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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 38 / 0 / 43 / 35 it is the complementary color CMYK 6 / 45 / 0 / 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 38 / 0 / 43 / 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 38 / 0 / 43 / 35: CMYK 35 / 0 / 46 / 35, CMYK 32 / 0 / 41 / 28, CMYK 30 / 0 / 37 / 21, CMYK 28 / 0 / 34 / 14 and CMYK 26 / 0 / 31 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 38 / 0 / 43 / 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 38 / 0 / 43 / 35: CMYK 38 / 0 / 43 / 35, CMYK 42 / 0 / 49 / 42, CMYK 47 / 0 / 57 / 49, CMYK 54 / 0 / 67 / 56 and CMYK 63 / 0 / 81 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 43 / 35

HEX #67A65E

RGB 103 166 94

HSL 112.5, 0.29%, 0.51%

LAB 62.48, -34.8, 31

 

Complementary color

CMYK 6 / 45 / 0 / 37

HEX #9859A1

RGB 152 89 161

HSL 292.5, 0.29%, 0.49%

LAB 47.49, 37.72, -28.42

 

CMYK 35 / 0 / 46 / 35

HEX #6CA659

RGB 108 166 89

HSL 105.19, 0.3%, 0.5%

LAB 62.66, -33.82, 33.89

 

CMYK 32 / 0 / 41 / 28

HEX #7DB86C

RGB 125 184 108

HSL 106.58, 0.35%, 0.57%

LAB 69.27, -33.66, 32.65

 

CMYK 30 / 0 / 37 / 21

HEX #8ECA7F

RGB 142 202 127

HSL 108, 0.41%, 0.65%

LAB 75.78, -33.47, 31.45

 

CMYK 28 / 0 / 34 / 14

HEX #9FDC92

RGB 159 220 146

HSL 109.46, 0.51%, 0.72%

LAB 82.18, -33.27, 30.32

 

CMYK 26 / 0 / 31 / 7

HEX #B0EEA5

RGB 176 238 165

HSL 110.96, 0.68%, 0.79%

LAB 88.49, -33.06, 29.23

 

CMYK 38 / 0 / 43 / 35

HEX #67A65E

RGB 103 166 94

HSL 112.5, 0.29%, 0.51%

LAB 62.48, -34.8, 31

 

CMYK 42 / 0 / 49 / 42

HEX #56944B

RGB 86 148 75

HSL 110.96, 0.33%, 0.44%

LAB 55.75, -34.95, 32.3

 

CMYK 47 / 0 / 57 / 49

HEX #458238

RGB 69 130 56

HSL 109.46, 0.4%, 0.36%

LAB 48.9, -34.99, 33.6

 

CMYK 54 / 0 / 67 / 56

HEX #347025

RGB 52 112 37

HSL 108, 0.5%, 0.29%

LAB 41.93, -34.8, 34.77

 

CMYK 63 / 0 / 81 / 63

HEX #235E12

RGB 35 94 18

HSL 106.58, 0.68%, 0.22%

LAB 34.82, -34.15, 35.36

 

CMYK 38 / 0 / 43 / 35

HEX #67A65E

RGB 103 166 94

HSL 112.5, 0.29%, 0.51%

LAB 62.48, -34.8, 31

 

CMYK 44 / 0 / 42 / 35

HEX #5DA660

RGB 93 166 96

HSL 122.47, 0.29%, 0.51%

LAB 62.04, -37.67, 29.28

 

CMYK 44 / 0 / 35 / 35

HEX #5DA66C

RGB 93 166 108

HSL 132.33, 0.29%, 0.51%

LAB 62.24, -35.65, 23.11

 

CMYK 44 / 0 / 28 / 35

HEX #5DA678

RGB 93 166 120

HSL 142.19, 0.29%, 0.51%

LAB 62.47, -33.39, 16.86

 

CMYK 44 / 0 / 20 / 35

HEX #5DA684

RGB 93 166 132

HSL 152.05, 0.29%, 0.51%

LAB 62.73, -30.9, 10.58

 

CMYK 38 / 0 / 43 / 35

HEX #67A65E

RGB 103 166 94

HSL 112.5, 0.29%, 0.51%

LAB 62.48, -34.8, 31

 

CMYK 38 / 0 / 43 / 15

HEX #87D97B

RGB 135 217 123

HSL 112.34, 0.55%, 0.67%

LAB 79.73, -43.07, 38.53

 

CMYK 38 / 0 / 46 / 95

HEX #080D07

RGB 8 13 7

HSL 110, 0.3%, 0.04%

LAB 3.2, -2.25, 1.88

 

CMYK 38 / 0 / 44 / 75

HEX #284024

RGB 40 64 36

HSL 111.43, 0.28%, 0.2%

LAB 24.47, -15.94, 14.25

 

CMYK 38 / 0 / 43 / 55

HEX #477341

RGB 71 115 65

HSL 112.8, 0.28%, 0.35%

LAB 44.21, -25.99, 22.97

 

CMYK 38 / 0 / 43 / 35

HEX #67A65E

RGB 103 166 94

HSL 112.5, 0.29%, 0.51%

LAB 62.48, -34.8, 31

 

CMYK 44 / 3 / 0 / 35

HEX #5DA1A6

RGB 93 161 166

HSL 184.11, 0.29%, 0.51%

LAB 62.14, -20.17, -9.35

 

CMYK 0 / 44 / 20 / 35

HEX #A65D84

RGB 166 93 132

HSL 327.95, 0.29%, 0.51%

LAB 49.01, 34.96, -8.68

 

CMYK 38 / 0 / 43 / 35

HEX #67A65E

RGB 103 166 94

HSL 112.5, 0.29%, 0.51%

LAB 62.48, -34.8, 31

 

CMYK 44 / 38 / 0 / 35

HEX #5D67A6

RGB 93 103 166

HSL 231.78, 0.29%, 0.51%

LAB 45.33, 13.13, -35.16

 

CMYK 0 / 44 / 38 / 35

HEX #A65D67

RGB 166 93 103

HSL 351.78, 0.29%, 0.51%

LAB 48.15, 30.89, 7.47

 

CMYK 38 / 0 / 43 / 35

HEX #67A65E

RGB 103 166 94

HSL 112.5, 0.29%, 0.51%

LAB 62.48, -34.8, 31

 

CMYK 44 / 3 / 0 / 35

HEX #5DA1A6

RGB 93 161 166

HSL 184.11, 0.29%, 0.51%

LAB 62.14, -20.17, -9.35

 

CMYK 6 / 44 / 0 / 35

HEX #9C5DA6

RGB 156 93 166

HSL 291.78, 0.29%, 0.51%

LAB 49.07, 37.77, -28.86

 

CMYK 0 / 41 / 44 / 35

HEX #A6625D

RGB 166 98 93

HSL 4.11, 0.29%, 0.51%

LAB 49.05, 26.94, 14.7

 

CMYK 38 / 0 / 43 / 35

HEX #67A65E

RGB 103 166 94

HSL 112.5, 0.29%, 0.51%

LAB 62.48, -34.8, 31

 

CMYK 44 / 16 / 0 / 35

HEX #5D8BA6

RGB 93 139 166

HSL 202.19, 0.29%, 0.51%

LAB 55.63, -8.27, -19.18

 

CMYK 6 / 44 / 0 / 35

HEX #9C5DA6

RGB 156 93 166

HSL 291.78, 0.29%, 0.51%

LAB 49.07, 37.77, -28.86

 

CMYK 0 / 28 / 44 / 35

HEX #A6785D

RGB 166 120 93

HSL 22.19, 0.29%, 0.51%

LAB 54.38, 14.51, 21.91

 

Description

Color code: CMYK 38 / 0 / 43 / 35 | qconv.com Color code: CMYK 38 / 0 / 43 / 35 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 166 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 166 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 43 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 43% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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