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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 3 / 0 / 3 / 58 it is the complementary color CMYK 0 / 2 / 0 / 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 3 / 0 / 3 / 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 3 / 0 / 3 / 58: CMYK 0 / 2 / 9 / 57, CMYK 0 / 1 / 6 / 51, CMYK 0 / 0 / 4 / 44, CMYK 1 / 0 / 3 / 37 and CMYK 1 / 0 / 2 / 30

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 3 / 0 / 3 / 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 3 / 0 / 3 / 58: CMYK 3 / 0 / 3 / 58, CMYK 2 / 0 / 4 / 65, CMYK 1 / 0 / 7 / 72, CMYK 0 / 0 / 11 / 79 and CMYK 0 / 3 / 22 / 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 3 / 58

HEX #686B68

RGB 104 107 104

HSL 120, 0.01%, 0.41%

LAB 44.88, -1.77, 1.27

 

Complementary color

CMYK 0 / 2 / 0 / 41

HEX #979497

RGB 151 148 151

HSL 300, 0.01%, 0.59%

LAB 61.65, 1.68, -1.2

 

CMYK 0 / 2 / 9 / 57

HEX #6D6B63

RGB 109 107 99

HSL 48, 0.05%, 0.41%

LAB 45.18, -0.79, 4.75

 

CMYK 0 / 1 / 6 / 51

HEX #7E7D76

RGB 126 125 118

HSL 52.5, 0.03%, 0.48%

LAB 52.3, -0.97, 3.94

 

CMYK 0 / 0 / 4 / 44

HEX #8F8F89

RGB 143 143 137

HSL 60, 0.03%, 0.55%

LAB 59.24, -1.14, 3.18

 

CMYK 1 / 0 / 3 / 37

HEX #A0A19C

RGB 160 161 156

HSL 72, 0.03%, 0.62%

LAB 66.03, -1.3, 2.47

 

CMYK 1 / 0 / 2 / 30

HEX #B1B3AF

RGB 177 179 175

HSL 90, 0.03%, 0.69%

LAB 72.68, -1.45, 1.78

 

CMYK 3 / 0 / 3 / 58

HEX #686B68

RGB 104 107 104

HSL 120, 0.01%, 0.41%

LAB 44.88, -1.77, 1.27

 

CMYK 2 / 0 / 4 / 65

HEX #575955

RGB 87 89 85

HSL 90, 0.02%, 0.34%

LAB 37.53, -1.64, 2.03

 

CMYK 1 / 0 / 7 / 72

HEX #464742

RGB 70 71 66

HSL 72, 0.04%, 0.27%

LAB 29.92, -1.49, 2.86

 

CMYK 0 / 0 / 11 / 79

HEX #35352F

RGB 53 53 47

HSL 60, 0.06%, 0.2%

LAB 21.97, -1.32, 3.79

 

CMYK 0 / 3 / 22 / 86

HEX #24231C

RGB 36 35 28

HSL 52.5, 0.13%, 0.13%

LAB 13.6, -1.1, 4.87

 

CMYK 3 / 0 / 3 / 58

HEX #686B68

RGB 104 107 104

HSL 120, 0.01%, 0.41%

LAB 44.88, -1.77, 1.27

 

CMYK 2 / 0 / 2 / 59

HEX #676967

RGB 103 105 103

HSL 120, 0.01%, 0.41%

LAB 44.18, -1.18, 0.85

 

CMYK 2 / 0 / 1 / 59

HEX #676968

RGB 103 105 104

HSL 150, 0.01%, 0.41%

LAB 44.21, -0.98, 0.28

 

CMYK 2 / 0 / 1 / 59

HEX #676968

RGB 103 105 104

HSL 150, 0.01%, 0.41%

LAB 44.21, -0.98, 0.28

 

CMYK 2 / 0 / 1 / 59

HEX #676968

RGB 103 105 104

HSL 150, 0.01%, 0.41%

LAB 44.21, -0.98, 0.28

 

CMYK 3 / 0 / 3 / 58

HEX #686B68

RGB 104 107 104

HSL 120, 0.01%, 0.41%

LAB 44.88, -1.77, 1.27

 

CMYK 3 / 0 / 3 / 38

HEX #9A9E9A

RGB 154 158 154

HSL 120, 0.02%, 0.61%

LAB 64.69, -2.2, 1.58

 

CMYK 3 / 0 / 3 / 18

HEX #CBD1CB

RGB 203 209 203

HSL 120, 0.06%, 0.81%

LAB 83.24, -3.14, 2.25

 

CMYK 0 / 0 / 0 / 98

HEX #050505

RGB 5 5 5

HSL 0, 0%, 0.02%

LAB 1.37, 0, -0

 

CMYK 4 / 0 / 4 / 78

HEX #363836

RGB 54 56 54

HSL 120, 0.02%, 0.22%

LAB 23.27, -1.32, 0.95

 

CMYK 3 / 0 / 3 / 58

HEX #686B68

RGB 104 107 104

HSL 120, 0.01%, 0.41%

LAB 44.88, -1.77, 1.27

 

CMYK 2 / 0 / 0 / 59

HEX #676969

RGB 103 105 105

HSL 180, 0.01%, 0.41%

LAB 44.24, -0.77, -0.28

 

CMYK 0 / 2 / 1 / 59

HEX #696768

RGB 105 103 104

HSL 330, 0.01%, 0.41%

LAB 43.8, 0.99, -0.29

 

CMYK 3 / 0 / 3 / 58

HEX #686B68

RGB 104 107 104

HSL 120, 0.01%, 0.41%

LAB 44.88, -1.77, 1.27

 

CMYK 2 / 2 / 0 / 59

HEX #676769

RGB 103 103 105

HSL 240, 0.01%, 0.41%

LAB 43.66, 0.42, -1.13

 

CMYK 0 / 2 / 2 / 59

HEX #696767

RGB 105 103 103

HSL 0, 0.01%, 0.41%

LAB 43.77, 0.78, 0.27

 

CMYK 3 / 0 / 3 / 58

HEX #686B68

RGB 104 107 104

HSL 120, 0.01%, 0.41%

LAB 44.88, -1.77, 1.27

 

CMYK 2 / 0 / 0 / 59

HEX #676969

RGB 103 105 105

HSL 180, 0.01%, 0.41%

LAB 44.24, -0.77, -0.28

 

CMYK 0 / 2 / 0 / 59

HEX #696769

RGB 105 103 105

HSL 300, 0.01%, 0.41%

LAB 43.83, 1.19, -0.85

 

CMYK 0 / 2 / 2 / 59

HEX #696767

RGB 105 103 103

HSL 0, 0.01%, 0.41%

LAB 43.77, 0.78, 0.27

 

CMYK 3 / 0 / 3 / 58

HEX #686B68

RGB 104 107 104

HSL 120, 0.01%, 0.41%

LAB 44.88, -1.77, 1.27

 

CMYK 2 / 1 / 0 / 59

HEX #676869

RGB 103 104 105

HSL 210, 0.01%, 0.41%

LAB 43.95, -0.18, -0.7

 

CMYK 0 / 2 / 0 / 59

HEX #696769

RGB 105 103 105

HSL 300, 0.01%, 0.41%

LAB 43.83, 1.19, -0.85

 

CMYK 0 / 1 / 2 / 59

HEX #696867

RGB 105 104 103

HSL 30, 0.01%, 0.41%

LAB 44.06, 0.19, 0.69

 

Description

Color code: CMYK 3 / 0 / 3 / 58 | qconv.com Color code: CMYK 3 / 0 / 3 / 58 | qconv.com - big

With this color almost no shade stands out particularly. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 107 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 107 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 3 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 3% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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