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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 36 / 27 / 28 / 6 it is the complementary color CMYK 0 / 22 / 20 / 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 36 / 27 / 28 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 36 / 27 / 28 / 6: CMYK 10 / 0 / 4 / 31, CMYK 9 / 0 / 3 / 24, CMYK 9 / 0 / 2 / 17, CMYK 9 / 0 / 2 / 10 and CMYK 9 / 0 / 1 / 3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 36 / 27 / 28 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 36 / 27 / 28 / 6: CMYK 13 / 0 / 1 / 31, CMYK 13 / 0 / 2 / 38, CMYK 14 / 0 / 3 / 45, CMYK 16 / 0 / 4 / 53 and CMYK 17 / 0 / 6 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 27 / 28 / 6

HEX #99AFAD

RGB 153 175 173

HSL 174.55, 0.12%, 0.64%

LAB 69.79, -7.98, -1.55

 

Complementary color

CMYK 0 / 22 / 20 / 60

HEX #665052

RGB 102 80 82

HSL 354.55, 0.12%, 0.36%

LAB 36.31, 9.54, 2.33

 

CMYK 10 / 0 / 4 / 31

HEX #9EAFA8

RGB 158 175 168

HSL 155.29, 0.1%, 0.65%

LAB 70, -7.28, 1.56

 

CMYK 9 / 0 / 3 / 24

HEX #AFC1BB

RGB 175 193 187

HSL 160, 0.13%, 0.72%

LAB 76.58, -7.3, 0.91

 

CMYK 9 / 0 / 2 / 17

HEX #C0D3CE

RGB 192 211 206

HSL 164.21, 0.18%, 0.79%

LAB 83.05, -7.33, 0.28

 

CMYK 9 / 0 / 2 / 10

HEX #D1E5E1

RGB 209 229 225

HSL 168, 0.28%, 0.86%

LAB 89.41, -7.36, -0.33

 

CMYK 9 / 0 / 1 / 3

HEX #E2F7F4

RGB 226 247 244

HSL 171.43, 0.57%, 0.93%

LAB 95.67, -7.4, -0.92

 

CMYK 13 / 0 / 1 / 31

HEX #99AFAD

RGB 153 175 173

HSL 174.55, 0.12%, 0.64%

LAB 69.79, -7.98, -1.55

 

CMYK 13 / 0 / 2 / 38

HEX #889D9A

RGB 136 157 154

HSL 171.43, 0.1%, 0.57%

LAB 63.08, -7.99, -0.93

 

CMYK 14 / 0 / 3 / 45

HEX #778B87

RGB 119 139 135

HSL 168, 0.08%, 0.51%

LAB 56.22, -8.02, -0.29

 

CMYK 16 / 0 / 4 / 53

HEX #667974

RGB 102 121 116

HSL 164.21, 0.09%, 0.44%

LAB 49.2, -8.06, 0.39

 

CMYK 17 / 0 / 6 / 60

HEX #556761

RGB 85 103 97

HSL 160, 0.1%, 0.37%

LAB 41.99, -8.13, 1.12

 

CMYK 13 / 0 / 1 / 31

HEX #99AFAD

RGB 153 175 173

HSL 174.55, 0.12%, 0.64%

LAB 69.79, -7.98, -1.55

 

CMYK 13 / 1 / 0 / 32

HEX #98ACAE

RGB 152 172 174

HSL 185.45, 0.12%, 0.64%

LAB 68.92, -6.5, -3.39

 

CMYK 13 / 3 / 0 / 32

HEX #98A9AE

RGB 152 169 174

HSL 193.64, 0.12%, 0.64%

LAB 68.1, -4.88, -4.6

 

CMYK 13 / 5 / 0 / 32

HEX #98A5AE

RGB 152 165 174

HSL 204.55, 0.12%, 0.64%

LAB 67.01, -2.7, -6.21

 

CMYK 13 / 7 / 0 / 32

HEX #98A1AE

RGB 152 161 174

HSL 215.45, 0.12%, 0.64%

LAB 65.92, -0.5, -7.83

 

CMYK 13 / 0 / 1 / 31

HEX #99AFAD

RGB 153 175 173

HSL 174.55, 0.12%, 0.64%

LAB 69.79, -7.98, -1.55

 

CMYK 12 / 0 / 1 / 11

HEX #C6E2DF

RGB 198 226 223

HSL 173.57, 0.33%, 0.83%

LAB 87.84, -9.77, -1.66

 

CMYK 14 / 0 / 0 / 91

HEX #131616

RGB 19 22 22

HSL 180, 0.07%, 0.08%

LAB 6.96, -1.3, -0.46

 

CMYK 12 / 0 / 1 / 71

HEX #404948

RGB 64 73 72

HSL 173.33, 0.07%, 0.27%

LAB 30.21, -3.87, -0.64

 

CMYK 13 / 0 / 1 / 51

HEX #6C7C7B

RGB 108 124 123

HSL 176.25, 0.07%, 0.45%

LAB 50.73, -6.08, -1.45

 

CMYK 13 / 0 / 1 / 31

HEX #99AFAD

RGB 153 175 173

HSL 174.55, 0.12%, 0.64%

LAB 69.79, -7.98, -1.55

 

CMYK 11 / 13 / 0 / 32

HEX #9A98AE

RGB 154 152 174

HSL 245.45, 0.12%, 0.64%

LAB 63.66, 5.19, -11.19

 

CMYK 0 / 6 / 13 / 32

HEX #AEA398

RGB 174 163 152

HSL 30, 0.12%, 0.64%

LAB 67.62, 2.07, 7.13

 

CMYK 13 / 0 / 1 / 31

HEX #99AFAD

RGB 153 175 173

HSL 174.55, 0.12%, 0.64%

LAB 69.79, -7.98, -1.55

 

CMYK 1 / 13 / 0 / 32

HEX #AC98AE

RGB 172 152 174

HSL 294.55, 0.12%, 0.64%

LAB 65.19, 11.42, -8.74

 

CMYK 0 / 1 / 13 / 32

HEX #AEAC98

RGB 174 172 152

HSL 54.55, 0.12%, 0.64%

LAB 70.01, -2.81, 10.55

 

CMYK 13 / 0 / 1 / 31

HEX #99AFAD

RGB 153 175 173

HSL 174.55, 0.12%, 0.64%

LAB 69.79, -7.98, -1.55

 

CMYK 11 / 13 / 0 / 32

HEX #9A98AE

RGB 154 152 174

HSL 245.45, 0.12%, 0.64%

LAB 63.66, 5.19, -11.19

 

CMYK 0 / 13 / 11 / 32

HEX #AE989A

RGB 174 152 154

HSL 354.55, 0.12%, 0.64%

LAB 64.79, 8.47, 1.94

 

CMYK 1 / 0 / 13 / 32

HEX #ACAE98

RGB 172 174 152

HSL 65.45, 0.12%, 0.64%

LAB 70.39, -4.63, 11.06

 

CMYK 13 / 0 / 1 / 31

HEX #99AFAD

RGB 153 175 173

HSL 174.55, 0.12%, 0.64%

LAB 69.79, -7.98, -1.55

 

CMYK 8 / 13 / 0 / 32

HEX #A098AE

RGB 160 152 174

HSL 261.82, 0.12%, 0.64%

LAB 64.15, 7.24, -10.4

 

CMYK 0 / 13 / 11 / 32

HEX #AE989A

RGB 174 152 154

HSL 354.55, 0.12%, 0.64%

LAB 64.79, 8.47, 1.94

 

CMYK 5 / 0 / 13 / 32

HEX #A5AE98

RGB 165 174 152

HSL 84.55, 0.12%, 0.64%

LAB 69.85, -7.21, 10.22

 

Description

Color code: CMYK 36 / 27 / 28 / 6 | qconv.com Color code: CMYK 36 / 27 / 28 / 6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 175 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 175 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 27 magenta, 28 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 27% 28% 6% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Overcoming Pornograp...
Link: http://overcomingpornography.org

21% - MIM – EXPERT IN CUST...
Link: http://mim-furniture.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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