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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 38 / 13 / 0 / 62 it is the complementary color CMYK 0 / 12 / 19 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 38 / 13 / 0 / 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 38 / 13 / 0 / 62: CMYK 29 / 9 / 0 / 64, CMYK 26 / 8 / 0 / 56, CMYK 24 / 8 / 0 / 49, CMYK 22 / 7 / 0 / 42 and CMYK 21 / 7 / 0 / 34

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 38 / 13 / 0 / 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 38 / 13 / 0 / 62: CMYK 38 / 13 / 0 / 62, CMYK 45 / 15 / 0 / 69, CMYK 56 / 19 / 0 / 77, CMYK 78 / 25 / 0 / 84 and CMYK 100 / 43 / 0 / 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 13 / 0 / 62

HEX #3C5461

RGB 60 84 97

HSL 201.08, 0.24%, 0.31%

LAB 34.32, -5.43, -10.46

 

Complementary color

CMYK 0 / 12 / 19 / 24

HEX #C3AB9E

RGB 195 171 158

HSL 21.08, 0.24%, 0.69%

LAB 71.69, 6.58, 9.87

 

CMYK 29 / 9 / 0 / 64

HEX #41545C

RGB 65 84 92

HSL 197.78, 0.17%, 0.31%

LAB 34.47, -5.19, -7.05

 

CMYK 26 / 8 / 0 / 56

HEX #52666F

RGB 82 102 111

HSL 198.62, 0.15%, 0.38%

LAB 41.91, -5.23, -7.54

 

CMYK 24 / 8 / 0 / 49

HEX #637882

RGB 99 120 130

HSL 199.35, 0.14%, 0.45%

LAB 49.13, -5.27, -8.02

 

CMYK 22 / 7 / 0 / 42

HEX #748A95

RGB 116 138 149

HSL 200, 0.13%, 0.52%

LAB 56.15, -5.31, -8.49

 

CMYK 21 / 7 / 0 / 34

HEX #859CA8

RGB 133 156 168

HSL 200.57, 0.17%, 0.59%

LAB 63, -5.36, -8.95

 

CMYK 38 / 13 / 0 / 62

HEX #3C5461

RGB 60 84 97

HSL 201.08, 0.24%, 0.31%

LAB 34.32, -5.43, -10.46

 

CMYK 45 / 15 / 0 / 69

HEX #2B424E

RGB 43 66 78

HSL 200.57, 0.29%, 0.24%

LAB 26.62, -5.28, -10.06

 

CMYK 56 / 19 / 0 / 77

HEX #1A303B

RGB 26 48 59

HSL 200, 0.39%, 0.17%

LAB 18.58, -5.01, -9.68

 

CMYK 78 / 25 / 0 / 84

HEX #091E28

RGB 9 30 40

HSL 199.35, 0.63%, 0.1%

LAB 10.11, -4.45, -9.27

 

CMYK 100 / 43 / 0 / 92

HEX #000C15

RGB 0 12 21

HSL 205.71, 1%, 0.04%

LAB 2.86, -1.42, -5.88

 

CMYK 38 / 13 / 0 / 62

HEX #3C5461

RGB 60 84 97

HSL 201.08, 0.24%, 0.31%

LAB 34.32, -5.43, -10.46

 

CMYK 39 / 20 / 0 / 62

HEX #3C4E62

RGB 60 78 98

HSL 211.58, 0.24%, 0.31%

LAB 32.46, -1.39, -13.92

 

CMYK 39 / 27 / 0 / 62

HEX #3C4862

RGB 60 72 98

HSL 221.05, 0.24%, 0.31%

LAB 30.59, 2.46, -16.8

 

CMYK 39 / 34 / 0 / 62

HEX #3C4162

RGB 60 65 98

HSL 232.11, 0.24%, 0.31%

LAB 28.44, 7.07, -20.13

 

CMYK 39 / 39 / 0 / 62

HEX #3C3C62

RGB 60 60 98

HSL 240, 0.24%, 0.31%

LAB 26.95, 10.42, -22.47

 

CMYK 38 / 13 / 0 / 62

HEX #3C5461

RGB 60 84 97

HSL 201.08, 0.24%, 0.31%

LAB 34.32, -5.43, -10.46

 

CMYK 38 / 14 / 0 / 42

HEX #5C8094

RGB 92 128 148

HSL 201.43, 0.23%, 0.47%

LAB 51.67, -7.35, -14.8

 

CMYK 38 / 14 / 0 / 22

HEX #7BACC7

RGB 123 172 199

HSL 201.32, 0.4%, 0.63%

LAB 67.9, -9.41, -18.93

 

CMYK 38 / 14 / 0 / 2

HEX #9BD8FA

RGB 155 216 250

HSL 201.47, 0.9%, 0.79%

LAB 83.43, -11.11, -22.76

 

CMYK 39 / 13 / 0 / 82

HEX #1C282E

RGB 28 40 46

HSL 200, 0.24%, 0.15%

LAB 15.29, -3.3, -5.6

 

CMYK 38 / 13 / 0 / 62

HEX #3C5461

RGB 60 84 97

HSL 201.08, 0.24%, 0.31%

LAB 34.32, -5.43, -10.46

 

CMYK 18 / 39 / 0 / 62

HEX #503C62

RGB 80 60 98

HSL 271.58, 0.24%, 0.31%

LAB 28.95, 17.1, -19.19

 

CMYK 0 / 2 / 39 / 62

HEX #62603C

RGB 98 96 60

HSL 56.84, 0.24%, 0.31%

LAB 40.06, -5.33, 20.87

 

CMYK 38 / 13 / 0 / 62

HEX #3C5461

RGB 60 84 97

HSL 201.08, 0.24%, 0.31%

LAB 34.32, -5.43, -10.46

 

CMYK 0 / 39 / 14 / 62

HEX #623C54

RGB 98 60 84

HSL 322.11, 0.24%, 0.31%

LAB 30.56, 20.7, -7.48

 

CMYK 14 / 0 / 39 / 62

HEX #54623C

RGB 84 98 60

HSL 82.11, 0.24%, 0.31%

LAB 39.49, -12.65, 19.9

 

CMYK 38 / 13 / 0 / 62

HEX #3C5461

RGB 60 84 97

HSL 201.08, 0.24%, 0.31%

LAB 34.32, -5.43, -10.46

 

CMYK 18 / 39 / 0 / 62

HEX #503C62

RGB 80 60 98

HSL 271.58, 0.24%, 0.31%

LAB 28.95, 17.1, -19.19

 

CMYK 0 / 26 / 39 / 62

HEX #62493C

RGB 98 73 60

HSL 20.53, 0.24%, 0.31%

LAB 33.32, 8.64, 11.9

 

CMYK 21 / 0 / 39 / 62

HEX #4D623C

RGB 77 98 60

HSL 93.16, 0.24%, 0.31%

LAB 38.97, -15.6, 19.11

 

CMYK 38 / 13 / 0 / 62

HEX #3C5461

RGB 60 84 97

HSL 201.08, 0.24%, 0.31%

LAB 34.32, -5.43, -10.46

 

CMYK 6 / 39 / 0 / 62

HEX #5C3C62

RGB 92 60 98

HSL 290.53, 0.24%, 0.31%

LAB 30.37, 21.36, -16.87

 

CMYK 0 / 26 / 39 / 62

HEX #62493C

RGB 98 73 60

HSL 20.53, 0.24%, 0.31%

LAB 33.32, 8.64, 11.9

 

CMYK 34 / 0 / 39 / 62

HEX #41623C

RGB 65 98 60

HSL 112.11, 0.24%, 0.31%

LAB 38.17, -20.36, 17.92

 

Description

Color code: CMYK 38 / 13 / 0 / 62 | qconv.com Color code: CMYK 38 / 13 / 0 / 62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 84 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 84 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 13 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 13% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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