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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 36 / 0 / 51 / 15 it is the complementary color CMYK 22 / 74 / 0 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 36 / 0 / 51 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 36 / 0 / 51 / 15: CMYK 34 / 0 / 53 / 15, CMYK 31 / 0 / 49 / 8, CMYK 30 / 0 / 45 / 1, CMYK 24 / 0 / 38 / 0 and CMYK 17 / 0 / 31 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 36 / 0 / 51 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 36 / 0 / 51 / 15: CMYK 36 / 0 / 51 / 15, CMYK 39 / 0 / 56 / 22, CMYK 42 / 0 / 62 / 29, CMYK 46 / 0 / 70 / 36 and CMYK 51 / 0 / 79 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 51 / 15

HEX #8BD96A

RGB 139 217 106

HSL 102.16, 0.59%, 0.63%

LAB 79.7, -43.97, 46.82

 

Complementary color

CMYK 22 / 74 / 0 / 42

HEX #742695

RGB 116 38 149

HSL 282.16, 0.59%, 0.37%

LAB 32.41, 51.04, -45.41

 

CMYK 34 / 0 / 53 / 15

HEX #90D965

RGB 144 217 101

HSL 97.76, 0.6%, 0.62%

LAB 79.89, -42.86, 49.45

 

CMYK 31 / 0 / 49 / 8

HEX #A1EB78

RGB 161 235 120

HSL 98.61, 0.74%, 0.7%

LAB 86.18, -42.83, 48.32

 

CMYK 30 / 0 / 45 / 1

HEX #B2FD8B

RGB 178 253 139

HSL 99.47, 0.97%, 0.77%

LAB 92.39, -42.74, 47.18

 

CMYK 24 / 0 / 38 / 0

HEX #C3FF9E

RGB 195 255 158

HSL 97.11, 1%, 0.81%

LAB 94.14, -35.49, 40.4

 

CMYK 17 / 0 / 31 / 0

HEX #D4FFB1

RGB 212 255 177

HSL 93.08, 1%, 0.85%

LAB 95.45, -27.05, 32.9

 

CMYK 36 / 0 / 51 / 15

HEX #8BD96A

RGB 139 217 106

HSL 102.16, 0.59%, 0.63%

LAB 79.7, -43.97, 46.82

 

CMYK 39 / 0 / 56 / 22

HEX #7AC757

RGB 122 199 87

HSL 101.25, 0.5%, 0.56%

LAB 73.33, -43.98, 47.95

 

CMYK 42 / 0 / 62 / 29

HEX #69B544

RGB 105 181 68

HSL 100.35, 0.45%, 0.49%

LAB 66.88, -43.88, 48.97

 

CMYK 46 / 0 / 70 / 36

HEX #58A331

RGB 88 163 49

HSL 99.47, 0.54%, 0.42%

LAB 60.33, -43.61, 49.72

 

CMYK 51 / 0 / 79 / 43

HEX #47911E

RGB 71 145 30

HSL 98.61, 0.66%, 0.34%

LAB 53.69, -43.05, 49.84

 

CMYK 36 / 0 / 51 / 15

HEX #8BD96A

RGB 139 217 106

HSL 102.16, 0.59%, 0.63%

LAB 79.7, -43.97, 46.82

 

CMYK 45 / 0 / 52 / 15

HEX #77D868

RGB 119 216 104

HSL 111.96, 0.59%, 0.63%

LAB 78.48, -50.02, 46.08

 

CMYK 52 / 0 / 50 / 15

HEX #68D86C

RGB 104 216 108

HSL 122.14, 0.59%, 0.63%

LAB 77.96, -53.66, 43.39

 

CMYK 52 / 0 / 41 / 15

HEX #68D87F

RGB 104 216 127

HSL 132.32, 0.59%, 0.63%

LAB 78.22, -50.85, 34.33

 

CMYK 52 / 0 / 33 / 15

HEX #68D891

RGB 104 216 145

HSL 141.96, 0.59%, 0.63%

LAB 78.52, -47.75, 25.49

 

CMYK 36 / 0 / 51 / 15

HEX #8BD96A

RGB 139 217 106

HSL 102.16, 0.59%, 0.63%

LAB 79.7, -43.97, 46.82

 

CMYK 38 / 0 / 54 / 95

HEX #080D06

RGB 8 13 6

HSL 102.86, 0.37%, 0.04%

LAB 3.19, -2.38, 2.26

 

CMYK 36 / 0 / 52 / 75

HEX #29401F

RGB 41 64 31

HSL 101.82, 0.35%, 0.19%

LAB 24.44, -16.38, 17.34

 

CMYK 36 / 0 / 51 / 55

HEX #4A7338

RGB 74 115 56

HSL 101.69, 0.35%, 0.34%

LAB 44.24, -26.24, 28.03

 

CMYK 36 / 0 / 51 / 35

HEX #6AA651

RGB 106 166 81

HSL 102.35, 0.34%, 0.48%

LAB 62.45, -35.56, 37.68

 

CMYK 36 / 0 / 51 / 15

HEX #8BD96A

RGB 139 217 106

HSL 102.16, 0.59%, 0.63%

LAB 79.7, -43.97, 46.82

 

CMYK 52 / 0 / 5 / 15

HEX #68D8CD

RGB 104 216 205

HSL 174.11, 0.59%, 0.63%

LAB 79.88, -34.6, -4.37

 

CMYK 0 / 52 / 16 / 15

HEX #D868B6

RGB 216 104 182

HSL 318.21, 0.59%, 0.63%

LAB 59.78, 53.34, -20.97

 

CMYK 36 / 0 / 51 / 15

HEX #8BD96A

RGB 139 217 106

HSL 102.16, 0.59%, 0.63%

LAB 79.7, -43.97, 46.82

 

CMYK 52 / 36 / 0 / 15

HEX #688AD8

RGB 104 138 216

HSL 221.79, 0.59%, 0.63%

LAB 58.11, 10.02, -43.65

 

CMYK 0 / 52 / 36 / 15

HEX #D8688A

RGB 216 104 138

HSL 341.79, 0.59%, 0.63%

LAB 58.35, 47.39, 2.34

 

CMYK 36 / 0 / 51 / 15

HEX #8BD96A

RGB 139 217 106

HSL 102.16, 0.59%, 0.63%

LAB 79.7, -43.97, 46.82

 

CMYK 52 / 0 / 5 / 15

HEX #68D8CD

RGB 104 216 205

HSL 174.11, 0.59%, 0.63%

LAB 79.88, -34.6, -4.37

 

CMYK 16 / 52 / 0 / 15

HEX #B668D8

RGB 182 104 216

HSL 281.79, 0.59%, 0.63%

LAB 56.88, 49.73, -45.14

 

CMYK 0 / 52 / 46 / 15

HEX #D86874

RGB 216 104 116

HSL 353.57, 0.59%, 0.63%

LAB 57.81, 45.03, 14.38

 

CMYK 36 / 0 / 51 / 15

HEX #8BD96A

RGB 139 217 106

HSL 102.16, 0.59%, 0.63%

LAB 79.7, -43.97, 46.82

 

CMYK 52 / 10 / 0 / 15

HEX #68C2D8

RGB 104 194 216

HSL 191.79, 0.59%, 0.63%

LAB 73.86, -20.94, -19.29

 

CMYK 16 / 52 / 0 / 15

HEX #B668D8

RGB 182 104 216

HSL 281.79, 0.59%, 0.63%

LAB 56.88, 49.73, -45.14

 

CMYK 0 / 41 / 52 / 15

HEX #D87F68

RGB 216 127 104

HSL 12.32, 0.59%, 0.63%

LAB 62.32, 32.07, 27.31

 

Description

Color code: CMYK 36 / 0 / 51 / 15 | qconv.com Color code: CMYK 36 / 0 / 51 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 217 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 217 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 51 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 51% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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