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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 40 / 0 / 19 / 42 it is the complementary color CMYK 0 / 36 / 19 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 40 / 0 / 19 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 40 / 0 / 19 / 42: CMYK 36 / 0 / 22 / 42, CMYK 33 / 0 / 19 / 35, CMYK 30 / 0 / 17 / 28, CMYK 28 / 0 / 15 / 21 and CMYK 26 / 0 / 13 / 14

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 40 / 0 / 19 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 40 / 0 / 19 / 42: CMYK 40 / 0 / 19 / 42, CMYK 45 / 0 / 22 / 49, CMYK 51 / 0 / 27 / 56, CMYK 60 / 0 / 33 / 63 and CMYK 72 / 0 / 42 / 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 19 / 42

HEX #599478

RGB 89 148 120

HSL 151.53, 0.25%, 0.46%

LAB 56.74, -25.88, 8.82

 

Complementary color

CMYK 0 / 36 / 19 / 35

HEX #A66B87

RGB 166 107 135

HSL 331.53, 0.25%, 0.54%

LAB 52.25, 27.67, -5.63

 

CMYK 36 / 0 / 22 / 42

HEX #5E9473

RGB 94 148 115

HSL 143.33, 0.22%, 0.47%

LAB 56.88, -25.41, 11.88

 

CMYK 33 / 0 / 19 / 35

HEX #6FA686

RGB 111 166 134

HSL 145.09, 0.24%, 0.54%

LAB 63.65, -25.13, 10.89

 

CMYK 30 / 0 / 17 / 28

HEX #80B899

RGB 128 184 153

HSL 146.79, 0.28%, 0.61%

LAB 70.29, -24.88, 9.97

 

CMYK 28 / 0 / 15 / 21

HEX #91CAAC

RGB 145 202 172

HSL 148.42, 0.35%, 0.68%

LAB 76.82, -24.65, 9.11

 

CMYK 26 / 0 / 13 / 14

HEX #A2DCBF

RGB 162 220 191

HSL 150, 0.45%, 0.75%

LAB 83.25, -24.44, 8.29

 

CMYK 40 / 0 / 19 / 42

HEX #599478

RGB 89 148 120

HSL 151.53, 0.25%, 0.46%

LAB 56.74, -25.88, 8.82

 

CMYK 45 / 0 / 22 / 49

HEX #488265

RGB 72 130 101

HSL 150, 0.29%, 0.4%

LAB 49.84, -26.14, 9.86

 

CMYK 51 / 0 / 27 / 56

HEX #377052

RGB 55 112 82

HSL 148.42, 0.34%, 0.33%

LAB 42.78, -26.37, 11.03

 

CMYK 60 / 0 / 33 / 63

HEX #265E3F

RGB 38 94 63

HSL 146.79, 0.42%, 0.26%

LAB 35.55, -26.5, 12.37

 

CMYK 72 / 0 / 42 / 70

HEX #154C2C

RGB 21 76 44

HSL 145.09, 0.57%, 0.19%

LAB 28.14, -26.36, 13.94

 

CMYK 40 / 0 / 19 / 42

HEX #599478

RGB 89 148 120

HSL 151.53, 0.25%, 0.46%

LAB 56.74, -25.88, 8.82

 

CMYK 40 / 0 / 12 / 43

HEX #579280

RGB 87 146 128

HSL 161.69, 0.25%, 0.46%

LAB 56.23, -23.64, 3.51

 

CMYK 40 / 0 / 6 / 43

HEX #579289

RGB 87 146 137

HSL 170.85, 0.25%, 0.46%

LAB 56.48, -21.46, -1.29

 

CMYK 40 / 1 / 0 / 43

HEX #579192

RGB 87 145 146

HSL 181.02, 0.25%, 0.46%

LAB 56.44, -18.64, -6.51

 

CMYK 40 / 8 / 0 / 43

HEX #578792

RGB 87 135 146

HSL 191.19, 0.25%, 0.46%

LAB 53.42, -13.24, -11.02

 

CMYK 40 / 0 / 19 / 42

HEX #599478

RGB 89 148 120

HSL 151.53, 0.25%, 0.46%

LAB 56.74, -25.88, 8.82

 

CMYK 40 / 0 / 19 / 22

HEX #78C7A1

RGB 120 199 161

HSL 151.14, 0.41%, 0.63%

LAB 74.45, -32.87, 11.48

 

CMYK 40 / 0 / 19 / 2

HEX #96FACB

RGB 150 250 203

HSL 151.8, 0.91%, 0.78%

LAB 91.31, -39.56, 13.44

 

CMYK 39 / 0 / 20 / 82

HEX #1C2E25

RGB 28 46 37

HSL 150, 0.24%, 0.15%

LAB 17.15, -9.88, 3.47

 

CMYK 40 / 0 / 19 / 62

HEX #3A614F

RGB 58 97 79

HSL 152.31, 0.25%, 0.3%

LAB 37.87, -18.39, 5.95

 

CMYK 40 / 0 / 19 / 42

HEX #599478

RGB 89 148 120

HSL 151.53, 0.25%, 0.46%

LAB 56.74, -25.88, 8.82

 

CMYK 40 / 29 / 0 / 43

HEX #576892

RGB 87 104 146

HSL 222.71, 0.25%, 0.46%

LAB 44.24, 4.85, -25.05

 

CMYK 0 / 36 / 40 / 43

HEX #925E57

RGB 146 94 87

HSL 7.12, 0.25%, 0.46%

LAB 45.37, 20.36, 12.8

 

CMYK 40 / 0 / 19 / 42

HEX #599478

RGB 89 148 120

HSL 151.53, 0.25%, 0.46%

LAB 56.74, -25.88, 8.82

 

CMYK 19 / 40 / 0 / 43

HEX #765792

RGB 118 87 146

HSL 271.53, 0.25%, 0.46%

LAB 42.37, 24.85, -27.75

 

CMYK 0 / 19 / 40 / 43

HEX #927657

RGB 146 118 87

HSL 31.53, 0.25%, 0.46%

LAB 51.56, 6.45, 21.2

 

CMYK 40 / 0 / 19 / 42

HEX #599478

RGB 89 148 120

HSL 151.53, 0.25%, 0.46%

LAB 56.74, -25.88, 8.82

 

CMYK 40 / 29 / 0 / 43

HEX #576892

RGB 87 104 146

HSL 222.71, 0.25%, 0.46%

LAB 44.24, 4.85, -25.05

 

CMYK 0 / 40 / 21 / 43

HEX #925774

RGB 146 87 116

HSL 330.51, 0.25%, 0.46%

LAB 44.5, 28.54, -6.04

 

CMYK 0 / 11 / 40 / 43

HEX #928257

RGB 146 130 87

HSL 43.73, 0.25%, 0.46%

LAB 54.83, -0.38, 25.5

 

CMYK 40 / 0 / 19 / 42

HEX #599478

RGB 89 148 120

HSL 151.53, 0.25%, 0.46%

LAB 56.74, -25.88, 8.82

 

CMYK 40 / 40 / 0 / 43

HEX #585792

RGB 88 87 146

HSL 241.02, 0.25%, 0.46%

LAB 39.52, 15.76, -32.42

 

CMYK 0 / 40 / 21 / 43

HEX #925774

RGB 146 87 116

HSL 330.51, 0.25%, 0.46%

LAB 44.5, 28.54, -6.04

 

CMYK 1 / 0 / 40 / 43

HEX #919257

RGB 145 146 87

HSL 61.02, 0.25%, 0.46%

LAB 59.22, -9.62, 31.13

 

Description

Color code: CMYK 40 / 0 / 19 / 42 | qconv.com Color code: CMYK 40 / 0 / 19 / 42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 148 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 148 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 19 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 19% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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