53.15, 77.38

 

CMYK 43 / 0 / 100 / 22

HEX #72C800

RGB 114 200 0

HSL 85.8, 1%, 0.39%

LAB 72.82, -51.76, 72.22

 

CMYK 47 / 0 / 100 / 29

HEX #61B600

RGB 97 182 0

HSL 88.02, 1%, 0.36%

LAB 66.52, -50.29, 66.99

 

CMYK 51 / 0 / 100 / 36

HEX #50A400

RGB 80 164 0

HSL 90.73, 1%, 0.32%

LAB 60.12, -48.71, 61.69

 

CMYK 37 / 0 / 100 / 7

HEX #94EC00

RGB 148 236 0

HSL 82.37, 1%, 0.46%

LAB 85.14, -54.49, 82.47

 

CMYK 53 / 0 / 100 / 8

HEX #6DEA00

RGB 109 234 0

HSL 92.05, 1%, 0.46%

LAB 82.96, -65.72, 80.09

 

CMYK 70 / 0 / 100 / 8

HEX #46EA00

RGB 70 234 0

HSL 102.05, 1%, 0.46%

LAB 81.92, -74.41, 78.81

 

CMYK 87 / 0 / 100 / 8

HEX #1FEA00

RGB 31 234 0

HSL 112.05, 1%, 0.46%

LAB 81.37, -79.3, 78.14

 

CMYK 100 / 0 / 97 / 8

HEX #00EA07

RGB 0 234 7

HSL 121.79, 1%, 0.46%

LAB 81.22, -80.65, 77.35

 

CMYK 37 / 0 / 100 / 7

HEX #94EC00

RGB 148 236 0

HSL 82.37, 1%, 0.46%

LAB 85.14, -54.49, 82.47

 

CMYK 38 / 0 / 100 / 87

HEX #142000

RGB 20 32 0

HSL 82.5, 1%, 0.06%

LAB 10.42, -11.95, 15.31

 

CMYK 37 / 0 / 100 / 67

HEX #345300

RGB 52 83 0

HSL 82.41, 1%, 0.16%

LAB 31.62, -24.23, 38.9

 

CMYK 37 / 0 / 100 / 47

HEX #548600

RGB 84 134 0

HSL 82.39, 1%, 0.26%

LAB 50.61, -35.03, 54.35

 

CMYK 37 / 0 / 100 / 27

HEX #74B900

RGB 116 185 0

HSL 82.38, 1%, 0.36%

LAB 68.32, -45.03, 68.77

 

CMYK 37 / 0 / 100 / 7

HEX #94EC00

RGB 148 236 0

HSL 82.37, 1%, 0.46%

LAB 85.14, -54.49, 82.47

 

CMYK 100 / 0 / 44 / 8

HEX #00EA84

RGB 0 234 132

HSL 153.85, 1%, 0.46%

LAB 82.12, -69.42, 36.55

 

CMYK 3 / 100 / 0 / 8

HEX #E200EA

RGB 226 0 234

HSL 297.95, 1%, 0.46%

LAB 54.14, 90.84, -59.29

 

CMYK 37 / 0 / 100 / 7

HEX #94EC00

RGB 148 236 0

HSL 82.37, 1%, 0.46%

LAB 85.14, -54.49, 82.47

 

CMYK 100 / 37 / 0 / 8

HEX #0094EA

RGB 0 148 234

HSL 202.05, 1%, 0.46%

LAB 59.09, -1.41, -52.31

 

CMYK 0 / 100 / 37 / 8

HEX #EA0094

RGB 234 0 148

HSL 322.05, 1%, 0.46%

LAB 51.42, 81.83, -13.52

 

CMYK 37 / 0 / 100 / 7

HEX #94EC00

RGB 148 236 0

HSL 82.37, 1%, 0.46%

LAB 85.14, -54.49, 82.47

 

CMYK 100 / 0 / 44 / 8

HEX #00EA84

RGB 0 234 132

HSL 153.85, 1%, 0.46%

LAB 82.12, -69.42, 36.55

 

CMYK 63 / 100 / 0 / 8

HEX #5600EA

RGB 86 0 234

HSL 262.05, 1%, 0.46%

LAB 33.81, 76.04, -93.36

 

CMYK 0 / 100 / 57 / 8

HEX #EA0065

RGB 234 0 101

HSL 334.1, 1%, 0.46%

LAB 50.02, 78.15, 12.98

 

CMYK 37 / 0 / 100 / 7

HEX #94EC00

RGB 148 236 0

HSL 82.37, 1%, 0.46%

LAB 85.14, -54.49, 82.47

 

CMYK 100 / 0 / 13 / 8

HEX #00EACB

RGB 0 234 203

HSL 172.05, 1%, 0.46%

LAB 83.53, -53.66, 1.85

 

CMYK 63 / 100 / 0 / 8

HEX #5600EA

RGB 86 0 234

HSL 262.05, 1%, 0.46%

LAB 33.81, 76.04, -93.36

 

CMYK 0 / 100 / 87 / 8

HEX #EA001F

RGB 234 0 31

HSL 352.05, 1%, 0.46%

LAB 49, 75.4, 52.4

 

Description

Color code: CMYK 41.95 / 7.35 / 100 / 0 | qconv.com Color code: CMYK 41.95 / 7.35 / 100 / 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 236 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 236 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41.95 cyan, 7.35 magenta, 100 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41.95% 7.35% 100% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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