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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 35 / 7 / 0 / 56 it is the complementary color CMYK 0 / 17 / 21 / 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 35 / 7 / 0 / 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 35 / 7 / 0 / 56: CMYK 27 / 3 / 0 / 58, CMYK 25 / 3 / 0 / 51, CMYK 23 / 3 / 0 / 43, CMYK 21 / 4 / 0 / 36 and CMYK 20 / 4 / 0 / 28

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 35 / 7 / 0 / 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 35 / 7 / 0 / 56: CMYK 35 / 7 / 0 / 56, CMYK 40 / 8 / 0 / 64, CMYK 47 / 8 / 0 / 71, CMYK 60 / 9 / 0 / 78 and CMYK 86 / 11 / 0 / 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 7 / 0 / 56

HEX #496870

RGB 73 104 112

HSL 192.31, 0.21%, 0.36%

LAB 41.98, -9.07, -8.11

 

Complementary color

CMYK 0 / 17 / 21 / 29

HEX #B6978F

RGB 182 151 143

HSL 12.31, 0.21%, 0.64%

LAB 65.01, 10.27, 8.53

 

CMYK 27 / 3 / 0 / 58

HEX #4E686B

RGB 78 104 107

HSL 186.21, 0.16%, 0.36%

LAB 42.13, -8.77, -4.82

 

CMYK 25 / 3 / 0 / 51

HEX #5F7A7E

RGB 95 122 126

HSL 187.74, 0.14%, 0.43%

LAB 49.32, -8.72, -5.39

 

CMYK 23 / 3 / 0 / 43

HEX #708C91

RGB 112 140 145

HSL 189.09, 0.13%, 0.5%

LAB 56.33, -8.69, -5.94

 

CMYK 21 / 4 / 0 / 36

HEX #819EA4

RGB 129 158 164

HSL 190.29, 0.16%, 0.57%

LAB 63.18, -8.67, -6.47

 

CMYK 20 / 4 / 0 / 28

HEX #92B0B7

RGB 146 176 183

HSL 191.35, 0.2%, 0.65%

LAB 69.88, -8.66, -6.99

 

CMYK 35 / 7 / 0 / 56

HEX #496870

RGB 73 104 112

HSL 192.31, 0.21%, 0.36%

LAB 41.98, -9.07, -8.11

 

CMYK 40 / 8 / 0 / 64

HEX #38565D

RGB 56 86 93

HSL 191.35, 0.25%, 0.29%

LAB 34.57, -9.06, -7.59

 

CMYK 47 / 8 / 0 / 71

HEX #27444A

RGB 39 68 74

HSL 190.29, 0.31%, 0.22%

LAB 26.91, -9.01, -7.04

 

CMYK 60 / 9 / 0 / 78

HEX #163237

RGB 22 50 55

HSL 189.09, 0.43%, 0.15%

LAB 18.92, -8.86, -6.43

 

CMYK 86 / 11 / 0 / 86

HEX #052024

RGB 5 32 36

HSL 187.74, 0.76%, 0.08%

LAB 10.5, -8.55, -5.74

 

CMYK 35 / 7 / 0 / 56

HEX #496870

RGB 73 104 112

HSL 192.31, 0.21%, 0.36%

LAB 41.98, -9.07, -8.11

 

CMYK 35 / 14 / 0 / 56

HEX #48606F

RGB 72 96 111

HSL 203.08, 0.21%, 0.36%

LAB 39.4, -4.92, -11.39

 

CMYK 35 / 19 / 0 / 56

HEX #485A6F

RGB 72 90 111

HSL 212.31, 0.21%, 0.36%

LAB 37.55, -1.26, -14.2

 

CMYK 35 / 24 / 0 / 56

HEX #48546F

RGB 72 84 111

HSL 221.54, 0.21%, 0.36%

LAB 35.73, 2.49, -16.99

 

CMYK 35 / 31 / 0 / 56

HEX #484D6F

RGB 72 77 111

HSL 232.31, 0.21%, 0.36%

LAB 33.63, 6.96, -20.23

 

CMYK 35 / 7 / 0 / 56

HEX #496870

RGB 73 104 112

HSL 192.31, 0.21%, 0.36%

LAB 41.98, -9.07, -8.11

 

CMYK 35 / 7 / 0 / 36

HEX #6A97A3

RGB 106 151 163

HSL 192.63, 0.24%, 0.53%

LAB 59.75, -12.13, -11.17

 

CMYK 35 / 7 / 0 / 16

HEX #8BC7D6

RGB 139 199 214

HSL 192, 0.48%, 0.69%

LAB 76.79, -15.52, -13.62

 

CMYK 30 / 10 / 0 / 96

HEX #07090A

RGB 7 9 10

HSL 200, 0.18%, 0.03%

LAB 2.37, -0.38, -0.56

 

CMYK 34 / 7 / 0 / 76

HEX #28393D

RGB 40 57 61

HSL 191.43, 0.21%, 0.2%

LAB 22.7, -5.7, -4.72

 

CMYK 35 / 7 / 0 / 56

HEX #496870

RGB 73 104 112

HSL 192.31, 0.21%, 0.36%

LAB 41.98, -9.07, -8.11

 

CMYK 22 / 35 / 0 / 56

HEX #57486F

RGB 87 72 111

HSL 263.08, 0.21%, 0.36%

LAB 33.58, 15.17, -20.2

 

CMYK 0 / 7 / 35 / 56

HEX #6F6748

RGB 111 103 72

HSL 47.69, 0.21%, 0.36%

LAB 43.58, -2.02, 18.66

 

CMYK 35 / 7 / 0 / 56

HEX #496870

RGB 73 104 112

HSL 192.31, 0.21%, 0.36%

LAB 41.98, -9.07, -8.11

 

CMYK 0 / 35 / 7 / 56

HEX #6F4867

RGB 111 72 103

HSL 312.31, 0.21%, 0.36%

LAB 35.97, 21.99, -11.27

 

CMYK 7 / 0 / 35 / 56

HEX #676F48

RGB 103 111 72

HSL 72.31, 0.21%, 0.36%

LAB 45.25, -10.09, 20.75

 

CMYK 35 / 7 / 0 / 56

HEX #496870

RGB 73 104 112

HSL 192.31, 0.21%, 0.36%

LAB 41.98, -9.07, -8.11

 

CMYK 22 / 35 / 0 / 56

HEX #57486F

RGB 87 72 111

HSL 263.08, 0.21%, 0.36%

LAB 33.58, 15.17, -20.2

 

CMYK 0 / 28 / 35 / 56

HEX #6F5048

RGB 111 80 72

HSL 12.31, 0.21%, 0.36%

LAB 37.09, 11.8, 9.83

 

CMYK 14 / 0 / 35 / 56

HEX #5F6F48

RGB 95 111 72

HSL 84.62, 0.21%, 0.36%

LAB 44.62, -13.46, 19.8

 

CMYK 35 / 7 / 0 / 56

HEX #496870

RGB 73 104 112

HSL 192.31, 0.21%, 0.36%

LAB 41.98, -9.07, -8.11

 

CMYK 11 / 35 / 0 / 56

HEX #63486F

RGB 99 72 111

HSL 281.54, 0.21%, 0.36%

LAB 34.87, 19.35, -18.1

 

CMYK 0 / 28 / 35 / 56

HEX #6F5048

RGB 111 80 72

HSL 12.31, 0.21%, 0.36%

LAB 37.09, 11.8, 9.83

 

CMYK 24 / 0 / 35 / 56

HEX #546F48

RGB 84 111 72

HSL 101.54, 0.21%, 0.36%

LAB 43.83, -17.9, 18.61

 

Description

Color code: CMYK 35 / 7 / 0 / 56 | qconv.com Color code: CMYK 35 / 7 / 0 / 56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 104 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 104 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 7 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 7% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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