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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 39 / 11 / 0 / 8 it is the complementary color CMYK 0 / 59 / 82 / 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 39 / 11 / 0 / 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 39 / 11 / 0 / 8: CMYK 36 / 9 / 0 / 10, CMYK 34 / 9 / 0 / 2, CMYK 29 / 4 / 0 / 0, CMYK 22 / 0 / 0 / 0 and CMYK 15 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 39 / 11 / 0 / 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 39 / 11 / 0 / 8: CMYK 39 / 11 / 0 / 8, CMYK 42 / 12 / 0 / 15, CMYK 45 / 12 / 0 / 23, CMYK 48 / 13 / 0 / 30 and CMYK 53 / 14 / 0 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 11 / 0 / 8

HEX #8FD1EB

RGB 143 209 235

HSL 196.96, 0.7%, 0.74%

LAB 80.43, -14.37, -19.4

 

Complementary color

CMYK 0 / 59 / 82 / 56

HEX #702E14

RGB 112 46 20

HSL 16.96, 0.7%, 0.26%

LAB 27.98, 27.58, 30.07

 

CMYK 36 / 9 / 0 / 10

HEX #94D1E6

RGB 148 209 230

HSL 195.37, 0.62%, 0.74%

LAB 80.52, -14.32, -16.56

 

CMYK 34 / 9 / 0 / 2

HEX #A5E3F9

RGB 165 227 249

HSL 195.71, 0.88%, 0.81%

LAB 86.89, -14.36, -16.96

 

CMYK 29 / 4 / 0 / 0

HEX #B6F5FF

RGB 182 245 255

HSL 188.22, 1%, 0.86%

LAB 92.78, -17.37, -11.18

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 39 / 11 / 0 / 8

HEX #8FD1EB

RGB 143 209 235

HSL 196.96, 0.7%, 0.74%

LAB 80.43, -14.37, -19.4

 

CMYK 42 / 12 / 0 / 15

HEX #7EBFD8

RGB 126 191 216

HSL 196.67, 0.54%, 0.67%

LAB 73.97, -14.26, -19.03

 

CMYK 45 / 12 / 0 / 23

HEX #6DADC5

RGB 109 173 197

HSL 196.36, 0.43%, 0.6%

LAB 67.4, -14.12, -18.65

 

CMYK 48 / 13 / 0 / 30

HEX #5C9BB2

RGB 92 155 178

HSL 196.05, 0.36%, 0.53%

LAB 60.72, -13.92, -18.26

 

CMYK 53 / 14 / 0 / 38

HEX #4B899F

RGB 75 137 159

HSL 195.71, 0.36%, 0.46%

LAB 53.91, -13.65, -17.85

 

CMYK 39 / 11 / 0 / 8

HEX #8FD1EB

RGB 143 209 235

HSL 196.96, 0.7%, 0.74%

LAB 80.43, -14.37, -19.4

 

CMYK 40 / 17 / 0 / 8

HEX #8EC2EB

RGB 142 194 235

HSL 206.45, 0.7%, 0.74%

LAB 76.27, -6.76, -25.72

 

CMYK 40 / 24 / 0 / 8

HEX #8EB3EB

RGB 142 179 235

HSL 216.13, 0.7%, 0.74%

LAB 72.22, 1.39, -31.95

 

CMYK 40 / 31 / 0 / 8

HEX #8EA3EB

RGB 142 163 235

HSL 226.45, 0.7%, 0.74%

LAB 67.98, 10.35, -38.53

 

CMYK 40 / 37 / 0 / 8

HEX #8E94EB

RGB 142 148 235

HSL 236.13, 0.7%, 0.74%

LAB 64.1, 18.96, -44.6

 

CMYK 39 / 11 / 0 / 8

HEX #8FD1EB

RGB 143 209 235

HSL 196.96, 0.7%, 0.74%

LAB 80.43, -14.37, -19.4

 

CMYK 39 / 10 / 0 / 88

HEX #131C1F

RGB 19 28 31

HSL 195, 0.24%, 0.1%

LAB 9.54, -3.12, -3.4

 

CMYK 39 / 11 / 0 / 68

HEX #324952

RGB 50 73 82

HSL 196.88, 0.24%, 0.26%

LAB 29.54, -6.24, -8.19

 

CMYK 39 / 11 / 0 / 48

HEX #517685

RGB 81 118 133

HSL 197.31, 0.24%, 0.42%

LAB 47.49, -8.96, -12.36

 

CMYK 39 / 11 / 0 / 28

HEX #70A4B8

RGB 112 164 184

HSL 196.67, 0.34%, 0.58%

LAB 64.53, -12.02, -15.76

 

CMYK 39 / 11 / 0 / 8

HEX #8FD1EB

RGB 143 209 235

HSL 196.96, 0.7%, 0.74%

LAB 80.43, -14.37, -19.4

 

CMYK 21 / 40 / 0 / 8

HEX #B98EEB

RGB 185 142 235

HSL 267.74, 0.7%, 0.74%

LAB 66.26, 34.2, -40.97

 

CMYK 0 / 6 / 40 / 8

HEX #EBDE8E

RGB 235 222 142

HSL 51.61, 0.7%, 0.74%

LAB 87.9, -6.73, 40.81

 

CMYK 39 / 11 / 0 / 8

HEX #8FD1EB

RGB 143 209 235

HSL 196.96, 0.7%, 0.74%

LAB 80.43, -14.37, -19.4

 

CMYK 0 / 40 / 11 / 8

HEX #EB8ED2

RGB 235 142 210

HSL 316.13, 0.7%, 0.74%

LAB 70.64, 44.65, -19.96

 

CMYK 11 / 0 / 40 / 8

HEX #D2EB8E

RGB 210 235 142

HSL 76.13, 0.7%, 0.74%

LAB 89.43, -22.74, 42.38

 

CMYK 39 / 11 / 0 / 8

HEX #8FD1EB

RGB 143 209 235

HSL 196.96, 0.7%, 0.74%

LAB 80.43, -14.37, -19.4

 

CMYK 21 / 40 / 0 / 8

HEX #B98EEB

RGB 185 142 235

HSL 267.74, 0.7%, 0.74%

LAB 66.26, 34.2, -40.97

 

CMYK 0 / 29 / 40 / 8

HEX #EBA78E

RGB 235 167 142

HSL 16.13, 0.7%, 0.74%

LAB 74.35, 22, 22.92

 

CMYK 19 / 0 / 40 / 8

HEX #BFEB8E

RGB 191 235 142

HSL 88.39, 0.7%, 0.74%

LAB 88.18, -29.71, 40.54

 

CMYK 39 / 11 / 0 / 8

HEX #8FD1EB

RGB 143 209 235

HSL 196.96, 0.7%, 0.74%

LAB 80.43, -14.37, -19.4

 

CMYK 9 / 40 / 0 / 8

HEX #D58EEB

RGB 213 142 235

HSL 285.81, 0.7%, 0.74%

LAB 69.1, 42.39, -36.31

 

CMYK 0 / 29 / 40 / 8

HEX #EBA78E

RGB 235 167 142

HSL 16.13, 0.7%, 0.74%

LAB 74.35, 22, 22.92

 

CMYK 31 / 0 / 40 / 8

HEX #A3EB8E

RGB 163 235 142

HSL 106.45, 0.7%, 0.74%

LAB 86.58, -39.36, 38.16

 

Description

Color code: CMYK 39 / 11 / 0 / 8 | qconv.com Color code: CMYK 39 / 11 / 0 / 8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 209 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 209 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 11 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 11% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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