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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 37 / 5 / 0 / 39 it is the complementary color CMYK 0 / 32 / 37 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 37 / 5 / 0 / 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 37 / 5 / 0 / 39: CMYK 32 / 2 / 0 / 41, CMYK 29 / 2 / 0 / 33, CMYK 28 / 3 / 0 / 26, CMYK 26 / 3 / 0 / 18 and CMYK 25 / 3 / 0 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 37 / 5 / 0 / 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 37 / 5 / 0 / 39: CMYK 37 / 5 / 0 / 39, CMYK 41 / 5 / 0 / 46, CMYK 46 / 5 / 0 / 54, CMYK 53 / 5 / 0 / 61 and CMYK 63 / 5 / 0 / 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 5 / 0 / 39

HEX #62949C

RGB 98 148 156

HSL 188.28, 0.23%, 0.5%

LAB 58.2, -14.59, -9.54

 

Complementary color

CMYK 0 / 32 / 37 / 38

HEX #9D6B63

RGB 157 107 99

HSL 8.28, 0.23%, 0.5%

LAB 50.2, 18.91, 12.56

 

CMYK 32 / 2 / 0 / 41

HEX #679497

RGB 103 148 151

HSL 183.75, 0.19%, 0.5%

LAB 58.32, -14.42, -6.49

 

CMYK 29 / 2 / 0 / 33

HEX #78A6AA

RGB 120 166 170

HSL 184.8, 0.23%, 0.57%

LAB 65.1, -14.35, -7.05

 

CMYK 28 / 3 / 0 / 26

HEX #89B8BD

RGB 137 184 189

HSL 185.77, 0.28%, 0.64%

LAB 71.74, -14.29, -7.58

 

CMYK 26 / 3 / 0 / 18

HEX #9ACAD0

RGB 154 202 208

HSL 186.67, 0.36%, 0.71%

LAB 78.27, -14.23, -8.11

 

CMYK 25 / 3 / 0 / 11

HEX #ABDCE3

RGB 171 220 227

HSL 187.5, 0.5%, 0.78%

LAB 84.68, -14.19, -8.61

 

CMYK 37 / 5 / 0 / 39

HEX #62949C

RGB 98 148 156

HSL 188.28, 0.23%, 0.5%

LAB 58.2, -14.59, -9.54

 

CMYK 41 / 5 / 0 / 46

HEX #518289

RGB 81 130 137

HSL 187.5, 0.26%, 0.43%

LAB 51.29, -14.6, -9

 

CMYK 46 / 5 / 0 / 54

HEX #407076

RGB 64 112 118

HSL 186.67, 0.3%, 0.36%

LAB 44.21, -14.57, -8.43

 

CMYK 53 / 5 / 0 / 61

HEX #2F5E63

RGB 47 94 99

HSL 185.77, 0.36%, 0.29%

LAB 36.95, -14.47, -7.81

 

CMYK 63 / 5 / 0 / 69

HEX #1E4C50

RGB 30 76 80

HSL 184.8, 0.45%, 0.22%

LAB 29.47, -14.22, -7.11

 

CMYK 37 / 5 / 0 / 39

HEX #62949C

RGB 98 148 156

HSL 188.28, 0.23%, 0.5%

LAB 58.2, -14.59, -9.54

 

CMYK 37 / 11 / 0 / 39

HEX #628B9C

RGB 98 139 156

HSL 197.59, 0.23%, 0.5%

LAB 55.55, -9.66, -13.54

 

CMYK 37 / 17 / 0 / 39

HEX #62819C

RGB 98 129 156

HSL 207.93, 0.23%, 0.5%

LAB 52.62, -3.98, -17.98

 

CMYK 37 / 24 / 0 / 39

HEX #62779C

RGB 98 119 156

HSL 218.28, 0.23%, 0.5%

LAB 49.73, 1.87, -22.41

 

CMYK 37 / 30 / 0 / 39

HEX #626D9C

RGB 98 109 156

HSL 228.62, 0.23%, 0.5%

LAB 46.89, 7.89, -26.8

 

CMYK 37 / 5 / 0 / 39

HEX #62949C

RGB 98 148 156

HSL 188.28, 0.23%, 0.5%

LAB 58.2, -14.59, -9.54

 

CMYK 37 / 5 / 0 / 19

HEX #82C4CF

RGB 130 196 207

HSL 188.57, 0.45%, 0.66%

LAB 75.28, -18.12, -12.15

 

CMYK 33 / 0 / 0 / 99

HEX #020303

RGB 2 3 3

HSL 180, 0.2%, 0.01%

LAB 0.76, -0.26, -0.09

 

CMYK 37 / 6 / 0 / 79

HEX #223336

RGB 34 51 54

HSL 189, 0.23%, 0.17%

LAB 19.94, -6.03, -4.14

 

CMYK 37 / 5 / 0 / 59

HEX #426469

RGB 66 100 105

HSL 187.69, 0.23%, 0.34%

LAB 40.07, -10.83, -6.74

 

CMYK 37 / 5 / 0 / 39

HEX #62949C

RGB 98 148 156

HSL 188.28, 0.23%, 0.5%

LAB 58.2, -14.59, -9.54

 

CMYK 25 / 37 / 0 / 39

HEX #75629C

RGB 117 98 156

HSL 259.66, 0.23%, 0.5%

LAB 45.52, 20.38, -28.81

 

CMYK 0 / 10 / 37 / 39

HEX #9C8D62

RGB 156 141 98

HSL 44.48, 0.23%, 0.5%

LAB 58.97, -0.94, 25

 

CMYK 37 / 5 / 0 / 39

HEX #62949C

RGB 98 148 156

HSL 188.28, 0.23%, 0.5%

LAB 58.2, -14.59, -9.54

 

CMYK 0 / 37 / 4 / 39

HEX #9C6295

RGB 156 98 149

HSL 307.24, 0.23%, 0.5%

LAB 49.46, 31.66, -18.23

 

CMYK 4 / 0 / 37 / 39

HEX #959C62

RGB 149 156 98

HSL 67.24, 0.23%, 0.5%

LAB 62.55, -11.98, 29.55

 

CMYK 37 / 5 / 0 / 39

HEX #62949C

RGB 98 148 156

HSL 188.28, 0.23%, 0.5%

LAB 58.2, -14.59, -9.54

 

CMYK 25 / 37 / 0 / 39

HEX #75629C

RGB 117 98 156

HSL 259.66, 0.23%, 0.5%

LAB 45.52, 20.38, -28.81

 

CMYK 0 / 33 / 37 / 39

HEX #9C6962

RGB 156 105 98

HSL 7.24, 0.23%, 0.5%

LAB 49.56, 19.52, 12.25

 

CMYK 12 / 0 / 37 / 39

HEX #899C62

RGB 137 156 98

HSL 79.66, 0.23%, 0.5%

LAB 61.63, -16.81, 28.19

 

CMYK 37 / 5 / 0 / 39

HEX #62949C

RGB 98 148 156

HSL 188.28, 0.23%, 0.5%

LAB 58.2, -14.59, -9.54

 

CMYK 13 / 37 / 0 / 39

HEX #87629C

RGB 135 98 156

HSL 278.28, 0.23%, 0.5%

LAB 47.35, 26.12, -25.83

 

CMYK 0 / 33 / 37 / 39

HEX #9C6962

RGB 156 105 98

HSL 7.24, 0.23%, 0.5%

LAB 49.56, 19.52, 12.25

 

CMYK 24 / 0 / 37 / 39

HEX #779C62

RGB 119 156 98

HSL 98.28, 0.23%, 0.5%

LAB 60.41, -23.76, 26.36

 

Description

Color code: CMYK 37 / 5 / 0 / 39 | qconv.com Color code: CMYK 37 / 5 / 0 / 39 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 148 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 148 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 5 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 5% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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