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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 35 / 62 / 0 / 38 it is the complementary color CMYK 22 / 0 / 50 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 35 / 62 / 0 / 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 35 / 62 / 0 / 38: CMYK 29 / 61 / 0 / 40, CMYK 27 / 55 / 0 / 33, CMYK 26 / 50 / 0 / 25, CMYK 24 / 46 / 0 / 18 and CMYK 23 / 42 / 0 / 10

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 35 / 62 / 0 / 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 35 / 62 / 0 / 38: CMYK 35 / 62 / 0 / 38, CMYK 38 / 70 / 0 / 45, CMYK 43 / 80 / 0 / 53, CMYK 49 / 94 / 0 / 60 and CMYK 57 / 100 / 0 / 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 62 / 0 / 38

HEX #673C9E

RGB 103 60 158

HSL 266.33, 0.45%, 0.43%

LAB 35.17, 39.54, -46.52

 

Complementary color

CMYK 22 / 0 / 50 / 24

HEX #98C361

RGB 152 195 97

HSL 86.33, 0.45%, 0.57%

LAB 73.91, -30.47, 44.3

 

CMYK 29 / 61 / 0 / 40

HEX #6C3C99

RGB 108 60 153

HSL 270.97, 0.44%, 0.42%

LAB 35.44, 39.48, -43.03

 

CMYK 27 / 55 / 0 / 33

HEX #7D4EAC

RGB 125 78 172

HSL 270, 0.38%, 0.49%

LAB 42.44, 38.53, -43.09

 

CMYK 26 / 50 / 0 / 25

HEX #8E60BF

RGB 142 96 191

HSL 269.05, 0.43%, 0.56%

LAB 49.35, 37.58, -43.1

 

CMYK 24 / 46 / 0 / 18

HEX #9F72D2

RGB 159 114 210

HSL 268.13, 0.52%, 0.64%

LAB 56.15, 36.67, -43.08

 

CMYK 23 / 42 / 0 / 10

HEX #B084E5

RGB 176 132 229

HSL 267.22, 0.65%, 0.71%

LAB 62.84, 35.82, -43.08

 

CMYK 35 / 62 / 0 / 38

HEX #673C9E

RGB 103 60 158

HSL 266.33, 0.45%, 0.43%

LAB 35.17, 39.54, -46.52

 

CMYK 38 / 70 / 0 / 45

HEX #562A8B

RGB 86 42 139

HSL 267.22, 0.54%, 0.35%

LAB 28.11, 40.49, -46.41

 

CMYK 43 / 80 / 0 / 53

HEX #451878

RGB 69 24 120

HSL 268.13, 0.67%, 0.28%

LAB 21.11, 41, -45.94

 

CMYK 49 / 94 / 0 / 60

HEX #340665

RGB 52 6 101

HSL 269.05, 0.89%, 0.21%

LAB 14.4, 40.39, -44.68

 

CMYK 57 / 100 / 0 / 68

HEX #230052

RGB 35 0 82

HSL 265.61, 1%, 0.16%

LAB 8.71, 36.34, -41.35

 

CMYK 35 / 62 / 0 / 38

HEX #673C9E

RGB 103 60 158

HSL 266.33, 0.45%, 0.43%

LAB 35.17, 39.54, -46.52

 

CMYK 25 / 62 / 0 / 38

HEX #773C9E

RGB 119 60 158

HSL 276.12, 0.45%, 0.43%

LAB 37.16, 43.43, -43.23

 

CMYK 15 / 62 / 0 / 38

HEX #873C9E

RGB 135 60 158

HSL 285.92, 0.45%, 0.43%

LAB 39.33, 47.47, -39.63

 

CMYK 4 / 62 / 0 / 38

HEX #983C9E

RGB 152 60 158

HSL 296.33, 0.45%, 0.43%

LAB 41.81, 51.83, -35.54

 

CMYK 0 / 62 / 6 / 38

HEX #9E3C95

RGB 158 60 149

HSL 305.51, 0.45%, 0.43%

LAB 42.26, 51.81, -29.35

 

CMYK 35 / 62 / 0 / 38

HEX #673C9E

RGB 103 60 158

HSL 266.33, 0.45%, 0.43%

LAB 35.17, 39.54, -46.52

 

CMYK 35 / 62 / 0 / 18

HEX #884FD1

RGB 136 79 209

HSL 266.31, 0.59%, 0.56%

LAB 46.22, 49.85, -58.51

 

CMYK 40 / 60 / 0 / 98

HEX #030205

RGB 3 2 5

HSL 260, 0.43%, 0.01%

LAB 0.67, 0.68, -1.04

 

CMYK 34 / 63 / 0 / 78

HEX #251538

RGB 37 21 56

HSL 267.43, 0.45%, 0.15%

LAB 10.67, 16.95, -19.86

 

CMYK 35 / 62 / 0 / 58

HEX #46296B

RGB 70 41 107

HSL 266.36, 0.45%, 0.29%

LAB 23.5, 28.51, -33.69

 

CMYK 35 / 62 / 0 / 38

HEX #673C9E

RGB 103 60 158

HSL 266.33, 0.45%, 0.43%

LAB 35.17, 39.54, -46.52

 

CMYK 0 / 62 / 39 / 38

HEX #9E3C60

RGB 158 60 96

HSL 337.96, 0.45%, 0.43%

LAB 40.16, 44.16, 0.1

 

CMYK 62 / 0 / 60 / 38

HEX #3C9E3F

RGB 60 158 63

HSL 121.84, 0.45%, 0.43%

LAB 57.82, -48.07, 40.52

 

CMYK 35 / 62 / 0 / 38

HEX #673C9E

RGB 103 60 158

HSL 266.33, 0.45%, 0.43%

LAB 35.17, 39.54, -46.52

 

CMYK 0 / 35 / 62 / 38

HEX #9E673C

RGB 158 103 60

HSL 26.33, 0.45%, 0.43%

LAB 48.63, 17.65, 32.98

 

CMYK 62 / 0 / 35 / 38

HEX #3C9E67

RGB 60 158 103

HSL 146.33, 0.45%, 0.43%

LAB 58.41, -41.59, 20.48

 

CMYK 35 / 62 / 0 / 38

HEX #673C9E

RGB 103 60 158

HSL 266.33, 0.45%, 0.43%

LAB 35.17, 39.54, -46.52

 

CMYK 0 / 62 / 39 / 38

HEX #9E3C60

RGB 158 60 96

HSL 337.96, 0.45%, 0.43%

LAB 40.16, 44.16, 0.1

 

CMYK 27 / 0 / 62 / 38

HEX #749E3C

RGB 116 158 60

HSL 85.71, 0.45%, 0.43%

LAB 60.33, -30.41, 45.44

 

CMYK 62 / 0 / 23 / 38

HEX #3C9E7A

RGB 60 158 122

HSL 157.96, 0.45%, 0.43%

LAB 58.81, -37.44, 10.45

 

CMYK 35 / 62 / 0 / 38

HEX #673C9E

RGB 103 60 158

HSL 266.33, 0.45%, 0.43%

LAB 35.17, 39.54, -46.52

 

CMYK 0 / 62 / 58 / 38

HEX #9E3C42

RGB 158 60 66

HSL 356.33, 0.45%, 0.43%

LAB 39.4, 41.24, 17.85

 

CMYK 27 / 0 / 62 / 38

HEX #749E3C

RGB 116 158 60

HSL 85.71, 0.45%, 0.43%

LAB 60.33, -30.41, 45.44

 

CMYK 62 / 0 / 4 / 38

HEX #3C9E98

RGB 60 158 152

HSL 176.33, 0.45%, 0.43%

LAB 59.6, -29.67, -5.35

 

Description

Color code: CMYK 35 / 62 / 0 / 38 | qconv.com Color code: CMYK 35 / 62 / 0 / 38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 60 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 60 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 62 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 62% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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