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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 3 / 37 / 94 / 0 it is the complementary color CMYK 97 / 61 / 0 / 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 3 / 37 / 94 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 3 / 37 / 94 / 0: CMYK 0 / 36 / 96 / 1, CMYK 0 / 30 / 89 / 0, CMYK 0 / 23 / 81 / 0, CMYK 0 / 16 / 74 / 0 and CMYK 0 / 9 / 66 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 3 / 37 / 94 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 3 / 37 / 94 / 0: CMYK 0 / 35 / 94 / 3, CMYK 0 / 38 / 100 / 10, CMYK 0 / 41 / 100 / 16, CMYK 0 / 45 / 100 / 23 and CMYK 0 / 50 / 100 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 37 / 94 / 0

HEX #F7A10F

RGB 247 161 15

HSL 37.76, 0.94%, 0.51%

LAB 73.09, 22.8, 75.44

 

Complementary color

CMYK 97 / 61 / 0 / 6

HEX #085EF0

RGB 8 94 240

HSL 217.76, 0.94%, 0.49%

LAB 44.73, 34.8, -78.84

 

CMYK 0 / 36 / 96 / 1

HEX #FCA10A

RGB 252 161 10

HSL 37.44, 0.98%, 0.51%

LAB 73.68, 24.85, 76.79

 

CMYK 0 / 30 / 89 / 0

HEX #FFB31D

RGB 255 179 29

HSL 39.82, 1%, 0.56%

LAB 78.22, 16.95, 77.07

 

CMYK 0 / 23 / 81 / 0

HEX #FFC530

RGB 255 197 48

HSL 43.19, 1%, 0.59%

LAB 82.6, 8.04, 75.74

 

CMYK 0 / 16 / 74 / 0

HEX #FFD743

RGB 255 215 67

HSL 47.23, 1%, 0.63%

LAB 87.13, -0.52, 73.68

 

CMYK 0 / 9 / 66 / 0

HEX #FFE956

RGB 255 233 86

HSL 52.19, 1%, 0.67%

LAB 91.78, -8.65, 71.22

 

CMYK 0 / 35 / 94 / 3

HEX #F7A10F

RGB 247 161 15

HSL 37.76, 0.94%, 0.51%

LAB 73.09, 22.8, 75.44

 

CMYK 0 / 38 / 100 / 10

HEX #E68F00

RGB 230 143 0

HSL 37.3, 1%, 0.45%

LAB 66.88, 24.99, 72.23

 

CMYK 0 / 41 / 100 / 16

HEX #D57D00

RGB 213 125 0

HSL 35.21, 1%, 0.42%

LAB 60.62, 27.37, 67.15

 

CMYK 0 / 45 / 100 / 23

HEX #C46B00

RGB 196 107 0

HSL 32.76, 1%, 0.38%

LAB 54.29, 29.8, 62.03

 

CMYK 0 / 50 / 100 / 30

HEX #B35900

RGB 179 89 0

HSL 29.83, 1%, 0.35%

LAB 47.92, 32.25, 56.9

 

CMYK 0 / 35 / 94 / 3

HEX #F7A10F

RGB 247 161 15

HSL 37.76, 0.94%, 0.51%

LAB 73.09, 22.8, 75.44

 

CMYK 0 / 21 / 95 / 3

HEX #F7C40C

RGB 247 196 12

HSL 46.98, 0.94%, 0.51%

LAB 81.45, 4.47, 81.79

 

CMYK 0 / 5 / 95 / 3

HEX #F7EB0C

RGB 247 235 12

HSL 56.94, 0.94%, 0.51%

LAB 91.33, -15.16, 89.04

 

CMYK 11 / 0 / 95 / 3

HEX #DCF70C

RGB 220 247 12

HSL 66.89, 0.94%, 0.51%

LAB 92.47, -31.96, 89

 

CMYK 27 / 0 / 95 / 3

HEX #B4F70C

RGB 180 247 12

HSL 77.11, 0.94%, 0.51%

LAB 89.98, -47.46, 85.99

 

CMYK 0 / 35 / 94 / 3

HEX #F7A10F

RGB 247 161 15

HSL 37.76, 0.94%, 0.51%

LAB 73.09, 22.8, 75.44

 

CMYK 0 / 35 / 93 / 83

HEX #2B1C03

RGB 43 28 3

HSL 37.5, 0.87%, 0.09%

LAB 11.63, 4.3, 16.16

 

CMYK 0 / 35 / 94 / 63

HEX #5E3D06

RGB 94 61 6

HSL 37.5, 0.88%, 0.2%

LAB 28.72, 9.77, 36

 

CMYK 0 / 34 / 94 / 43

HEX #915F09

RGB 145 95 9

HSL 37.94, 0.88%, 0.3%

LAB 44.55, 14.03, 50.17

 

CMYK 0 / 35 / 94 / 23

HEX #C4800C

RGB 196 128 12

HSL 37.83, 0.88%, 0.41%

LAB 59.16, 18.54, 63.17

 

CMYK 0 / 35 / 94 / 3

HEX #F7A10F

RGB 247 161 15

HSL 37.76, 0.94%, 0.51%

LAB 73.09, 22.8, 75.44

 

CMYK 78 / 0 / 95 / 3

HEX #37F70C

RGB 55 247 12

HSL 109.02, 0.94%, 0.51%

LAB 85.69, -80.25, 80.75

 

CMYK 74 / 95 / 0 / 3

HEX #3F0CF7

RGB 63 12 247

HSL 253.02, 0.94%, 0.51%

LAB 34.06, 76.44, -100.38

 

CMYK 0 / 35 / 94 / 3

HEX #F7A10F

RGB 247 161 15

HSL 37.76, 0.94%, 0.51%

LAB 73.09, 22.8, 75.44

 

CMYK 95 / 0 / 36 / 3

HEX #0CF79D

RGB 12 247 157

HSL 157.02, 0.94%, 0.51%

LAB 86.52, -68.78, 29.86

 

CMYK 36 / 95 / 0 / 3

HEX #9D0CF7

RGB 157 12 247

HSL 277.02, 0.94%, 0.51%

LAB 44.44, 83, -82.86

 

CMYK 0 / 35 / 94 / 3

HEX #F7A10F

RGB 247 161 15

HSL 37.76, 0.94%, 0.51%

LAB 73.09, 22.8, 75.44

 

CMYK 78 / 0 / 95 / 3

HEX #37F70C

RGB 55 247 12

HSL 109.02, 0.94%, 0.51%

LAB 85.69, -80.25, 80.75

 

CMYK 95 / 59 / 0 / 3

HEX #0C66F7

RGB 12 102 247

HSL 217.02, 0.94%, 0.51%

LAB 47.36, 32.45, -78.45

 

CMYK 17 / 95 / 0 / 3

HEX #CC0CF7

RGB 204 12 247

HSL 289.02, 0.94%, 0.51%

LAB 51.63, 88.8, -70.83

 

CMYK 0 / 35 / 94 / 3

HEX #F7A10F

RGB 247 161 15

HSL 37.76, 0.94%, 0.51%

LAB 73.09, 22.8, 75.44

 

CMYK 95 / 0 / 84 / 3

HEX #0CF728

RGB 12 247 40

HSL 127.15, 0.94%, 0.51%

LAB 85.38, -82.76, 76.03

 

CMYK 95 / 59 / 0 / 3

HEX #0C66F7

RGB 12 102 247

HSL 217.02, 0.94%, 0.51%

LAB 47.36, 32.45, -78.45

 

CMYK 0 / 95 / 11 / 3

HEX #F70CDC

RGB 247 12 220

HSL 306.89, 0.94%, 0.51%

LAB 57.27, 91.54, -46.17

 

Description

Color code: CMYK 3 / 37 / 94 / 0 | qconv.com Color code: CMYK 3 / 37 / 94 / 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 161 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 161 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 37 magenta, 94 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 37% 94% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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